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100 Adobe Photoshop Tricks and Tips You May Not Know

100 Adobe Photoshop Tricks and Tips You May Not Know

Adobe Photoshop is one of the most complex pieces of software in the industry. While it is relatively easy to do the basics as a beginner, it has layers of depth that go far past where even many experts go. In this video, learn over 100 different tricks and tips.

I am approaching two decades of experience in Adobe Photoshop. While my uses for the software have changed over the years, from digital art, to design, to photography, and so on, I have tended to stay in the same sort of areas when it comes to what tools I use. As AI and Neural Filters have been introduced, I’ve begun extending my workflow a little, but I generally do not stray far.

However, despite stagnating on the learning front — at least when compared to ten years ago — I regularly come across tips and tricks that improve my workflow. To stay on top of all techniques, particularly with new tools being added multiple times per year, you nearly have to dedicate yourself to the application full time. Fortunately, in the age of the internet, there are people who do that on our behalf and then impart their wisdom. One such example of that is Jesus Ramirez of Photoshop Training Channel.

I don’t typically feature live streams, but this one is crammed full of useful content and Ramirez is highly skilled as both a digital artist and as an educator. The video is a little over an hour, but it is well worth your time!

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Using Adobe Photoshop’s New AI to Make Colors Pop

Using Adobe Photoshop's New AI to Make Colors Pop

Adobe Photoshop has had most of its recent major updates centered around its AI editing tools. In this video, find out how to make the colors of an image more punchy by using a filter you might not think to.AI image editing has seen a meteoric rise in the last few years. Whether it’s the computational effects in the new smartphones, or automatic object selection in Photoshop, everything is getting smarter. However, many editing suites have taken AI further and integrated tools that can do more dramatic and difficult tasks.

Photoshop’s Neural Filters are a great example of where automated editing is headed. In this relatively new section, there are many intelligent tools at your disposal. For example, in a recent update, one of the new additions that was particularly well-received was the Style Transfer filter. This allows you to take the tonality and “feel” of one image and apply it to another.

One consequence of so many new AI filters is that people will inevitably see what they can do in situations they were not necessarily intended. In this video by PiXimperfect, we see the Colorize Neural Filter — which is meant for colorizing old black and white images — can do to an image that is already color. The example image is low-contrast and reminds me of Log footage, but the Colorize filter does a good job of bringing out what is already there.

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Pre-Black Friday Adobe Photography Plan Offer – Save 16%

New Photoshop Neural Filter - Harmonization (beta)

November 8, 2021

Black Friday offers are coming early this year, and we’ll be sure to cover all that we find. One of the first that we’ve spotted is an offer from Adobe, giving you a 16% saving on the Adobe Creative Cloud Photography plan, which includes the latest versions of Adobe Photoshop, Lightroom, and Adobe Camera Raw.

Adobe Photoshop has just received a number of major updates, including impressive object selection and masking, and Lightroom has also been updated to improve masking and more.

Pre-Black Friday – 16% off Adobe Photoshop and Lightroom.

Ahead of Black Friday, Adobe is offering 16% off Photoshop and Lightroom with its Black Friday Adobe Photography Plan Offer. Available for only a week from the 8th – 14th November at the following link.

New Photoshop Neural Filter - Harmonization (beta)

New Photoshop Neural Filter – Harmonization (beta)


Once you’ve invested in Photoshop or Lightroom, then be sure to have a look at some of our latest guides to using the software:


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A Beginner’s Guide to Removing Objects in Adobe Photoshop

A Beginner's Guide to Removing Objects in Adobe Photoshop

There are a handful of tools and techniques in Photoshop that are utterly essential in my eyes. One of those is the ability to remove even complex objects from your images, whether they are distractions or unwanted features, you will be surprised how often you need to remove something.

If you are not entering high-end photography competitions, which I seldom am, then editing is a pretty free and open task. That is, you can do whatever you deem necessary to make the final project more pleasing to the eye. I rarely make large-scale, holistic edits tantamount to compositing, but I am far from against them. However, on almost every shoot I am on, I will remove objects from the frame.

