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A Dramatic & Strong Portrait Of A Young Woman Wins ‘Photo Of The Week’

A Dramatic & Strong Portrait Of A Young Woman Wins 'Photo Of The Week'

A spell bounding studio portrait has been crowned our ‘Photo of the Week’ winner on ePHOTOzine.

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Competitions

The Necromancer...

 

A striking portrait of a ‘Necromancer‘ which jumped right out of the Gallery at us has won our ‘Photo of the Week’ (POTW) accolade. 

Captured by sunsetskydancer, the portrait of his stepdaughter who does all of her own make-up (wowzers!) and everything about it just makes you stop to look. The eyes hold your gaze for what feels like an eternity while the post and facial expression tell you she’s a strong female who’s not here to mess around. The portrait is lit beautifully and we love the tones/colours, too. 

All of our POTW winners receive a Samsung EVO Plus 64GB MicroSDXC card with an SD Adapter courtesy of Samsung. To be in with a chance of becoming our next POTW winner, simply upload an image to our gallery where you’ll also find all of our past POTW winners.

Plus, going forward, we will also announce a new ‘Photo of the Year’ winner who’ll win a Samsung Portable SSD T7. Each POTW winner, 52 in total, will then have their image shared in a new POTW forum where, in January 2022, we will ask you all to hit the ‘like’ button on your favourite images. Then, the ePHOTOzine team will count up the likes and our first ‘Photo of the Year’ winner will be announced.

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topsyrm’s latest blog : 52 for 2021 wk 40 aborted shoot and a new location

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52 for 2021 Wk 40 Aborted shoot and a new location

10 Oct 2021 9:41AM  
Views : 43
Unique : 32

This week once again I was alone, I went to Venford Falls to see if I could get some Autumn colour but due to the amount of rain we have had in the last few days the shoot was almost impossible and there was no Autumn colour anyway. After finally getting to the falls and aborting my intended Fujifilm GFX 50S Medium Format shoot I went back to the car for lunch before heading off to nearby Bench Tor to try to salvage the day.

Bench Tor Lone Tree.

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Venford Falls, I would normally be stood in the river towards the left edge of the shot but this day the water was too fierce.

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I had originally gone my normal route down the main track to a crossing point I have used several times, however, when I got there this time there was no way I could cross. Having scouted upriver trying to find a safe crossing point I went all the way back to the slacks where the river comes out of the treatment works fence where it was crossable with care.

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I then set off down the “track” on the North bank headed for the falls.

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The “track” was not the easiest of tracks and sometimes it descended into the river.

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The river was running deep and fast this shot is looking back the way I had just come.

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I had my concerns when I got to the falls, the “Twin Falls” had become Triplets. I would normally be down there with my GFX on a tripod trying to get the shot.

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I went down anyway but decided to shoot a couple of handhelds with my Fujifilm X-T2 as the falls were heavy with spray and there was no way to safely be in the river trying to set up a tripod.

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With all the dampness and high volume of water the brook had a Jurassic Park feel to it. This shot looks downstream from the falls.

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I decided to head back upstream to the car for some lunch.

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After lunch I changed from wellies to walking boots and set off for Bench Tor.

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The path was clear and it wasn’t long before I was on the high ground fighting the winds, the earlier rain showers had passed giving some clouds and sunshine.

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Although not a big Tor Bench Tor has some interesting rock formations.

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Also a lone tree, I’ve lost count of the number of Tors I’ve been up with a lone tree, still can’t resist photographing them though.

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There are good views from the top of Bench Tor, across over to Yar Tor, Sharp Tor, Corndon Down and Mel Tor in this instance.

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And across to Combshead Tor.

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The Dart Valley can be seen here as a deep Gorge running under the Tor.

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Looking back South West I could see the weather closing in so set off back to the car.

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That’s all for this week folks, sorry no Ponies again, I’ll try harder next week. As always, comments welcome.

Tags:
Devon
Dartmoor
Landscape and travel
Bench tor
Venford Falls

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Joby Updates Its Range Of Affordable Tripods And Supports With A New Option

Joby Updates Its Range Of Affordable Tripods And Supports With A New Option

Podzilla

 

Joby has added the Podzilla – a flexible, entry-level tripod that’s compact and available in a range of colours to its range. Plus, the popular tripod brand has also introduced a new full-size tripod/monopod range.

The Joby Compact range features 4 options: Compact Light, Compact Action, Compact Advanced and a 2in1 Monopod. The Compact Light Kit also includes a phone clamp while the Compact Action and Compact Advanced can be purchased as single units or as kits with the phone clamp. 

The Joby Podzilla takes on the more familiar Joby tripod design with its compact size, ball head and flexibility. Two size options are available in a variety of colours. 

Pricing & Availability 

Both tripod collections are available from today (5 October 2021) with RRPs ranging from £52.95 to £109.95. 

You can learn more from Joby below. 

