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Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference?

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference?

Let’s compare a basic camera to one of the best cameras out there and more toward the pricey side, let’s be honest. I always heard the best camera is the one you have on you so let’s find out if that is true!

This is more of an artistic comparison than technical. I am not a number guy, I tried to get the best possible Raw file out of each camera by shooting at 100 ISO on a tripod with a two-second timer.

Below are the different shots I got that night where I tried to capture the best photo I could with the camera I was using. Let’s see if you can guess which is which:

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 1

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 2

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 3

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 4

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 5

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 6

Can you tell the difference? Well, the first three photos are taken on a Canon T2i and the last three on a Fujifilm GFX 100s. Let’s compare more closely the Canon versus the Fuji:

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 7

They were both taken with the same 2.5-second shutter, and you can tell that the Fuji has much more information due to the 102 million pixels, even more so when you zoom in at 100%:

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 8

The Fuji would be definitely better in terms of sharpness and definition for printing, but the Canon colors are really not bad and the result is pretty impressive. It still is a great quality photo, especially considering it was captured with a camera that is over a decade old. The main difference that I noticed in this example is that on the Canon the background was a little blurry, while the Fujifilm stays very sharp.

At the end of the day if you want to improve your photography skills I advise you to invest in your competence and knowledge first to learn how to get the best composition, learn when to catch the best light of day, and other techniques that lead to a great photo before you take hardware into consideration. Personally, I love the Fuji because I do big prints for galleries, but it is what you do with the camera that matters most.

I hope this gives you a new viewpoint on gear and that you will explore more creations with the camera you already have!

About the author: Serge Ramelli is a landscape and fine art photographer who has published numerous books on the subject. His fine art photography has been sold in one of the largest gallery networks in the world. Ramelli hosts a YouTube Channel where he teaches photography and editing techniques which you can subscribe to here.

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Is the Fujifilm GFX 100S the Ultimate Landscape Photography Camera?

Is the Fujifilm GFX 100S the Ultimate Landscape Photography Camera?

Fujifilm’s GFX mirrorless camera series has brought medium format into direct competition with the upper echelons of full frame systems, opening up an entirely new format to many creatives and making it a potentially appealing option for a lot of landscape photographers. This awesome video follows a professional landscape photographer as he uses the camera and also talks you through his thought process for his images. 

Coming to you from Andrew Marr, this neat video shows the experience of shooting with the Fujifilm GFX 100S medium format mirrorless camera. The GFX 100S is easily one of the most interesting cameras available right now. The original GFX 100 was offered a 102-megapixel medium format sensor and a lot of modern capabilities not traditionally found in larger-sensor cameras all at a price that significantly challenged the prevailing paradigm. The GFX 100S continued that trend, keeping almost all of the GFX 100’s features (perhaps most importantly, its sensor) and cutting the price almost in half, bringing it in line with upper-level full frame cameras. Add in top-notch dynamic range and Fuji’s excellent colors, and it looks like the GFX 100S is one of the best options out there for landscape photographers. Check out the video above for the full rundown from Marr. 

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Can the Fujifilm GFX 100S Handle the Demands of Wedding Photographers?

Can the Fujifilm GFX 100S Handle the Demands of Wedding Photographers?

Fujifilm’s GFX series rewrote the rules on medium format, bringing it to the price level of upper-level full frame options and opening an entirely new format to many photographers. The GFX 100S continues that, bringing a top-shelf sensor and capabilities at a price ($5,999) that is about as aggressive as you will see in any camera. As such, it is an intriguing option for wedding photographers. This great video takes a look at the camera and if it can keep up with the demands of the genre. 

Coming to you from John Branch IV Photography, this awesome video takes a look at the Fujifilm GFX 100S medium format mirrorless camera, particularly in the context of wedding photography. The GFX series has rewritten the relationship between medium format and full frame, offering highly impressive image quality while also pairing it with features traditionally reserved for full frame and APS-C cameras, such as more advanced autofocus and faster burst rates. And while you will not be shooting sports with one, those features make the system viable for genres like wedding photography and more, and their prices mean they are not totally unreasonable compared to more traditional options. Check out the video above for the full rundown. 

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Is the Fujifilm GFX 100S the Ultimate Landscape Photography Camera?

