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The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now

The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now

Olympus OM-D E-M10 Mark IV

 

If you’re looking for a camera for a beginner or for someone who wants to change from a reasonably priced DSLR to a camera with similar power that’s smaller in size but still isn’t too expensive then an entry-level mirrorless compact system camera (CSC) would be a good choice. 

A mirrorless compact system camera (CSC) lets you change lenses and most of them also use a DSLR sized sensor so you still get DSLR image quality without the bulk of a DSLR camera body. With a rapid refresh cycle, there are a number of new cameras introduced each year, with many offering innovative new features as well. 

The best cameras for beginners, we think, have both automatic modes as well as access to full manual controls which the cameras in this top list have. As mentioned, you’ll also have access to a wide range of lenses for all budgets, too.  

To help you make a more informed decision about your purchase, we’ve put together this top list which highlights the best entry-level Mirrorless Compact System Cameras currently available that ePHOTOzine has put to the test in our reviews. You may think some are expensive in compression to entry-level DSLRs, for example, but they are less expensive than a lot of other CSC cameras currently on the market and as a result, are the best options for those with less money to spend. 

Please Note: If you don’t see your favourite camera on this list it’s either because we’ve not reviewed it or it’s simply not scored high enough.

 

Best Entry-Level Mirrorless Compact System Cameras:

 

Olympus OM-D E-M10 Mark II The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 1

Olympus OMD EM10 MarkII (15)

The 16 megapixel Olympus OM-D E-M10 Mark II is the entry-level Olympus OM-D model, yet features the same 16-megapixel sensor as the E-M5 Mark II, as well as 5-axis image stabilisation, and built-in Wi-Fi, at a competitive price. There is a large, high-resolution electronic viewfinder (2.36m dots), ISO100 to ISO25600, 8.5fps continuous shooting and built-in Wi-Fi. Although the camera is not weather-sealed, it does have a tilting touch-screen and uses Micro Four Thirds lenses. 

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Panasonic Lumix GX9 The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 2

Panasonic Lumix GX9

 

The Panasonic Lumix GX9 delivers great image quality, and can easily be taken with you everywhere you go. It has a compact camera body, a tilting screen, EVF and continuous shooting speed has been improved to 9fps. In-camera 5-axis image stabilisation can be used in combination with lens-based image stabilisation when using Panasonic lenses and there’s a built-in flash, which was missing from the GX8. 

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Olympus PEN Lite E-PL8 The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 2

Olympus PEN E PL8 White (12)

The 16 megapixel Olympus PEN E-PL8 features a tilting 3inch selfie screen, 3-axis in-camera image stabilisation, and records FullHD video. The ISO range is ISO100 to ISO25600, and the camera features built-in Wi-Fi, 8.5fps continuous shooting, and a metal camera body. The E-PL8 uses Micro Four Thirds lenses. It’s also worth looking at the previous version, while it’s still available, the Olympus PEN Lite E-PL7.

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Olympus PEN E-PL9 The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 2

Olympus PEN E-PL9

 

The Olympus PEN E-PL9 continues to deliver the same high image quality of other Olympus Micro Four Thirds cameras, giving excellent colour reproduction and great JPEG images straight from the camera. Noise performance is good, although doesn’t quite match the performance of some APS-C cameras. The E-PL9 is now a more complete camera than any previous Olympus PEN camera, with the built-in pop-up flash a great addition. 4K video makes it competitive with the Panasonic Lumix cameras, and combined with built-in 3-axis IS, this is better than most other entry-level mirrorless cameras and will make your video look better than non-stabilised cameras.

The Olympus PEN E-PL9 is likely to be a popular camera, particularly thanks to the 3-axis image stabilisation system, and 4K video recording. The biggest competition is the E-M10 Mark III, with a built-in electronic viewfinder, the Panasonic Lumix GX80, and the Sony Alpha A6000, which both also feature a built-in electronic viewfinder. The updates to the user interface is a very welcome addition, however, the more advanced menus could still do with a refresh. The E-PL9 solves most of the complaints we had regarding the E-PL8, with a built-in flash, built-in automatic panoramic mode, as well as new, easier to use modes. As part of the Micro Four Thirds system, it also has access to the widest range of lenses available for a mirrorless system.