 

From Joby: 

Compact Light Kit

 

To ensure that content creators around the world have access to the very best in compact tripod options, JOBY is delighted to announce their new complete full-size tripod range, JOBY Compact. Delivering feature-rich options that work with both conventional cameras and smartphones, these lightweight, strong tripods and monopod enable vloggers to set up stable, robust and versatile platforms for content creation on the go. They’re designed to be incredibly lightweight so they’re easy to add to any mobile kit. Options include the GripTight 360 Phone Mount that allows users to switch from landscape to portrait mode in seconds. 

There are four members of the JOBY Compact family made of three tripods and one monopod, each designed for different shooting styles, locations, and content creation

 

The JOBY Compact Light

Simple, easy to set up and incredibly user-friendly, the JOBY Compact Light is the perfect choice for on-the-go vlogging and content creation. It’s the practical compromise between a mini- and full-size tripod and has feather-light weight so you can use it when you are on the move.

It’s lightweight at just 0.81kg, delivering full-size options in a compact design. It can take a payload of up to 1.5kg, and it’s supplied with a mobile phone mount so users can add lights, mics and a wide range of JOBY options to create a complete TikTok set-up in seconds.

In just seconds you can attach your camera via the quick wheel and the universal 1/4” camera attachment. With the built-in ball head and the single adjustment knob, you can quickly lock the camera into place and be ready for shooting.

 

The JOBY Compact Action Tripod

Get ready to create dynamic photo or movie content with this action-orientated option. Paring perfectly with other products in the JOBY range, the Compact Action features the same QR plate as the genre defining BallHead 3K, found on the GorillaPod 3K Kit. 

The JOBY Compact Action tripod has an ergonomic joystick head with an easy-to-use, intuitive scroll-wheel locking mechanism for maximum sturdiness. It also has a comfortable grip, enabling you to capture smoother photos and images effortlessly. With the photo/movie selector knob, you can switch from photo to movie mode in just a second, so you never miss out on an important photo or video opportunity.

In the kitted version (JOBY Compact Action Kit), a unique rotating phone clamp is featured, with cold shoe mounts on both ends for total versatility.

 

2-in-1 monopod

 

The JOBY Compact Advanced

Take vlogging to the next level with the Compact Advanced. Packed with innovative features, it’s designed to take compact mirrorless and DSLR cameras with ease. The 3-way head allows users to tilt and rotate for professional results, while the QR BallHead 3K is the same as the one used on the famous GorillaPod 3K kit, making this interchangeable with the whole JOBY kit range. Its 3kg capacity allows users to interchange parts and add on equipment with no loss of stability.

In the kitted version (JOBY Compact Advanced Kit), a unique rotating phone clamp is featured, with cold shoe mounts on both ends for total versatility.

 

The JOBY Compact 2-in-1 Monopod

When space is an issue, or if the content requires that “on-the-move” simplicity and dynamism, the JOBY Compact 2-in-1 Monopod is the answer. This option-packed monopod has a 1kg weight capability and a compact BallHead to create the ultimate selfie stick. For action shots, a Pin-Joint mount is also supplied. The 4-section design includes lever-lock legs that deploy or are retracted in seconds. Weighing just 0.28kg, the 2-in-1 Monopod is the ultimate lightweight monopod option that works with almost all cameras and mobile phones.

 

Joby Podzilla – Flexible fun and reliable performance for aspirational content creators

Podzilla

 

As more and more people discover how easy it is to create their own content, the demand for high-quality entry-level equipment is growing. To respond to this surge in demand, JOBY has introduced the Podzilla range, awesome flexible tripods that are designed for new and developing content creators. They’re packed with new technology that makes them simple yet effective flexible tripods suitable for use in almost any situation. 

The functional flex design incorporates an aluminium core that’s tough, strong, and durable, covered in grippy rubber outer that’s flexible and easy to position. Because each leg is fully articulated, vloggers can achieve a stable, level platform for recording, even on uneven terrain.

 

Podzilla Medium

The Podzilla Medium Kit is simple to use, incorporating a ¼-20” locking wheel mount with push-button adjustability. It’s designed to work with compact mirrorless and bridge cameras and smartphone, thanks to the GripTight 360 Phone Mount included. The spring-loaded rotation gives the user the capability to swap from portrait to landscape format with ease. JOBY has also added some colours to meet the demand of young content creators, so the PodZilla™ Medium Kit is available in four different colours – grey, red, teal and yellow. 

 

Podzilla Large

For users who want something a little more substantial, the PodZilla Large is the answer. This bigger brother measures 31.5 x 5.5 x 7.3cm (as compared to the Medium’s 25 x 4.8 x 5.4cm dimensions) and its ¼-20” mount is designed to support loads of up to 2.5kg. The compact QR plate allows easy attachment of gears and the built-in bubble level lets users fine-tune the positioning to get a perfectly level surface for more professional-looking content. 

Also available in the kit version, Podzilla Large Kit, featuring the GripTight 360 Phone Mount, can hold lights and mics for a complete vlogging set-up with your phone. 

Everything about the Podzilla is designed to be quick, easy to use, and reliable, making achieving professional-quality content simple. It’s super-fast and easy to attach lights, mics and cameras or mobile phones, allowing the user to create content in any situation. The Podzilla can pair with Beamo™ and Wavo™ equipment, creating a compact and versatile package for vloggers, influencers, and content creators on the move.