How I decide what should and should not be in the frame is simple: does it improve the image? If yes, then I leave it, if no, then I have to ask a follow-up: does it make the image worse? If it does, then it has to go, no matter how slightly. For example, I recently did an environmental shoot at a large financial institution and for whatever reason, it felt as if there were a lot of health and safety signs dotted around. They’re ice white with bright orange shapes on them and thick black text; even at f/1.4 on a medium format body, they were incredibly distracting. So, I removed every single one.

Knowing how to remove objects quickly and simply — which is easier than ever with the new Photoshop automated tools — allows you to create cleaner and distraction-free images.

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5 of the Best New Features in Adobe Photoshop 2022

5 of the Best New Features in Adobe Photoshop 2022

Adobe has just released Photoshop 2022, version 23.0.0. As always, it leans more towards evolution than revolution, but with more than two decades of evolving, you know any large changes are going to be useful.

Today at Adobe MAX 2021, Adobe announced major feature releases for Photoshop. If you want a complete list of additions to the software, I would recommend their official blog post.

For improvements, my pick would be Object Finder, which improves upon Object Selection, an automated selection tool. There was a time where I could not get useful selections through any automated methods, but in the last year or two, I have been leaning on Object Selection more and more. As a result, I’m pleased to see they have refined this tool and added some functionality.

As for some newer features, I always go straight to the Neural Filters, partially because they’re still novel, and partially because they’re getting increasingly impressive. For example, the Landscape Mixer tool (which is still in beta), allows you to change the season of your image automatically, as well as the time of day, or even the textures. The example Adobe gave that was the most impressive was an ordinary, green landscape with hills and trees, that the new tool turned to winter. The snow on the ground isn’t overly impressive, but it even realistically added snow to the leaves of the trees too.

What new feature are you most interested in?

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Major Adobe Photoshop updates announced

Adobe Photoshop Mask All Objects

October 26, 2021

Adobe has announced a vast array of updates for all of it’s software, including a number of major updates for Photoshop on both desktop and iPad. Also announced is a new Photoshop on the web (beta) app that lets you edit and view your work in your web browser.

There are a number of new neural filters, as well as updates to existing ones. The Neural filters, introduced last year, are a range on non-destructive filters that use Sensei AI (artificial intelligence) machine leaning to produce great results, with one click or sliders to adjust settings. A new filter is Harmonization designed to help you blend tw0 images with matching colour.

New Photoshop Neural Filter - Harmonization (beta)

New Photoshop Neural Filter – Harmonization (beta)

Adobe Photoshop Desktop updates:

  • Hover Auto-masking Object Selection Tool
  • One-click “Mask all objects” in a layer
  • New neural filters
    • Landscape mixer (beta)
    • Colour Transfer (beta)
    • Harmonization (beta), shown above
  • Improved neural filters
    • Depth blur filter
    • Superzoom filter
    • Style transfer filter
    • Colorize filter
  • Improved Gradients – with new interpolation options
  • Copy from Illustrator and paste vector shapes
  • Improved colour management and HDR capabilities (includes Apple Pro Display XDR support, as well as support for other HDR-capable displays)
  • Share for commenting
Improved Photoshop Export As tool

Improved Photoshop Export As tool

  • Improved Export As
  • More Plug-ins
  • Faster Oil Paint Filter
  • Increase App stability and faster fixes

The one-click “mask all objects” in a layer is just one of these new updates that we think it worth highlighting, as it appears to be very impressive, as demonstrated by this image, which is the result of right clicking and selecting “Mask all objects”:

Adobe Photoshop Mask All Objects

Adobe Photoshop Mask All Objects

Adobe Photoshop on iPad

Photoshop on iPad is getting a number of new updates, including the ability to process raw files with “Camera Raw”, which supports raw photos from iPhone 12 and 13Pro (ProRAW), and digital cameras, with support for any raw file that Adobe Camera Raw currently supports.