Is the Fujifilm GFX 100S the Ultimate Landscape Photography Camera?

The Fujifilm GFX mirrorless camera series has rewritten a lot of industry paradigms, bringing medium format to the market at prices that compete with upper-level full frame options, making it a tempting choice for landscape photographers. This great video follows a professional landscape photographer as he uses the camera in the field and shows you the experience with and image quality from it.

Coming to you from Andrew Marr, this neat video shows the experience of shooting with the Fujifilm GFX 100S medium format mirrorless camera. The GFX 100S is definitely one of the most intriguing cameras on the market right now. The original GFX 100 was mightily impressive, offering a 102-megapixel medium format sensor and modern features normally reserved for cameras with smaller sensors at a price ($9,999) that significantly undercut those of other medium format options. And so, the GFX 100S was all the more impressive, as it offers almost everything the GFX 100 did at only about half the price ($5,999). And beyond that extreme resolution, you get fantastic dynamic range and Fuji’s highly lauded colors, making it seemingly one of the best options out there for landscape photographers. Check out the video above for the full rundown from Marr. 

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Fujifilm GFX 100s Versus Sony Alpha 1: Image Quality Comparison

Fujifilm GFX 100s Versus Sony Alpha 1: Image Quality Comparison

For those of you that enjoy extreme levels of pixel peeping, you’re in for a treat.  A recent video compares the image and video quality between the Sony Alpha 1 and the Fujifilm GFX 100s. Although both cameras sit in slightly different categories, it’s interesting to see how both camera systems compare against one another. 

Fujifilm with its GFX series of cameras has single-handedly made medium format more affordable than ever before. It wasn’t long ago when a 50 MP medium format camera would cost more than $20,000. You can now purchase a 16-bit capable 100 MP medium format camera for less than some flagship full frame cameras. Full frame cameras such as the Sony Alpha 1. With its price tag of $6,498, the Sony Alpha 1 costs almost $500 more than the Fujifilm GFX 100s camera. Of course, both of these cameras sit in different categories and in many respects are aimed at different kinds of photographers. Nonetheless, if you’re only looking at sheer image quality the less expensive option could be the better option. 

In the video linked above, Gordon Laing compares the image and video quality from both camera systems. What’s most interesting is how closely both cameras perform against one another, with each beating the other in certain categories. 

To see how both camera systems perform, check out the full video linked above. 

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Fuji GFX 100S Review

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Since Fujifilm entered the medium format digital camera market 4 years ago, they have made it clear that developing and innovating on their GFX line is a priority. The G-mount lens lineup is comprised of about a dozen lenses so far, and this past January, Fujifilm announced the GFX 100S, the fourth GFX camera in as many years. The GFX 100S contains the same 102-megapixel, 43.8 × 32.9 mm medium format sensor as the GFX 100, but in a body that is almost 50% smaller, 30% lighter, and 40% less expensive.


At a list price of $5999, the GFX 100S isn’t cheap, but it still costs less than most medium format cameras. For example, the original, 50-megapixel GFX 50S launched at $6499, and the larger, older GFX 100 is $9999. Yet the GFX 100S retains many of the features of the prior GFX 100, which makes its list price quite competitive.

The GFX 100S is my second GFX camera. I owned a GFX 50R, which I shot with for about 18 months before the GFX 100S was announced. The biggest reason I bought the GFX 50R instead of the original GFX 100 was the size, although the lower price point of the 50R didn’t hurt. When Fuji announced the smaller, lower-priced GFX 100S, I pre-ordered it right away. Due to demand outpacing supply, it took a little more than 2 months after my pre-order to receive the GFX 100S, but now that I have had a chance to set it up and take it out for some test shots, I’m excited to share how it measures up.