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Joby Updates It Range Of Affordable Tripods And Supports With A New Option

Joby Updates It Range Of Affordable Tripods And Supports With A New Option

Podzilla

 

Joby has added the Podzilla – a flexible, entry-level tripod that’s compact and available in a range of colours to its range. Plus, the popular tripod brand has also introduced a new full-size tripod/monopod range.

The Joby Compact range features 4 options: Compact Light, Compact Action, Compact Advanced and a 2in1 Monopod. The Compact Light Kit also includes a phone clamp while the Compact Action and Compact Advanced can be purchased as single units or as kits with the phone clamp. 

The Joby Podzilla takes on the more familiar Joby tripod design with its compact size, ball head and flexibility. Two size options are available in a variety of colours. 

Pricing & Availability 

Both tripod collections are available from today (5 October 2021) with RRPs ranging from £52.95 to £109.95. 

You can learn more from Joby below. 

 

From Joby: 

Compact Light Kit

 

To ensure that content creators around the world have access to the very best in compact tripod options, JOBY is delighted to announce their new complete full-size tripod range, JOBY Compact. Delivering feature-rich options that work with both conventional cameras and smartphones, these lightweight, strong tripods and monopod enable vloggers to set up stable, robust and versatile platforms for content creation on the go. They’re designed to be incredibly lightweight so they’re easy to add to any mobile kit. Options include the GripTight 360 Phone Mount that allows users to switch from landscape to portrait mode in seconds. 

There are four members of the JOBY Compact family made of three tripods and one monopod, each designed for different shooting styles, locations, and content creation

 

The JOBY Compact Light

Simple, easy to set up and incredibly user-friendly, the JOBY Compact Light is the perfect choice for on-the-go vlogging and content creation. It’s the practical compromise between a mini- and full-size tripod and has feather-light weight so you can use it when you are on the move.

It’s lightweight at just 0.81kg, delivering full-size options in a compact design. It can take a payload of up to 1.5kg, and it’s supplied with a mobile phone mount so users can add lights, mics and a wide range of JOBY options to create a complete TikTok set-up in seconds.

In just seconds you can attach your camera via the quick wheel and the universal 1/4” camera attachment. With the built-in ball head and the single adjustment knob, you can quickly lock the camera into place and be ready for shooting.

 

The JOBY Compact Action Tripod

Get ready to create dynamic photo or movie content with this action-orientated option. Paring perfectly with other products in the JOBY range, the Compact Action features the same QR plate as the genre defining BallHead 3K, found on the GorillaPod 3K Kit. 

The JOBY Compact Action tripod has an ergonomic joystick head with an easy-to-use, intuitive scroll-wheel locking mechanism for maximum sturdiness. It also has a comfortable grip, enabling you to capture smoother photos and images effortlessly. With the photo/movie selector knob, you can switch from photo to movie mode in just a second, so you never miss out on an important photo or video opportunity.

In the kitted version (JOBY Compact Action Kit), a unique rotating phone clamp is featured, with cold shoe mounts on both ends for total versatility.

 

2-in-1 monopod

 

The JOBY Compact Advanced

Take vlogging to the next level with the Compact Advanced. Packed with innovative features, it’s designed to take compact mirrorless and DSLR cameras with ease. The 3-way head allows users to tilt and rotate for professional results, while the QR BallHead 3K is the same as the one used on the famous GorillaPod 3K kit, making this interchangeable with the whole JOBY kit range. Its 3kg capacity allows users to interchange parts and add on equipment with no loss of stability.

In the kitted version (JOBY Compact Advanced Kit), a unique rotating phone clamp is featured, with cold shoe mounts on both ends for total versatility.

 

The JOBY Compact 2-in-1 Monopod

When space is an issue, or if the content requires that “on-the-move” simplicity and dynamism, the JOBY Compact 2-in-1 Monopod is the answer. This option-packed monopod has a 1kg weight capability and a compact BallHead to create the ultimate selfie stick. For action shots, a Pin-Joint mount is also supplied. The 4-section design includes lever-lock legs that deploy or are retracted in seconds. Weighing just 0.28kg, the 2-in-1 Monopod is the ultimate lightweight monopod option that works with almost all cameras and mobile phones.

 

Joby Podzilla – Flexible fun and reliable performance for aspirational content creators

Podzilla

 

As more and more people discover how easy it is to create their own content, the demand for high-quality entry-level equipment is growing. To respond to this surge in demand, JOBY has introduced the Podzilla range, awesome flexible tripods that are designed for new and developing content creators. They’re packed with new technology that makes them simple yet effective flexible tripods suitable for use in almost any situation. 

The functional flex design incorporates an aluminium core that’s tough, strong, and durable, covered in grippy rubber outer that’s flexible and easy to position. Because each leg is fully articulated, vloggers can achieve a stable, level platform for recording, even on uneven terrain.