Other updates include:

  • Smart objects
  • Dodge and burn
  • Share for commenting
Photoshop on the iPad, Camera raw editing

Photoshop on the iPad, Camera raw editing

Adobe Photoshop on Web (beta)

Running on Chrome and Edge browsers, Photoshop on web is a cut down version of Photoshop that runs in a web browser, simply visit photoshop.adobe.com.

  • Comments, Pins, Annotations
  • Editing
Photoshop on the web editor

Photoshop on the web – editing


Adobe MAX 2021 starts today!

ADOBE MAX – A FREE VIRTUAL EVENT OCTOBER 26-28, 2021 – Luminary speakers, celebrity appearances, musical performances, global collaborative art projects, and 350+ sessions — all at no cost. Register for free!

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Adobe Photoshop & Lightroom Get Major Updates, Plus Photoshop In Your Web Browser Has Been Introduced

Adobe Photoshop & Lightroom Get Major Updates, Plus Photoshop In Your Web Browser Has Been Introduced

Photoshop Auto Mask
Photoshop Auto Mask

 

Autumn has arrived which along with lovely coloured leaves and crisp blue skies comes Adobe MAX 2021 where huge announcements about Adobe Photoshop, Lightroom and other apps/software are introduced. 

This year, there’s a major feature release of Photoshop on the desktop and iPad. Plus, Adobe has introduced a web-based Photoshop that features a small set of Photoshop editing tools and you can also share your workflow with others. 

Adobe has also updated Photoshop Express – an all-in-one mobile photo editing app that introduced tools specifically for face and selfie retouching earlier this year. 

Lightroom hasn’t been ignored, either, with updates for Lightroom and Lightroom Classic that bring better masking, presets, improved framing tools and the ability to share your photos with others so they can edit them. 

Quite a bit has been introduced or updated so let’s take a look at each product separately. We’ll also be reviewing the new releases so keep an eye out for our opinions over in reviews

 

Photoshop Desktop 

Photoshop Export
Photoshop Export

 

The Object Selection Tool has been significantly improved. Now, just hover over the object you want to select in the image and one-click will select it. Plus, there’s a new one-click ‘mask all objects in a layer’ option that will easily generate masks for all the objects detected within your layer with just a single click.

Adobe’s non-destructive filters list has got longer with more options to help you speed up your workflow. Simply select a filter you want to use then use sliders to adjust how it looks. They might not always produce the final result you need but they will save you time and you can use all the tools in Photoshop to make your final adjustments. 

 

Photoshop Neural Filter Harmonization
Photoshop Neural Filter Harmonization

 

The three new filters – Landscape Mixer, Color Transfer and Harmonization – introduced to the Neural Filter workspace are in Beta so you can share your feedback with Adobe to improve how they work going forward.

  • Landscape Mixer combines two landscape images together so you can change the colours of leaves on trees or create a winter scene from a sunny summer’s day. Combine multiple scenes into an entirely new one by mixing the structure and style of the images together.
  • Color Transfer will quickly transfer the colours of one image to another, using the original as a colour palette reference. 
  • Harmonization matches the colour and tone of an element on one layer to another layer by using some clever AI that intelligently adjusts the hue and luminosity for the look you want.

Along with new filters, existing ones are getting an update, too, with the Depth Blur option getting a new machine learning model that applies a more natural blurred background and keeps the subject more in focus. There’s also an option to add grain to the blur. 

 

Photoshop Neural Filter Depth Blur
Photoshop Neural Filter Depth Blur

 

The Superzoom filter now applies to the whole image, not just the zoomed area in the preview window and the Style Transfer tool now applies a more painterly, artistic effect. Those who work in black and white quite a bit can also now use the Colorize filter to bring your black and white images to life with more vibrant, natural colours.

Gradients have been improved so they look clearer, brighter and have a more natural blend and appear more like the gradients you see in the physical world (like a sunset or sunrise sky). 