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Olympus OM-D E-M10 Mark IV The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 2

Olympus OM-D E-M10 Mark IV

The Olympus OM-D E-M10 Mark IV is a compact, lightweight mirrorless camera with a vast array of features and abilities. There’s very little to limit you in your pursuit for great photography. The handling of the camera is particularly good as well, with a well-thought-out handgrip, and dual command dials making it easy and quick to change settings. There is also a huge range of lenses available, with additional lenses still due to be released in the future.

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Olympus OM-D E-M10 Mark III The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 2

Olympus OM D E M10 Mark III (12)

The 16 megapixel Olympus OM-D E-M10 Mark III is the third entry-level Olympus OM-D model and features the same 16-megapixel sensor as the E-M5 Mark II, as well as 5-axis image stabilisation, built-in Wi-Fi, and 4K video recording at a competitive price. There is a large high-resolution electronic viewfinder (2.36m dots), ISO100 to ISO25600, 8.6fps continuous shooting and is designed to be easier to use. Although the camera is not weather-sealed, it does have a tilting touch-screen and uses Micro Four Thirds lenses. 

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Canon EOS M50 Mark II The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 2

Canon EOS M50 Mark II

 

Like the model before it, the M50 Mark II offers a compact, DSLR styled mirrorless camera, with a 24mp APS-C CMOS sensor, which gives excellent image quality, with the same excellent colour reproduction that you get with Canon EOS DSLRs. You also get high-speed continuous shooting, 143 focus points, and a high-resolution electronic viewfinder. It’s also one of the cheapest Canon cameras to record 4K video, and the side mic socket will make it appealing for those who want to record video. However, it’s worth being aware of the HUGE crop into the frame when using 4K video with digital IS enabled, as this will make wide-angle video recording difficult unless you buy the 11-22mm ultra-wide-angle zoom lens.

It would be nice to see Canon introduce new lenses more often than they have, as the last new lens was announced in 2020, and before that September 2016. Considering the EOS M system has been around since 2012, and there are still only 8 Canon EF-M lenses available, you’ll most likely need to look at other companies if you plan on expanding your system. It’s unfortunate that a camera as good as the M50 Mark II doesn’t also benefit from a wider choice of lenses, as you’ll need to look at a prime lens for best results, as the 15-45mm zoom lens and the 18-150mm zoom lens both gave soft images at times.

Before buying into any new camera system, we’d highly recommend looking at what you want to do with the camera, and what lenses are available for it. If the lenses available for the EOS-M cameras suit you, then the M50 Mark II is a great choice, assuming you don’t want to record wide-angle 4K video.

 

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Olympus PEN E-PL10  The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 2

Olympus PEN E-PL10

 

Like the E-PL9, the E-PL10 delivers great image quality, excellent colour reproduction, rapid focus and continuous shooting speeds, and has good noise performance. There’s a built-in pop-up flash, 4K video recording, and with built-in 3-axis IS, videos have a good level of image stabilisation, making even handheld videos look great.

The Olympus PEN E-PL10 like the E-PL9 is a great little camera, and that’s the biggest issue currently, the E-PL10 is so similar to the E-PL9, that the higher price of the E-PL10 makes it difficult to justify.

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Sony ZV-E10 The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 9

Sony ZV-E10 Mirrorless Camera

 

If you are a vlogger, or aspiring to be one, then the Sony ZV-E10 with its 16-50mm pancake lens is a very serious contender. The larger APS-C sensor, built-in multi-directional microphone, easy connectivity and the useful, perhaps essential, accessories available all make the kit perfect for setting out on a vlogging career. Frankly, the compact form factor also means that the kit is not a burden to carry out in the field, thus encouraging its use wherever we might go.