 

Podzilla Medium

The Podzilla Medium Kit is simple to use, incorporating a ¼-20” locking wheel mount with push-button adjustability. It’s designed to work with compact mirrorless and bridge cameras and smartphone, thanks to the GripTight 360 Phone Mount included. The spring-loaded rotation gives the user the capability to swap from portrait to landscape format with ease. JOBY has also added some colours to meet the demand of young content creators, so the PodZilla™ Medium Kit is available in four different colours – grey, red, teal and yellow. 

 

Podzilla Large

For users who want something a little more substantial, the PodZilla Large is the answer. This bigger brother measures 31.5 x 5.5 x 7.3cm (as compared to the Medium’s 25 x 4.8 x 5.4cm dimensions) and its ¼-20” mount is designed to support loads of up to 2.5kg. The compact QR plate allows easy attachment of gears and the built-in bubble level lets users fine-tune the positioning to get a perfectly level surface for more professional-looking content. 

Also available in the kit version, Podzilla Large Kit, featuring the GripTight 360 Phone Mount, can hold lights and mics for a complete vlogging set-up with your phone. 

Everything about the Podzilla is designed to be quick, easy to use, and reliable, making achieving professional-quality content simple. It’s super-fast and easy to attach lights, mics and cameras or mobile phones, allowing the user to create content in any situation. The Podzilla can pair with Beamo™ and Wavo™ equipment, creating a compact and versatile package for vloggers, influencers, and content creators on the move.

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‘Morally Toxic’ Is A New Brand Of Camera Bags For Photographers

'Morally Toxic' Is A New Brand Of Camera Bags For Photographers

Morally Toxic Bag Range

 

A brand-new camera bag called ‘Morally Toxic’ is launching today and it’s the brainchild of 3 Legged Thing founder, Danny Lenihan, who has spent the last 5-years developing the brand. 

Morally Toxic brings together British design, coupled with a fusion of alien and reptilian design concepts that rip up the rule book and make a stand in a market that’s saturated with corporate designs. 

“This has been a long time coming, and it’s so exciting to launch another brand, eleven years after I brought 3 Legged Thing to the world,” said Danny Lenihan, CEO and Founder of Morally Toxic and 3 Legged Thing. “I have much greater aspirations for Toxic, and we’re already working on an entire range of bags for hiking, gym, kit bags, fashion and any number of other bags that you see every day on the high street. I’ve spent five years working on the initial designs, honing and redesigning to optimise everything, from the aesthetics to the workflow, to security and protective innovations.”

 

Morally Toxic Bag Range

 

The first two bags launching in the collection are a Valkyrie camera backpack and a Wraith messenger/sling bag available in two sizes and three colours – Onyx, Emerald, and Sapphire.

Setting them apart from other bags, apart from their style, are features such as the ‘Frog’ pocket which is a water-resistant wet/dry pocket that gives users a place to stash wet gear away from electronics and Pocket Dividers which are bag dividers with integrated pockets that ensure cables, cloths, filters and the like can be stowed separately.

Both camera bags are constructed from premium fabrics including Morally Toxic’s own unique jacquard, which combines a vintage map of the company’s home village, Stagsden, with a reptilian print. Due to the woven pattern, and the way the fabric is cut to tesselate, this means each bag will be unique.

 

Valkyrie Backpack

Morally Toxic Bag Range

Toxic’s Valkyrie backpack is available in Medium (20L) and Large (25L) sizes and feature YKK standard or Aquaguard zippers, a secret stash pocket to stow money or a passport and a soft-touch protective padded pocket for a laptop or tablet. 

Built for comfort, the Valkyrie rear fascia features a 3-point, air-flow back support system, with cushioned lumbar and scapula pads, designed to allow air to flow freely, keeping the users’ backs cool. The shoulder straps have been contoured to fit all body shapes and sizes, and feature thick, comfortable padding with air-mesh. They feature both horizontal and vertical webbing, for the attachment of accessories, too. An adjustable chest strap adds security, and detachable padded waist straps are included for comfort, and security on more challenging terrains. There are also built-in tripod carry straps and a retaining loop to hold the legs together when walking and there’s a side pocket for a drinks bottle. 

 

Wraith Messenger/Sling Bag

Morally Toxic Bag Range

 

Wraith is a camera messenger/sling bag is available in Medium (15L) and Large (20L) sizes. The bag’s front flap protects the two organiser pockets, that have counterflow zips to prevent side access or theft and houses a hidden pocket for valuable items.

At the rear of Wraith is the laptop pocket, with corner access YKK Aquaguard zipper. The rear panel also houses a luggage strap, for connecting to suitcases or roller bags. The side of the bag features a mesh pocket for a water bottle or flask.

The shoulder strap is made of woven nylon webbing, can be easily adjusted and is finished with a detachable shoulder pad, with air-mesh and silicone grips. It has a choice of side or rear attachment points to enable use as a messenger or sling-style bag. All D-rings and hardware are Duralock nylon.

 

Price & Availability 

Valkyrie and Wraith are available to pre-order now with an introductory 20% discount via MorallyToxic.com and select retailers. Products will be shipped and in-store from 1 November 2021 onwards.