Three Gradient options are available now: Classic, Perceptual and Linear. 

  • Classic mode: This setting preserves the same way Photoshop has displayed gradients in the years past.
  • Perceptual mode: This setting will display gradients the most closely to how humans perceive light to blend together in the physical world. This new mode is the new default in Photoshop on desktop and iPad.
  • Linear mode: This setting is often used in other applications, including Illustrator, and will also display gradients closer to how natural light appears. Colour Geeks know that in certain spaces Linear mode provides more varying results.

 

Photoshop XDR Support
Photoshop XDR Support

 

Other improvements include support for Apple’s Pro Display XDR, a new way to quickly share your work for review with client/colleagues for feedback via the commenting panel (also available in the iPad version), improved ‘Export As’ function, more plug-ins and a faster oil paint filter. 

 

Photoshop On iPad

Photoshop On The IPad Camera Raw
Photoshop On The IPad Camera Raw

 

One of the main features Photoshop for iPad users have been asking for is RAW support and today, Adobe has added this to Photoshop on iPad. Now you can import and adjust your raw photos from iPhone 12 & 13 Pro (ProRAW) or your digital cameras. Edit your images with adjustments and settings that leverage the power of Adobe Camera Raw.

 

Photoshop On The IPad Dodge And Burn
Photoshop On The IPad Dodge And Burn

 

You can also convert layers into Smart Objects so that transformations and filters stay non-destructive and the Dodge and Burn tools from the desktop version of Photoshop are now available to those working in Photoshop on their iPads. 

 

Photoshop On The Web

Photoshop On The Web Editing
Photoshop On The Web Editing

 

Adobe is extending the power of Photoshop to the web as a beta (running in Chrome and Edge browsers). In this beta, you and your collaborators can open and view your work in the browser, provide feedback, and make basic edits without having to download or launch Photoshop. Some of the basic edits available include simple layers, selection tools and masking. 

 

Lightroom & Lightroom Classic Updates

Lightroom Precise Selection And Masking Scaled |
Lightroom Precise Selection And Masking Scaled

 

The Selective Adjustment tools have been entirely re-worked so they are now accessible with one click on the newly named masking button. You can also make more complex and accurate selections with multiple masks, including utilizing colour and luminance masks. Plus, thanks to AI, you can now easily identify and select subject and sky (Select Subject & Select Sky) then apply specific edits to them with one tap. 

To further speed up workflow, you can choose presets created by the Lightroom community or use premium presets introduced by Adobe. This new set of Premium Presets includes eight new categories: Black & White, Food, Landscape, Urban Architecture, Lifestyle, Retro, Travel II, and Cinematic II.

 

Lightroom Recommended Presets |
Lightroom Recommended Presets

 

As well as using presets from the Lightroom community, you can share your edits with them or let others edit your images and you can also access the Lightroom Academy – a new way to learn Lightroom. 

The final new feature we want to highlight for Lightroom users is the ability for you to choose new crop overlays for different aspect ratios to improve your photo’s composition. 

 

Photoshop Express

For quick edits, you might want to take a look at the Photoshop Express App where new features include a Smart Cut Tool which automatically detects the edges of different objects that are part of your original image. You can select two or more objects to cut and place in your new image. If needed, there is an optional brush to make additional refinements in a few taps on your phone.

In addition to skin smoothing, content-aware healing, face aware liquify and other tools, Adobe is developing a Makeup toolkit, also accessible in Photoshop Express, with the first editing option: Lips arriving with this latest announcement. With this tool, you can change the colour of someone’s lips in an image. There is a refinement tool with control points to ensure a perfect fit. If you change your selection after refinement, the new option will be mapped to your precise selection.