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Panasonic Lumix G100 The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 9

Panasonic Lumix G100

 

Despite being designed as the “perfect vloggers” camera, we were more impressed by the camera’s still photo ability. It consistently produced images that look great, with good detail, accurate focus, and great colour. The camera also gives a great shooting experience, thanks to a high-quality, high-resolution screen, and high-resolution and large electronic viewfinder. Handling is good, with a good rubber grip and there’s a good number of external controls. For those looking for a compact mirrorless camera, with access to a vast array of relatively compact lenses, then the Panasonic Lumix G100 makes a great camera.

As a vlogging camera, we were left fairly disappointed in a number of ways. Electronic image stabilisation struggles, focus is frustrating as the camera’s focus drifts from the main subject (and hunts for focus), and the heavy crop gives a soft-looking image. We were left disappointed in the audio quality, despite OZO Audio promising high audio quality. The kit lens gives us a camera that struggles in low-light. For a little bit more, you can get the Panasonic Lumix G90, which features real 5-axis in-body image stabilisation, rather than digital, as well as mic/headphone sockets, and unlimited video recording.

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Fujifilm X-T200 The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 11

Fujifilm X-T200

The X-T200 updates the X-T100 in a number of useful ways. 4K video recording has been greatly improved, offering 30,25,24fps video recording and a microphone socket has been added to the side. A larger, improved grip has been added to the camera, and there’s a new, larger, high-resolution 3.5inch vari-angle touch-screen. Face and eye detection is included and gives good focus performance in most situations.

In terms of value for money, the X-T200 offers a lot, however, alternatives from other companies, such as Sony, Olympus, Panasonic, offer a wider range of lens choices, particularly if you’re looking for budget options, and this is something to factor in when looking at the overall cost if you do go for this camera. The majority of lenses available from Fujifilm are not budget options, however, the new XC 35mm f/2.0 is one lens to look at. You could also look at the X-T30, a higher spec camera in many ways, currently available for less than the X-T200.

For wildlife or high-speed sports photography, you will be better served by other Fujifilm X series cameras, such as the X-T30, or X-T3/X-T4 with much faster continuous shooting speeds. But for everything else, the Fujifilm X-T200 makes a compelling all-round camera for general photography. For video the X-T200 delivers good-looking 4K video footage, and the screen is definitely impressive. The vlogger kit is great value for money, for an extra £50, you get a RODE Mic, a JOBY tripod, and a memory card, with the microphone giving a noticeable improvement in audio quality. 

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Fujifilm X-A7 The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 9

Fujifilm X-A7

 

The Fujifilm X-A7 gives pretty much everything you could want from an entry-level mirrorless camera. There’s a 24mp APS-C CMOS sensor, 4K video recording, and usefully a large 3.5inch vari-angle touch-screen. For those interested in the video side of things, there’s HDMI out, as well as a microphone socket (albeit a 2.5mm jack – an adapter is provided in the box). For vlogging, the large screen, and face detection focus will also add to the camera’s appeal. 

The image quality delivered is very good, and excellent when using prime lenses with the camera. Despite the lack of Fujifilm’s X-Trans CMOS sensor, you still get excellent Fujifilm colour reproduction, and a good number of film simulations and options so that you can customise the results to your liking. Dynamic range recorded is good, and again, there are a number of options to improve this. In-camera raw processing makes it quick and easy to correct or change any image you want, and we’re a big fan of this being built-in to the camera. 

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Canon EOS M200 The Best Entry Level Mirrorless Compact System Cameras You Can Buy Right Now 9

Canon EOS M200

 

The Canon EOS M200 is a neat little budget mirrorless camera, with a range of matching budget lenses that make it an easy to use compact system. If you want to access more advanced controls it can be time-consuming (several button presses and menus need to be scrolled through to find the switch between MF and AF), but it’s not really designed for advanced shooters, so this can be forgiven. 