  • Wraith has a suggested retail price of £169.99 (Medium) and £179.99 (Large)
  • Valkyrie has a suggested retail price of £259.99 (Medium) and £269.99 (Large)

Support this site by making a Donation, purchasing Plus Membership, or shopping with one of our affiliates:
Amazon UK,
Amazon US,
Amazon CA,
ebay UK

It doesn’t cost you anything extra when you use these links, but it does support the site, helping keep ePHOTOzine free to use, thank you.

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fenfotos’s latest blog : a grey day in autumn

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A Grey Day in Autumn

3 Oct 2021 7:17PM  
Views : 81
Unique : 77

Back on home soil, my walk today was around Quy Fen. Right from the start, things did not look promising. It was a dull day, beneath an undifferentiated grey sky. If it were not for this blog, quite frankly, I would have left my camera at home.

I start off with probably the shot of the day of some ivy. The maturing ivy flower heads provide a nice contrast against the dark foliage.

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However, it was a day that tested my self imposed constraints of square, black and white images straight out of camera to breaking point. This picture of umbellifer (?hemlock) seed heads against the grey sky is acceptable, but would definitely be improved with more contrast.

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Much more substantial post processing is required to make the most of this image of an ivy flower head.

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As this version of the same image shows, this is undoubtedly a colour photograph. This version was produced with a minimal conversion from the raw file, and without the use of any local controls.

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In general, I think the lack of colour is going to make it very difficult to produce good straight out of camera images during autumn. Autumn is the season of colour in the countryside – with the woods and hedgerows full of reds, oranges and yellows in the berries and the leaves. Of course, without filters (I don’t have any) or post processing, reds tend to show with the same tonality as the greens, and berries in particular just disappear.

For these maple keys, the monochrome is almost unreadable, whereas the colour version is quite clear.

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I started this blog to test my ability to produce good monochrome images straight out of camera in a square format. In two cases, I have had to resort to colour images to produce an acceptable result. In one of these cases – the maple keys – it would take far more processing of the black and white image than I am capable of, to create a create an acceptable result. I know a bad workman always blames his tools, and maybe, I’m a bad workman. But equally, a SOOC image is only ever going to be as good as the subject in front of the camera. A photograph still has plenty of tools available, but for a black and white image, if there is little or not difference in tonality across the image, then the photograph is always going to be poor without further processing.

One other point of interest is the difference between handling of raw files between cameras. My Olympus E-M5 has unfortunately developed a fault, and I am waiting to find someone to repair it. So I have used my Panasonic TZ70 today. With both cameras set to monochrome, an image ratio of 1:1, and to save both JPG and RAW, both give me a black and white and a colour image. However, the raw file from the Olympus has the native 4:3 aspect ratio, whereas the Panasonic, the raw file has the square ratio of the JPG.

Tags:
Autumn
Grey
Monochrome

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Tamron Confirms Pricing For Two FF Sony E-Mount Lenses & A Zoom Lens For Fujifilm X-Mount

Tamron Confirms Pricing For Two FF Sony E-Mount Lenses & A Zoom Lens For Fujifilm X-Mount

18-300mm f/3.5-6.3 Di III-A VC VXD (Model B061)
 

Tamron’s distributor for the UK & Ireland, Transcontinenta UK, has said that the Tamron 35-150mm F/2-2.8 Di III VXD and Tamron 28-75mm F/2.8 Di III VXD G2 will be available for sale after 28 October 2021 along with the Tamron 18-300 mm f/3.5-6.3 Di III-A VC VXD (model B061X) for Fujifilm X-mount.

The Tamron 18-300 mm f/3.5-6.3 Di III-A VC VXD (model B061X) for Fujifilm X-mount has a unique 16.6x zoom and will be available for pre-order today, along with the two lenses for FF Sony E-Mount, from retailers. 

Pricing Information

  • Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD – £679.99
  • Tamron 28-75mm f/2.8 Di III VXD G2 – £849.99
  • Tamron 35-150mm f/2-2.8 Di III VXD – £1599.99
     

You can learn more about the two lenses for full-frame Sony E-Mount cameras in our previous announcement: Tamron Is Working On Two New Lenses For Sony E-mount Full-Frame Cameras

Support this site by making a Donation, purchasing Plus Membership, or shopping with one of our affiliates:
Amazon UK,
Amazon US,
Amazon CA,
ebay UK

It doesn’t cost you anything extra when you use these links, but it does support the site, helping keep ePHOTOzine free to use, thank you.

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A Brilliant Photo Of An Osprey In The Cairngorms Has Won ‘Photo Of The Week’ Title

A Brilliant Photo Of An Osprey In The Cairngorms Has Won 'Photo Of The Week' Title

An Osprey taking off with a Trout grasped in its talons has won our ‘Photo of the Week’ accolade.

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Competitions

Getting airborne

 

ePHOTOzine’s ‘Photo of the Week’ (POTW) award has been won by KevR who’s captured a beautiful Osprey taking off from water with its fish super. 

Getting airborne‘ is a brilliant example of wildlife/nature photography that’s full of action and power. We love the splashes that are frozen in time as the bird of prey grasps and takes off with the trout it’s caught. The Osprey’s eye is pin-sharp with the feathers full of detail, too, and the bokeh background helps this magnificent bird ‘pop’ from the frame. 