 

Pricing & Availability 

Adobe products are still available as Creative Cloud plans with various prices available. Updates will be arriving for current Adobe users this week. For more information, visit the Adobe website

We’ll also be reviewing the new Adobe Photoshop and LIghtroom releases/updates so keep an eye out for our own opinions on the popular software over in reviews

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Adobe Lightroom desktop and mobile updated

Lightroom Precise Selection and Masking

October 26, 2021

Adobe has announced a range of updates for Lightroom desktop and mobile for both Lightroom Creative Cloud and Classic. Plus Adobe are introducing a new Lightroom Academy website for learning new skills as well as improving techniques and editing abilities.

Adobe Lightroom updates includes

  • Precise selection and masking
  • Automatically Select Subject and select sky
  • Recommended presets to match your photo
  • 8 additional pemium preset packs
  • Community remix (Mac and Windows)
  • Crop overlays (Mac and Windows)
Lightroom Precise Selection and Masking

Lightroom Precise Selection and Masking – this uses artificial intelligence, and is designed to make selecting the subject and sky much quicker and easier, as demonstrated in this video on YouTube

There are further updates including advanced colour grading, graphical watermark support, auto versions, as well as improved performance in Lightroom Classic and Camera Raw.

Find out what’s new in Lightroom Classic here, and Lightroom CC here.

Lightroom academy (web) launched

Lightroom Acedemy (https://lightroom.adobe.com/academy) is an online resource for photographers designed to help you learn essential photographic concepts and improve image processing skills, regardless of experience or equipment.

Lightroom Academy

Lightroom Academy

Lightroom Academy is entirely free and available to start exploring today! Plus, Adobe will be continuing to update Lightroom Academy with new classes and resources throughout 2022.

Also announced today are a number of updates for Adobe Photoshop, including a new version for web.


Adobe MAX 2021 starts today!

ADOBE MAX – A FREE VIRTUAL EVENT OCTOBER 26-28, 2021 – Luminary speakers, celebrity appearances, musical performances, global collaborative art projects, and 350+ sessions — all at no cost. Register for free!

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A Brilliant Explanation of How to Color Grade With Hue Mask in Adobe Photoshop

A Brilliant Explanation of How to Color Grade With Hue Mask in Adobe Photoshop

There are few more consistent, wholesome, and informative content creators out there than Unmesh Dinda. In this video, he comprehensively breaks down Hue Masks in Adobe Photoshop and how it can be a power color grading tool.

The difficulty with starting out in Photoshop is there are so many different ways to skin so many different cats, you can become overwhelmed and directionless. For those people, I urge you to just learn any technique you like the results of when it comes to editing your own images. Once you are comfortable with your editing workflow, however, it can be valuable to experiment with different methods.

I have used myriad techniques in Photoshop when retouching my portraits, some have stayed with me, some I have forgotten or abandoned. Despite having closer to two decades of experience than one with the software, I learn new strategies for familiar tasks on a monthly basis. I have never used Hue Masks for color grading — in fact, I’m not sure I’ve ever used this technique in any capacity. However, after watching Dinda’s brilliant explanation of how it works and what it does, I can see applications in my own work.

So, sit back and learn from one of the few content creators on earth I will never get sick of.

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An Interview With Dario Calmese: How Community Led to Working with Adobe, Viola Davis, and Vanity Fair

An Interview With Dario Calmese: How Community Lead to Working with Adobe, Viola Davis, and Harper's Bazaar

Dario Calmese is the first black photographer to shoot the cover of Vanity Fair. In this interview, we talk a bit about that as well as his recent collaboration with Adobe to create presets better suited for diverse skin tones.

Dario’s path to photography was a circuitous one. Although Dario is creative, he is technical and an academic as well. He’d trained as a performer since the age of 15 but eventually pursued psychology and mass media at university. Talk about a change of pace! After graduating, he made the move to New York and allowed himself one year to pursue professional performance. His work as a performer gave him opportunities to travel, and he’d take images wherever he went.

However, it wasn’t until a three-week trip to Europe that he purchased his first DSLR, which bridged the gap between his technical side and his artistic side. He could work out the technical aspects of photography, such as lighting ratios and shutter speeds, while also being creative and making photographs. When he returned to New York, he continued to work as a performer but began collaborating with his fellow actors and friends to create photographs, such as headshots and stylized portraits.