GFX 100S + GF32-64mmF4 R LM WR @ 64mm, ISO 200, 60 seconds, f/8.0

The specifications are impressive, though not entirely unexpected on a camera of this caliber:

  • Sensor Resolution: 102MP
  • Sensor Type: CMOS Bayer array
  • Sensor Size: 43.8mm × 32.9mm
  • Image Size: 11648 × 8736
  • Image Processor: X-Processor 4
  • Native ISO Sensitivity Range: 160-12,800
  • Extended Iso Range: 50-102,400
  • In-Body Image Stabilization: Yes (6 stops)
  • Sensor Cleaning System: Yes
  • Lens Mount: FUJIFILM G mount
  • Weather Sealing/Protection: Yes
  • Body Build: Magnesium Alloy
  • Shutter: 60 seconds to 1/4000 mechanical shutter; 1/16000 electronic shutter
  • Storage: 2× SD slot (SD/SDHC/SDXC, UHS-II compatible)
  • Viewfinder Type: 3.69m-dot OLED color viewfinder
  • Viewfinder Coverage and Magnification: ~100%, 0.77×
  • Autofocus System: 117-point hybrid AF system
  • Continuous Shooting: 5 FPS for 14 images (14-bit RAW)
  • Exposure Meter: TTL 256-zones metering
  • Built-in Flash: No
  • LCD Screen: 3.2-inch, 2.36m-dot, 3 direction Tilt, Touchscreen LCD
  • Video Maximum Resolution: 4K and DCI 4K @ up to 29.97p
  • GPS: No
  • Wi-Fi / Bluetooth: Yes / Yes
  • Battery Life (CIPA): 460 shots
  • Weight: 821 g (excluding battery and memory card)
  • Dimensions: 150 × 104.2 × 87.2mm
  • Price: $5999 MSRP (body only)

The massive 102-megapixel medium format (43.8 × 32.9 mm) sensor jumps out immediately. At approximately 70% larger than a full-frame sensor, you have to try it to really appreciate what the extra size can give you. The camera is weather sealed, of course, and despite its relatively small size (especially given the large sensor) Fuji managed to fit image stabilization with a full 6 stops of stabilization.

Full specifications are available here on Fujifilm’s website

GFX 100S + GF32-64mmF4 R LM WR @ 32mm, ISO 800, 2 seconds, f/10.0

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We Review the Fujifilm GFX 100S Medium Format Mirrorless Camera

We Review the Fujifilm GFX 100S Medium Format Mirrorless Camera

This year seems like it’s shaping up to be the second wave of megapixel wars from the major manufacturers. In this review, we’ll take a look at the 102-megapixel Fujifilm GFX 100S medium format mirrorless camera and what it has been like to work with over the last month.

The GFX 100S uses the same excellent 102-megapixel sensor found in the GFX 100. We know that the image quality here is phenomenal, so this review is going to focus on the GFX 100S as it differs from its older sibling (and also a few comparisons to the 50-megapixel bodies, as that’s likely where many will be coming from). I’ll be focusing on handling, autofocus, IBIS, and what it’s like to work with this camera for in a variety of situations. 

Build and Handling

When it comes to a camera of this caliber, it seems strange that we would even need to discuss build quality. At this price point, we shouldn’t expect compromises to be made. However, there are a couple of things worth mentioning. 

The first is the size and shape. Of all the Fujifilm GFX cameras, I personally find this one to be the most comfortable to hold and store. With the GFX 50S, we had a similarly sized camera with an odd hunchback design. With the GFX 50R, the grip disappeared altogether for the rangefinder styling. With the GFX 100, there was the polarizing integrated grip that I personally felt was extremely utilitarian and difficult to hold. The 100S improves on all of these, in my opinion.

The 100S takes a more traditional SLR-inspired design approach and takes all the best elements of each of the previous models to make a very comfortable and solid-feeling camera. A grip akin to the 50S is coupled with a flatter back like the 50R and a dense, well-constructed feeling like the GFX 100. The viewfinder doesn’t jut out like the 50S and 100, either, which makes it much easier to slide into a bag without removing the viewfinder (which cannot be done on the 100S). 

The second thing I feel is worth mentioning is the material that covers the grip. This is a little disappointing, as it feels quite slippery. This is especially true on warmer days with a little sweat on the hands. Still, with a $6,000 camera, we’ll be holding it in both hands, using a strap, or having it on a tripod most of the time, so it’s a small nitpick.

We Review the Fujifilm GFX 100S Medium Format Mirrorless Camera 9

Buttons and Dials

Here is where we find the biggest differentiators from the original GFX 100. While that camera was designed to have plenty of buttons all over the body for usability, the 100S scales this back a little and even removes the four-way selector that we find on the 50S model. It also has a PASM dial that is a departure from the “Fujifilm way.” 