It’s simply a superb shot that’s well-worthy of our POTW title. 

All of our POTW winners receive a Samsung EVO Plus 64GB MicroSDXC card with an SD Adapter courtesy of Samsung. To be in with a chance of becoming our next POTW winner, simply upload an image to our gallery where you’ll also find all of our past POTW winners.

Plus, going forward, we will also announce a new ‘Photo of the Year’ winner who’ll win a Samsung Portable SSD T7. Each POTW winner, 52 in total, will then have their image shared in a new POTW forum where, in January 2022, we will ask you all to hit the ‘like’ button on your favourite images. Then, the ePHOTOzine team will count up the likes and our first ‘Photo of the Year’ winner will be announced.

 

Support this site by making a Donation, purchasing Plus Membership, or shopping with one of our affiliates:
Amazon UK,
Amazon US,
Amazon CA,
ebay UK

It doesn’t cost you anything extra when you use these links, but it does support the site, helping keep ePHOTOzine free to use, thank you.

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Ricoh GR IIIx Arrives This Year With A Retail Price Of £899.99

Ricoh GR IIIx Arrives This Year With A Retail Price Of £899.99

Ricoh GR IIIx

 

The Ricoh GR IIIx joins the GRX III in the Ricoh premium compact line-up of cameras that are great for street photography. 

Design-wise, nothing much has changed with the camera remaining a pocketable APS-C camera but there is a new lens, exchanging the Ricoh GRX III’s 23mm equiv lens for a 40mm one. 

The GR III was released in 2019 so it’s been a few years since Ricoh fans have seen an update to the popular camera, with Ricoh introducing the Ricoh GR IIIx in response to user requests. 

Software-based innovations will later be available for the GR III with a firmware update.

 

The main features of the RICOH GR IIIx at a glance:

  • 26.1 mm high-performance lens (40mm equiv.) With aperture F2.8 and macro function (approx. 1:4 at 12-24 cm focusing distance). Consists of seven elements in five groups, with two aspherical lens elements.
  • 24.2 megapixel APS-C sensor with Shift Shake Reduction sensor with an exposure reliability of up to 4 exposure levels, low-pass filter simulation, filter simulator and dust cleaning function
  • Image processor GR 6 with an accelerator unit for fast image processing
  • Sensor sensitivity ISO 100 to 102400
  • Hybrid autofocus
  • Fast start-up time of 0.8 seconds
  • 3-inch monitor with touchscreen and low light reflection for good image reproduction even in direct sunlight
  • Intuitive camera control using many buttons and switches with clear menu navigation
  • Multiple options for individual key assignment
  •  “Image Control” function for different film simulations
  • Various trigger functions (series shots, multiple exposures, interval shots, bracketing, camera control via app)
  • Wireless communication via WLAN and Bluetooth
  • Compact and high-quality housing design made of magnesium alloy
  • Battery charge in the camera
  • Various accessories

  

Pricing & Availability: The RICOH GR IIIx will be available from September 2021 with an RRP of £899.99. 

 

From Ricoh Imaging:

RICOH IMAGING COMPANY, LTD. is pleased to announce the launch of the RICOH GR IIIx. This premium digital compact camera features a newly developed GR lens with a 40mm angle of view in 35mm format, while harmonising professional-grade image quality with a compact, lightweight body perfect for street photography.

The RICOH GR IIIx has been developed in response to user requests for a new GR series camera that will add a new perspective to the highly acclaimed RICOH GR III. The GR III was released in March 2019, featuring a 28mm wide-angle lens and designed to further enhance the essential values of the GR series: optimising image quality, snapshot capabilities whilst still being able to fit in the pocket. The newly designed 26.1mm GR lens provides a 40mm angle of view in 35mm format, which is close to the photographer’s own field of view. Depending on the way the lens is used, this versatile angle of view can create different image perspectives: you can capture an image similar to those taken at a 30mm semi-wide angle, or create a completely different visual expression as if taken at a 50mm standard angle. The camera also provides a range of new and upgraded editing functions to adjust the images to the photographer’s preference.

The new RICOH GR IIIx is a camera that harmonizes all the benefits of the ever-evolving RICOH GR series with a new, innovative perspective perfect for dramatic, inspiring street photography.

Main features of the RICOH GR IIIx

1. Newly designed, high-resolution GR lens
The RICOH GR IIIx incorporates a newly developed 26.1mm F2.8 GR lens, which harmonises exceptional image quality with a compact design. Unlike past GR models which featured a 28mm wide angle of view for exaggerated perspective, this lens provides a 40mm standard angle of view in the 35mm format, delivering images with a more natural perspective and a more truthful sense of depth for a completely different type of street photography. The newly designed optics incorporates two aspherical optical elements at the most effective positions to reduce distortion and keep chromatic aberration to a minimum, while effectively minimizing flare and ghost images when shooting against backlight. In macro photography, the camera allows the user to move in on a subject to as close as 12 centimeters from the front of the lens. Coupled with the standard focal length, it captures close-up images with a natural perspective, set against a beautifully defocused background. It also comes equipped with an ND (Neutral Density) filter, which closes the aperture down by two stops to capture high-contrast, high- resolution images with a variety of scenes and subjects and under varying shooting conditions. Its nine-blade diaphragm mechanism creates a natural bokeh (defocus) effect and a truthful sense of depth at open and larger apertures, while capturing beautiful light beams at closed- down apertures.