For those looking for an easy-to-use, compact, “point-and-shoot” style mirrorless camera, the Canon EOS M200 could be an excellent option, particularly as it’s got the same colour reproduction as other Canon EOS cameras and a 24mp APS-C CMOS sensor. We liked shooting with the camera, even though, it’s not designed for the traditional photographer, it’s simplicity and ease of use makes for a somewhat fun camera to simply use, and not worry too much about. 

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More Money To Spend?

For top premium mirrorless compact system camera (with a viewfinder) options, have a look at our Top Premium CSCs round-up. Don’t forget to pick up a bag for your new camera and if you’re in need of a new memory card, have a look at our complete guide to memory cards.

 

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The Best 50mm Prime Lenses You Can Buy Right Now

The Best 50mm Prime Lenses You Can Buy Right Now

Nikon Nikkor Z 50mm f/1.2 S

 

The 50mm prime lens is a piece of kit your camera bag shouldn’t be without. Why? 50mm prime lenses, offer excellent performance in low light, they’re great for capturing portraits and offer a view that’s similar to that of the human eye. Also on the ‘plus point’ list is the 50mm’s ability to produce an extremely shallow depth of field which ensures all focus falls on your subject and you can also disguise unflattering backgrounds. Combine these points with the fact that they’re, generally, reasonably priced, and you have a lens you can’t ignore. 

When generally comparing primes with zooms, zoom lenses may be practical, offer multiple focal lengths in one lens and are great for travelling but they don’t tend to be as fast as primes, bokeh isn’t as pleasing and they’re rather bulky.

There are plenty of 50mm lenses currently available, both from third-party lens manufacturers as well as well-known camera brands, and ePHOTOzine has reviewed a fair few of them. So many, in fact, that it’s well worth taking a look at our review section or the Equipment Database if you already have a specific 50mm lens in mind and just want to see how it scored. For everyone else, we’ve put together a top list of 50mm lenses to help you make an informed choice on what your next purchase should be. 

Over 40 ‘nifty fifty’ lenses are listed and we’ve taken their performance, features, how they handle and cost into account when reviewing and compiling the list. 

Nb. We’ve included 35mm lenses that can be used on APS-C cameras for a 52.5mm equivalent (Nikon, Sony, Fujifilm, Pentax), and 56mm equivalent (Canon), plus 25mm lenses for 50mm equivalent on Micro Four Thirds cameras. These lenses are also ones we’ve reviewed so if you’re wondering why your favourite optic isn’t on the list, it’s probably because we’ve not taken a look at it yet. 

 

5 Star Lenses: Editor’s Choice

 

Tokina Opera 50mm f/1.4 FF The Best 50mm Prime Lenses You Can Buy Right Now 14

Tokina Opera 50mm F1,4 On Nikon D810

The Tokina Opera 50mm f/1.4 FF lens is designed for Nikon and Canon DSLRs, and offers excellent sharpness, smooth bokeh and fast, silent and accurate auto-focus performance. The lens is weather and dust resistant, and as well as offering high levels of sharpness, it also offers low levels of chromatic aberration and minimal distortion.

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HD Pentax-D FA* 50mm f/1.4 SDM AW The Best 50mm Prime Lenses You Can Buy Right Now 14

Hd Pentax D Fa 50mm F1,4 Front Oblique View

The Pentax-D FA* 50mm f/1.4 SDM AW is made for Pentax DSLRs, and covers full-frame and APS-C sensors. The lens delivers excellent levels of sharpness, from wide-open aperture, with very well controlled chromatic aberration. There is virtually no distortion, and smooth bokeh and background blur. The weather-sealing makes it a great combination for weather-sealed Pentax DSLRs.

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Samyang AF 35mm f/2.8 FE The Best 50mm Prime Lenses You Can Buy Right Now 14

Samyang 35mm F2,8 Vertical View

The 35mm FE lens from Samyang can be used on E-Mount (APS-C) cameras and it gives you an equivalent angle of view of 52.5mm. 