Let’s start with the PASM dial. This is certainly a move on Fujifilm’s part to create a “gateway drug” for users of other brands. Not only can this be used to select shooting modes, but it also has six custom positions that allow the photographer to save banks of settings for quick access. Some existing Fujifilm users might be against this change, but I feel like it’s just another way to work, and it doesn’t really bother me. Both methods of setting your camera get you to the same place and allow you to make photographs.

As for the custom positions on the PASM dial, they allow much more flexibility than the custom settings banks on previous Fujifilm cameras. Almost all settings from the image quality, AF/MF, and shooting settings menus can be saved into a custom bank. So, if you’re a photographer who frequently works with the same settings and needs to set the camera quickly for a given assignment, this new ability could be extremely useful. I tend to prefer working in aperture priority or manual modes and simply changing a couple of settings that were relevant to my current situation, but I’m sure the expanded collection of settings that can be saved will be useful to those who prefer to work this way. One more thing of note is that these six banks are separate for video and stills work, so there are effectively 16 banks that can be saved. 

We Review the Fujifilm GFX 100S Medium Format Mirrorless Camera 10

When it comes to the other controls, there are some positives and some negatives to be found. The buttons are all of excellent quality, as we would expect from a camera at this level, and we’ll discuss those shortly. However, I cannot say the same for the joystick. While it feels like it will last, it is quite difficult to move in diagonal directions and fiddly to press effectively. With the missing four-way selector, this means that moving focus points, changing their size, or navigating the menu can be a frustrating task at times. It’s a small thing that can really take you out of the moment when working with the camera. 

We Review the Fujifilm GFX 100S Medium Format Mirrorless Camera 11

There are four customizable function buttons on the GFX 100S, as we don’t have the four-way selector to customize anymore. Two of these are on top of the body next to the e-ink screen and can be a little difficult to reach without losing your grip on the camera. This is another one of those things that take you out of the moment a little if you frequently change settings using them. 

The other two function buttons are, thankfully, better placed in my opinion. The first is next to the shutter button in almost exactly the same way as the GFX 50S. This defaults as an exposure compensation trigger but can be customized for other functions. The final button is found next to the lens mount where we may traditionally have found a depth-of-field preview button. Both of these are easy to locate and use without taking your eye out of the viewfinder or changing your grip on the camera. 

We Review the Fujifilm GFX 100S Medium Format Mirrorless Camera 12

One of the subtle design decisions that I appreciate is Fujifilm’s choice to make the MENU button slightly larger than the other buttons on the rear of the camera. This makes it easy to find without taking your eye out of the viewfinder. I found this useful when working with a couple earlier this month. I was able to continue giving them directions while finding the menu button by feel and changing a couple of settings I needed for the shot at hand. 


One point of discussion during the release of the camera was its lower-resolution EVF when compared to its big brother. This could perhaps become an issue for those who want to review pixel-level sharpness in the EVF or manual focus lenses with extremely wide apertures. However, for day-to-day work, I’ve not had a problem at all with the resolution or frame rate that this screen offers. 

There are actually options in the power management menu for giving priority to the EVF for resolution or frame rate, but I haven’t noticed a need to switch to one of those modes yet. I have the camera permanently set to AF Priority – Normal, which has been fine in every situation I have used the camera in. Of course, your mileage may vary depending on requirements. 

Coming from the GFX 50R, it is great to have a rear LCD that articulates both horizontally and vertically again. Also, with the slight protrusion of the viewfinder (much less so than the 50S or 100), it is great to be able to pull the screen away from the body a little. 

We Review the Fujifilm GFX 100S Medium Format Mirrorless Camera 13

In-Body Image Stabilization

The IBIS system in the GFX 100S is excellent. While it is difficult to get a large, high-resolution sensor like this stabilized to the degree that some M43 cameras achieve, it certainly helps in day-to-day work to have a few extra stops of hand-holding capability. It also means that Fujifilm has incorporated a soft, quiet shutter into the camera as well. 