2. High-quality, high-resolution images
The GR IIIx incorporates a large APS-C-format CMOS image sensor with an anti-aliasing (AA) filterless design and a newly developed GR ENGINE 6 imaging engine to optimize its image resolving power. With approximately 24.24 effective megapixels, this image sensor assures super-high-resolution images rich in gradation. It is also compatible with multi-tone 14-bit RAW image recording. The camera also features the RICOH-original accelerator unit designed to optimize the image data delivered by the image sensor, and provides a top sensitivity of ISO 102400 for super-high-sensitivity photography.

3. Hybrid AF system for high-speed, high-precision autofocus operation
The GR IIIx features a hybrid AF system combining a contrast-type AF mechanism, superior in focusing precision with a phase-detection-type AF mechanism assuring high-speed focusing operation. During autofocus shooting, this AF system can detect the subject’s face or eyes with precision*, focuses on it, and indicates the in-focus position on the LCD display using the AF frame. When the camera detects multiple faces, it automatically distinguishes the main subject from secondary ones and indicates this on the focus frame. Photographers can also change the main subject with simple touch-screen operation.
* A firmware upgrade for the RICOH GR III will be provided soon. GR III users are advised to update the camera’s firmware to use this function.

4. RICOH-original SR mechanism
• Three-axis, four-step* shake reduction: The RICOH-original SR (Shake Reduction) mechanism means that the GR IIIx effectively compensates for camera shake at the time of shutter release. The three-axis mechanism minimizes the adverse effects of camera shake caused by pitch, yaw and roll by as much as four shutter steps. Since the SR mechanism shifts the image sensor to the ideal position horizontally and vertically, the camera lets the user take advantage of the Auto Horizon Correction function to effortlessly optimize image composition.

* Measured in conformity with CIPA standards.

• RICOH-original AA Filter Simulator*: By applying microscopic vibrations with sub-pixel precision to the image sensor unit during exposure, the camera’s AA (anti-aliasing) Filter Simulator provides the same level of moiré reduction as an optical AA filter. This innovative simulator allows the user not only to switch the AA filter effect on and off, but also to adjust the effect to the level best suited for a given subject.

* This function is available at shutter speeds slower than 1/1000 second.

5. Compact, lightweight design
Despite the incorporation of the large APS-C- image sensor and the newly developed optics with a longer focal length, the GR IIIx is designed to be extremely compact, functional and portable, in keeping with the GR-series camera concept of being a pocketable imaging tool or a handy picture-taking tool. It also provides a host of user-friendly features – such as a short start-up time of approximately 0.8 seconds, control dials conveniently positioned next to the four-way controller, and effortless touchscreen operation – to enhance operation and allow the user to swiftly react to once-in-a-lifetime shutter opportunities. The exterior frame is made of highly rigid magnesium alloy to improve reliability and durability while being carried or stored.

6. High-definition LCD monitor with intuitive touchscreen operation
The GR IIIx features a 3.0-inch high-definition LCD monitor with approximately 1,037,000 dots. Its touchscreen operation provides swift, intuitive control of various camera functions, such as AF frame shift, menu selection, and image advance/magnification during playback. It also features an air gapless construction, in which special resin is inserted between the LCD touchscreen monitor and a protective cover made of reinforced glass, to effectively reduce the reflection and dispersion of light for improved visibility. The Outdoor View Setting allows the user to instantly adjust the monitor’s brightness to the desired level for greater visibility in difficult lighting conditions.

7. Image Control function to produce desired visual effects
The GR IIIx features a creative Image Control function, which integrates effect modes into conventional image setting operations. Using 11 basic Image Control modes, the user can easily adjust various parameters, such as saturation, hue, key, contrast and graininess, to the desired level and create their preferred finishing touch. A set of adjusted parameters can be added as a custom setting to the Image Control function menu.

8. Advanced image editing
The GR IIIx provides built in RAW development, while allowing the user to edit a captured image as desired by adjusting parameters such as recoding size, aspect ratio, white balance, Image Control setting, and exposure compensation factor, all without the need of a PC. Since the camera reduces the time required for preview after the user adjusts the parameters of RAW images, it enhances the speed of built in RAW development. The camera also lets the user retain the adjusted parameters after the initial RAW development is complete, making it possible to make minute re-adjustment of the already developed image with greater efficiency. The camera’s image quality adjustment function for JPEG images is also upgraded: a newly added monochrome mode allows more minute adjustment of parameters in full-colour images, such as filter effect, toning, contrast and sharpness, to create monochrome images with the desired finishing touches. The camera also provides such creative tools as a choice of aspect ratio (16:9 or 4:3)* and image rotation in 0.1-degree steps* to facilitate the image editing process.