The technical quality of this lens is excellent, the AF is fast and accurate and the results look punchy with superb colour rendition. In terms of value, it’s hard to argue with such a modestly priced lens when it performs so well. Weather resistance would be nice, as would full-time manual focus in AF mode, but apart from that the lens pretty much hits the spot. It is certainly an excellent match for the Sony mirrorless range for which it has been designed.

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Fujifilm Fujinon XF 35mm f/2 R WR The Best 50mm Prime Lenses You Can Buy Right Now 14

Fuji Xf 35mm F2 Front Three Quarter View
The Fujifilm Fujinon XF 35mm f/2 R WR lens gives a 52.5mm equivalent angle of view when used on Fujifilm X Mount cameras. It’s an ideal standard lens that features weather-resistant coatings, a high-quality finish and great handling. Plus, you get a very even and impressive performance.

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Nikon Nikkor Z 50mm f/1.2 S The Best 50mm Prime Lenses You Can Buy Right Now 14

Nikon Nikkor Z 50mm f/1.2 S

 

All 50mm lenses tend to be pretty good, so differences will be in terms of construction quality, longevity, and the absolute performance at the top grade of lens making. Photographers do buy the highest quality lenses at sometimes very high prices indeed, but they also have a need for the specific subtlety that they extract for their particular style; the character of the lens.

The Nikkor Z 50mm f/1.2 S has plenty of performance and plenty of character to justify its price. Editor’s Choice.

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Nikon Nikkor Z MC 50mm f/2.8 Macro The Best 50mm Prime Lenses You Can Buy Right Now 14

Nikon Nikkor Z MC 50mm f/2.8 Macro

The Nikon Nikkor Z MC 50mm f/2.8 gives a superb performance, excellent handling and a light, compact form factor all sum up this excellent macro lens. There are no bad macro lenses, but this one pushes the envelope out a little further and excels.

In summary, the Nikon Nikkor Z MC 50mm f/2.8 is a very welcome addition to the Nikon Z series repertoire and a definite Editor’s Choice.

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4.5 Star Lenses: Highly Recommended

 

Nikon AF-S Nikkor 35mm f/1.8G DX The Best 50mm Prime Lenses You Can Buy Right Now 20

Nikon Dx 35mm 1 8 G
When used on Nikon F-Mount APS-C cameras, the Nikon DX 35mm f/1.8 G DX lens gives a 52.5mm angle of view equivalent.

This lens is a bit of a bargain for DX users looking for a compact high-quality lens for low light shooting, or to isolate a subject by exploiting the shallow depth of field. The optical quality is excellent for a lens at this price point, and that coupled with the good build quality and lightweight should mean this lens finds its way into many a Nikon users’ kit bag.

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Canon TS-E 50mm f/2.8L Macro The Best 50mm Prime Lenses You Can Buy Right Now 21 

Canon TS-E 50mm f/2.8L Macro

It has bulk, it has the features, it has a high price… but, did we say it has the features? In other words, another of those situations where the feature set and quality are not in question but the price will limit the market to those who really need this as a working tool. It would be very nice indeed to own, but it does need to pay its way, as well as needing a high degree of photographic skill to get the best out of its potential.

Given the need and the cash, the photographer will certainly not be disappointed in the results from the Canon TS-E 50mm f/2.8L Macro lens.

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Zeiss Planar T* FE 50mm f/1.4 ZA The Best 50mm Prime Lenses You Can Buy Right Now 21 

Zeiss Planar 50mm F1 4 Lens (1)
 

The Sony Zeiss Planar T* FE 50mm f/1.4 ZA adds to the high-end full-frame FE mount arsenal but with, what might be considered by some as, an eye-watering asking price, you may be wondering why it’s taken our number 1 spot. Well, the simple answer is the extraordinary results the lens produces. In terms of sharpness, it is difficult to see how any improvement could be reasonably made and CA (Chromatic Aberration) is very much under control, especially at the centre. In fact, centrally, figures are as close to zero as could possibly be expected from any lens.