Despite his many achievements as a photographer, Dario doesn’t consider himself to be one. He uses the skills and language of photography, but that’s only a single means of expressing his ideas, just as dance or music or writing can be a way of expression. In alluding to Deleuze and Guattari, truth isn’t a singular thing. Dario aims to speak truth to places of power and to be that voice within spaces to say what others might not.

What do I aim to do as an artist? I think ultimately, to set people free. And I don’t mean that in some savior complex way. But I mean free to be themselves. Free to find freedom within their own minds. To access their own imaginations. And to dissolve some of the illusions we find ourselves in.

The world doesn’t exist in a vacuum. Having a multidisciplinary approach allows Dario to create richer photographs, informed by a broader spectrum of influences. If you draw inspiration from other photographers, then you are simply recreating what has been done. But if you can draw inspiration from any other place, you can create specific moments that are more than just photographs. For a photograph to exist within the confines of photography, it has to contribute to broader conversations of history, art, or anything else other than photography. Dario very seamlessly creates connections and references within his photographic work. About Guy Debord’s spectacle, it is artists, he believes, who are the ones to hold power to challenge the status quo.

The Vanity Fair portrait of Viola Davis was extremely monumental for what it represented. It wasn’t just a photograph. He believes that going into the work knowing the impact it might have on the zeitgeist and history was both humbling but also a very large part of the photo-making practice. He credits the pose for the image to black women artists, such as Lorna Simpson and Carrie Mae Weems, who often photograph subjects from behind. Working for a client such as Vanity Fair is a different level of photography, which includes additional resources available to a creative. The stakes are incredibly high, so you have to step into these shoes that you’ve found in front of you and just get the job done, essentially.

Dario is a firm believer in community and creating long-standing relationships. His Vanity Fair cover was not only his first cover for a major magazine but also his first cover for Vanity Fair. He confesses that a large part of this opportunity came about because a stylist he’d collaborated with previously on editorial shoots recommended him to Vanity Fair. Oftentimes, it’s not about just being talented or having the right portfolio, but also having the right connections and creating connections for others.

Because of this, creating a community informs a large part of Dario’s outlook. He highlights Dana Scruggs, who does this brilliantly. For example, she recently shared her insights on negotiating contracts. For those who are in the profession or have been working for some time, this might be commonplace. However, young creatives starting often don’t negotiate their contracts for editorial or commercial shoots. So, even something such as sharing failures or experiences or practical knowledge is a great way to create conversations and community. Someone just starting might not even be aware of certain pitfalls that you may have learned through experience.

Adobe first invited Dario to speak at the Adobe Max Conference, which was held remotely recently. He was later invited, along with Laylah Amatullah Barrayn and Summer Murdock, to help create presets for Adobe’s Lightroom. Not only are these free for all Adobe subscribers, but the conversation to help create these was initiated by Adobe themselves.

An Interview With Dario Calmese: How Community Led to Working with Adobe, Viola Davis, and Vanity Fair 1

An Interview With Dario Calmese: How Community Led to Working with Adobe, Viola Davis, and Vanity Fair 2

Adobe saw a need in available resources for processing certain skin tones and proactively worked on a solution. For companies or individuals to say “I don’t see race” erases people. Instead, creating equitable spaces where these paradigms are challenged creates a more progressive and inclusive world. I think it’s fantastic for Adobe to not only have recognized this but to proactively engage a community of photographers to help fill in the gaps of systemic racism in photography.

Stay curious. Keep dreaming.

We are finite beings in a relatively infinite world. Dario urges exploration and the impulse to stay curious and try new things. Access to knowledge, which sparks the imagination, is a privilege. To then be able to manifest that knowledge into the real world is something that not everyone gets the chance to do.

And if given the moment, provide people access to tools and imaginations. Only through creativity and community can we know ourselves and others.

Images courtesy of Dario Calmese.

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