 * A firmware upgrade for the RICOH GR III will be provided soon. GR III users are advised to update the camera’s firmware to use these tools.

 9. Bluetooth and Wi-Fi dual communication
The GR IIIx provides Wi-Fi functions for easy pairing with mobile devices such as smartphones and tables. By installing the dedicated Image Sync application, the user can transfer images to a mobile device, display a Live-View image on the device’s monitor, change various settings remotely, release the shutter from a distance, and even upload captured images to various social media sites with ease. Even when the camera’s power is turned off, the user can browse and download the images stored on the camera to a mobile device. The user can also send a mobile device’s location data to the camera, and record the data on captured images. The Auto Resize function,* which automatically reduces the image size before transmitting an image to a mobile device, also helps improve the camera’s performance.

 * A firmware upgrade for the RICOH GR III will be provided soon. GR III users are advised to update the camera’s firmware to use these tools.

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A Relationship Built To Last: Affinity Photo And You

A Relationship Built To Last: Affinity Photo And You

– Partner Content – 

Wedding Photography Editing With Affinity

 

There are few more important times to impress your photography clients than when you’re shooting their wedding. Extraordinary, Instagrammable images are now the expectation rather than the exception, but given the unpredictable nature of a wedding day, sometimes a little help is needed to elevate a shot, turning it from good to great. This is where Affinity Photo comes into its own. With a full range of tools powerful enough for professionals, but easy enough for newcomers to pick up quickly, the subscription-free Affinity Photo has to be a serious consideration for any wedding photographer’s suite of tools, even if you’re working on an iPad. 

 

Create With Confidence

A Relationship Built To Last: Affinity Photo And You 1

 

Thanks to its non-destructive editing process, Affinity Photo rewards experimentation without the danger of permanently ruining an image. You can play with the sliders, adjust your crop, exposure or contrast, and take a few risks, knowing that the original image is always there to roll back to if and when you need to. This freedom gives photographers the confidence to be creative, and step outside their comfort zone. The layers system, which will be familiar to anyone who has digitally edited images in the past, offers the creative freedom photographers are used to, along with a fully featured toolset to make the most of your clients’ precious images. 

 

Brighten Dull Days

A Relationship Built To Last: Affinity Photo And You 2

 

A clear, sunny wedding day is at the top of most brides’ (and their photographers’) wish lists, but as the old football adage goes “can they do it on a wet Tuesday in Stoke?” Affinity Photo makes adding a little sunshine to a dull day simple. Whether you need add a little golden hour glow, a spectacular lens flare, or replace the entire sky, the tools are at your fingertips. Using a combination of the layers and live filters gives you the power to ramp up the impact of your images, and give your brides the wedding album they dreamed of, even if the weather on the day didn’t behave as everyone hoped. 

 

Retouch Like A Pro

A Relationship Built To Last: Affinity Photo And You 3

 

When it comes to wedding portraits, soft and dreamy light is the order of the day, and Affinity Photo has you covered. Within the Live Filters menu, you will find a fantastically versatile Gaussian blur filter to enhance your brides’ natural beauty. By adding a soft glow, and a little warm light, you can elevate your images and blow your clients away. Use this in conjunction with the integrated Frequency Separation filter to further enhance skin and remove any blemishes, and you have a formidable set of retouching tools at your disposal to bring your creative vision to life. 

 

Love Your Luts

A Relationship Built To Last: Affinity Photo And You 4

 

With a fully-featured luts (presets) system (and a vibrant community of creators) Affinity Photo really becomes a sandbox for wedding photographers to try new looks. The software comes bundled with a range of luts ready to use out of the box, with thousands more available across the internet. Whether you’re looking for old-school film looks, cinematic edits, or something a little more off-kilter, you’ll find a wealth of new styles to really make your next wedding stand out. With all luts compatible with Affinity Photo on all platforms, it’s never been easier to get a consistent look across an entire shoot, whether you are editing in the studio or on the move. 

 

Bring Back Bokeh

A Relationship Built To Last: Affinity Photo And You 5

 

If you’re blessed with a bright, sunny day, and you’re forced to shoot with a slower aperture, you can easily lose out on all that dreamy bokeh that wedding clients love so much. With a little Affinity Photo trickery, you can easily bring back that gorgeous background blue, and really make your bridal portraits pop. By simply using the Depth Of Field live filter, you can draw attention to the area of the image you want, or hide distractions in plain sight, with natural looking, aesthetically pleasing bokeh.

With all of the above, and so many more features which wedding photographers of all persuasions will appreciate, it’s no surprise that Affinity Photo is rapidly gaining popularity with professionals who need a fully-featured, reliable suite of professional-grade tools, without committing to a subscription-based package. 

Affinity Photo v1.10 is out now, with no subscription. It’s received extensive performance tweaks, most importantly in adding greater efficiency when blending layers together, while retaining a non-destructive workflow – a key attribute that sets Affinity Photo apart from the competition.

The new approach also introduces some options to ensure editing speed remains slick even after building up a complex stack of hundreds of pixel and vector layers, and filter effects, while still maintaining the full layer stack.

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