The bokeh of the lens is very smooth, and in the various bokeh shots we captured in our review, you can see the almost perfectly circular aperture. The lens, which is dust and moisture resistant, is also built to a very high standard,

The overall “character” of the lens is crisp and clean and it will suit a very wide variety of subjects and this is exactly what a “standard lens” should be. Yes, the price is on the high side but if it can be afforded, the lens should offer many years of excellent service.

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Sigma 50mm f/1.4 DG HSM Art Lens The Best 50mm Prime Lenses You Can Buy Right Now 21 

Sigma 50mm F1 4 DG Art (4)
 

This 50mm Sigma Art lens offers a fast aperture and will fit Canon, Nikon, Sony and Sigma SLR cameras. It’s another premium optic, hence the higher asking price but its performance does justify the cost (if you can afford it). Build quality is excellent but it’s not as compact and light as some other 50mm lenses available. 

Sharpness is excellent in fact, we’d be happy to call it even ‘outstanding’ across the frame.  Chromatic aberrations are virtually non-existent and even when shooting into the light, contrast remains good and flare is virtually non-existent. Out of focus areas are rendered buttery-smooth making images that are incredibly pleasing to the eye.

On paper, seeing this lens simply as another 50mm f/1.4 lens, the £850 asking price does seem a little steep. With the performance this lens delivers taken into account it makes much more sense, representing very good value for money. Similar optics offering good performance have asking prices over £1000 so you can really see what a saving you get with the Sigma 50mm f/1.4 DG HSM Art lens. 

Overall, with this lens, Sigma has created a lens which performs well in terms of sharpness and other optical attributes, for a fairly reasonable price.

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Samyang 35mm f/1.4 ED AS UMC The Best 50mm Prime Lenses You Can Buy Right Now 21

Samyang 35mm Lens
 

The Samyang 35mm f/1.4 ED AS UMC can be used on both FF and APS-C cameras and it’s available in almost every mount (Canon, Four Thirds, Fujifilm X, Micro Four Thirds, Nikon, Pentax, NX, Sony A and Sony E). On APS-C cameras, the lens gives you a 52.5mm angle of view equivalent but you do have to use manual focus when using the lens which won’t be something everyone likes.

If you’re looking for a sharp, moderate wide-angle with a fast aperture and can live with focusing manually, you need to look no further.

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SMC Pentax-DA 35mm f/2.4 AL The Best 50mm Prime Lenses You Can Buy Right Now 21

pentax-35mm-large
 

Giving 52.5mm equivalent on Pentax K-Mount APS-C cameras, the SMC Pentax-DA 35mm f/2.4 AL lens is a good place for photographers to start, before decisions are made as to whether wider or longer lenses are needed. Overall, the Pentax-DA 35mm f/2.4 AL lens offers a very high level of optical quality for a very reasonable price.

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Samyang AF 35mm f/1.4 FE The Best 50mm Prime Lenses You Can Buy Right Now 21

Samyang Af 35mm F1,4 Fe Front Oblique View
 

This full-frame lens can be used on E-Mount (APS-C) cameras for a 52.5mm equivalent angle of view. 

The Samyang AF 35mm f/1.4 FE lens is a very attractive proposition for those seeking a fast 35mm lens. The quality is uniformly excellent and the price much lower than the marque alternatives. All in all, the lens is excellent value for money.

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Olympus M.Zuiko 25mm f/1.8 ED The Best 50mm Prime Lenses You Can Buy Right Now 27

Olympus M Zuiko 25mm F1 8 Lens (10)
 

This standard Olympus M.Zuiko 25mm f/1.8 ED lens for Micro Four Thirds (MFT) system cameras provides an angle of view equivalent to a 50mm lens used on a 35mm format camera and sports a fast f/1.8 maximum aperture. 