When working with the GF 110mm f/2, I’ve been able to reliably get sharp images down to 1/30 s if I brace myself and get about 50% sharp down to 1/15 s. Of course, when working in the field, we don’t always have the luxury to brace against something and softly squeeze off every frame. However, I did find that working at 1/125 s, I no longer need to worry about sharpness as I did on the GFX 50R. This is a huge boon to hand-held work. 

As for the GF 45-100mm f/4, I have been able to reliably get sharp images at 1/8 s and get a good percentage at 1/4 s. Down at 1/2 s, I was throwing away about 80%. This is impressive for such a high-resolution sensor. 

With the above, the images will likely not be critically sharp if you’re shooting a test chart, but for most real-world applications, these shutter speeds are going to result in perfectly usable images. When it comes to needing the absolute best possible sharpness from a given situation, we’re likely going to be working on a tripod. But, the GFX 100S opens up new possibilities for quick work on location.

We Review the Fujifilm GFX 100S Medium Format Mirrorless Camera 14

In the Field

So far, I’ve done a couple of client shoots with the GFX 100S now, and it has performed excellently. I’ve also been using it extensively as my daily walkaround despite the resolution so that I can get used to the camera and train my muscle memory. So far, it has been a wonderful camera to work with, and I am extremely satisfied with my investment. Here are a few of my personal findings from working with the camera.


The AF system of the 100S is a carryover from the GFX 100. Phase detect hybrid AF is another huge improvement over the 50-megapixel bodies. Of course, it is still lens dependant and Fujifilm uses a variety of focus motors. Although we shouldn’t expect XF 35mm f/2 focus speed from the GF 63mm f/2.8, we’re still looking at a very big improvement. 

With lenses like the GF 110mm f/2, there is still a little hunting as the floating element finds its mark, but the overall speed has improved to the point where it can catch a moving subject in time. When using AF-C, the 110mm is able to nail every shot of people walking at a decent pace now. In a recent couple of sessions, I was able to track my couple using the Area AF mode and accurately get every image in focus for eight shots in a row at f/2. 

With faster lenses like the GF 45-100mm f/4, there is no noticeable hunting, and the lens acquires focus extremely quickly. Even in low light, I’ve found that the new autofocus system accurately and confidently acquires focus. In situations that may have slowed down my GFX 50R, such as a dim conference room while shooting corporate portraits, the GFX 100S is as snappy and confident as my X-T4.

For GFX 100 users, this will be no surprise. When compared with the 50-megapixel bodies, however, this is a jump akin to going from an X-T2 to an X-T3. Hunting is reduced and every autofocus operation is just that much faster and more reliable. 

We Review the Fujifilm GFX 100S Medium Format Mirrorless Camera 15


Having said that, the one thing that detracts from its overall usability is actually its headline feature: the 102-megapixel sensor. This resolution is great to have and certainly a priority for many who purchase the camera. However, since Fujifilm has created such a portable, high-performance camera this time around, it has become much more useful for portrait sessions and other day-to-day photography that doesn’t necessarily require the extreme resolution of this sensor. 

Other companies have implemented a “small raw” feature in many of their high-resolution bodies to allow for a smaller file size while retaining the flexibility of a raw file. For my purposes, an option to work with a down-sampled 50-megapixel file would mean I could use the camera in many more situations without filling up my memory card (and later on, hard drives) so quickly. For example, at a couple of sessions or editorial portrait sessions, the GFX and GF lenses result in beautiful imagery, but the resolution simply isn’t necessary. However, on a commercial shoot, the 100-megapixel files are a huge benefit. I hope that the processor is capable of this and Fujifilm’s engineers can make this a possibility through a firmware update. 

We Review the Fujifilm GFX 100S Medium Format Mirrorless Camera 16

Battery Life

The GFX 100S now uses the same NP-W235 battery that the X-T4 uses. Battery life has improved significantly because of it. On the corporate headshot session I mentioned above, I made 280 images (and chimped quite a bit) and walked away with 79% battery remaining. On the couple shoot above, I made 1374 images and my battery still had 33% remaining. For my uses, that is excellent battery life and I have no need to take more than one spare on any given shoot. 

Although some people have complained about the lack of a battery grip option, for actual battery life, I would argue that it is no longer an essential addition. For those who prefer the ergonomics of a vertical grip, we might see some third-party offerings even if Fujifilm doesn’t produce one themselves. 

In Conclusion

The GFX 100S is not only a technical marvel priced extremely aggressively, it is a camera that performs so close to many full frame and crop sensor cameras that it toes the line of being an everyday camera for many types of photography. As I mentioned above, the only thing that I could see making it an even better offering at this point would be allowing for lower-resolution capture when the full ability of the sensor isn’t necessary.

Things I Liked

  • Exceptional build quality
  • Comfortable grip
  • The same excellent image quality of GFX 100
  • Autofocus improvements 
  • Battery life
  • Image stabilization

Things I Felt Could Be Improved

  • Position of function buttons
  • Texture of grip
  • Offering a small raw format
  • Joystick

You can purchase the GFX 100S here

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Black Friday accessory deals: save £100s

Black Friday accessory deals: save £100s

So far we have been focussing on cameras and lenses in our round-ups of the best deals of Black Friday week, but you can also save big on a wide range of accessories – and the deals will hot up as we get closer to the big day. Here are a few offers which have caught our eye.

Black Friday accessory deals: save £100s 17

3 Legged Thing Equinox Leo – now £199 at CameraWorld, down from £299
Carbon fibre micro-traveller tripod is well made and reliable but easy to carry aroud. Features eight layers of tightly woven carbon while the furnishings are milled from aircraft-grade Magnesium Alloy. The Leo folds down to 35cm while still extending to a practical height and features a parallel locking system to prevent accidental disassembly, and provides further stability and better grip. It also makes maintenance and general upkeep simple.

Black Friday accessory deals: save £100s 18

Manfrotto MT190XPRO3 Tripod – now £149 at Wex Photo Video, down from £205
This three-ѕесtіоn, аlumіnіum trіроd supports uр tо оf 7kg and can ехtеnd tо аn іnсrеаѕеd hеіght оf 160сm. Тhе Quісk Lосk ѕуѕtеm аllоwѕ а mоrе соmfоrtаblе аnd ѕtrоngеr оnе-hаndеd grір, еnаblіng а quісkеr ѕеtuр tіmе thаn рrеvіоuѕ mоdеlѕ. Іtѕ 90-dеgrее сеntrе соlumn mесhаnіѕm аllоwѕ thе соlumn tо bе ехtеndеd vеrtісаllу оr hоrіzоntаllу.

Black Friday accessory deals: save £100s 19

Canon Speedlite 430EX III-RT Flash (black) – now £179 on Amazon, down from £349
This is another steep saving on a powerful and versatile, yet compact, flashgun. Features include built-in catchlight panel, dot-matrix, LCD, control dial and a guide number of 43 m.

Black Friday accessory deals: save £100s 20

Wacom Intuos Medium Bluetooth pen tablet (black) – now £99 at Park Cameras, down from £159
This is a good price on a handy accessory for photo editing or creating digital art. It features a resolution of 2540 lpi, an active surface of 200 x 160 mm, four customisable express key buttons and an included stylus with 4096 pressure level. It comes with Bluetooth connectivity, and is compatible with Windows 7 (or higher) and OS X 10.11 (or higher).

Black Friday accessory deals: save £100s 21

Datacolor SpyderX Pro – now £109 at Park Cameras, down from £159
Screen calibration is often overlooked by photographers, but it’s a crucial part of your workflow – if your screen is not set up correctly, how can you hope to perform accurate and sympathetic image editing? The SpyderX Pro display calibrator offers the first lens-based colour engine of any Spyder product and has extensive calibration options, as well as options for matching and tuning multiple displays. It’s easy to use and makers Datacolor claim it takes less than two minutes to calibrate a screen.

Black Friday accessory deals: save £100s 22

Vanguard VEO Discover 42 Sling Backpack – now £29 at Clifton Cameras, down from £49
Good-value (especially at this price) backpack can accomodate a DSLR, a couple of lenses, a flashgun and a nine-inch tablet, and you can connect a tripod or monopod. It can be transformed from daypack to right/left handed quick-action, side access sling and back again without ever being taken off.

Further reading
Top 50 photo accessories part one
Best early Black Friday camera deals under £1000
More great early Black Friday camera deals

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