It is certainly capable of producing excellent quality images, with sharpness being excellent in the centre of the frame from maximum aperture. It’s well built, lightweight and reasonably compact. 

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Sony E 35mm f/1.8 OSS The Best 50mm Prime Lenses You Can Buy Right Now 21

Sony Nex 35mm F1 8 Lens 6

A prime lens that provides an angle of view equivalent to a 52.5mm lens on a 35mm camera and sports a fast f/1.8 maximum aperture, optical image stabilisation and a lightweight, compact design.

Although it seems this lens carries a bit of a premium price, the performance it delivers probably makes it worth it, for those who require it. Sharpness is very good from maximum aperture, and can even be considered as outstanding as the lens is stopped down.

Other optical anomalies, such as CAs, falloff and distortion are also kept well in check, plus the lightweight and compact dimensions of the lens should make this an ideal addition to any serious NEX camera owners kit bag. The addition of optical stabilisation can only enhance the appeal of the Sony E 35mm f/1.8 OSS.

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Samyang 35mm f/1.2 ED AS UMC CS The Best 50mm Prime Lenses You Can Buy Right Now 21

Samyang 35mm F1,2 Front Oblique View
The Samyang 35mm f/1.2 ED AS UMC CS is for both APS-C and MFT formats, this being a “35mm equivalent” of around 50mm and 70mm respectively. 

It is yet another cracking lens from Samyang, offering fantastic performance at a very reasonable price. The manual focusing is much easier than many ultra-bright lenses and is possibly more accurate at f/1.2 than some AF systems might be capable of. There really is little to fault with this design and will be a tempting proposition for many mirrorless users.

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Tamron SP 35mm f/1.8 DI VC USD The Best 50mm Prime Lenses You Can Buy Right Now 21

Tamron SP 35mm F1 8 VS USD (2)
 

The Tamron SP 35mm f/1.8 Di VC USD full-frame lens can be used on both FF and APS-C cameras – available in Canon, Nikon and Sony mount on APS-C cameras – which gives a 52.5mm equivalent angle of view. 

This lens offers premium features, such as weather sealing, silent autofocus and Vibration Compensation, which will make it an interesting alternative to other similar lenses. It is certainly capable of delivering excellent quality images, with high sharpness in the centre of the frame. Whether those extra features are worth the extra expense to you will depend largely on how you use the lens. For example, travellers may find the Vibration Compensation and weather sealing invaluable to them.

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Nikon AF-S Nikkor 50mm f/1.8G Lens The Best 50mm Prime Lenses You Can Buy Right Now 21 

Nikon 50mm F1 8g Fx
 

The Nikon AF-S Nikkor 50mm f/1.8G comes in at under £180 and optical-wise, it’s superb. For the price, it offers outstanding quality, handles well and the build quality is excellent. 

The clarity in the central portion of the frame is very good and as with most lenses, stopping down the aperture increases this optics performance across the frame and by f/2 the lens produces images with good sharpness from edge-to-edge. When shooting into the light, the simple optical design ensures this lens maintain good contrast and is resistant to flare in all but the most extreme of conditions. Falloff can be quite pronounced as too can be barrel distortion but this is easily fixed in image editing software and you might like the fact that the corners of the frame are 2.5 stops darker than the image centre.

Out of focus areas are rendered smoothly thanks to the rounded aperture blades and the compact size and lightweight makes this lens an ideal travel companion. 

Overall, it’s optically superb, offers outstanding quality and is available for a really great price. 

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Olympus M.Zuiko 25mm f/1.2 PRO The Best 50mm Prime Lenses You Can Buy Right Now 21

Olympus 25mm F1,2 Front Oblique View
 

This 25mm f/1.2 lens for Micro Four Thirds (MFT) cameras is equivalent to a 50mm f/1.2 “standard” lens in 35mm-format terms.

 It is a very fine lens in its own right, with excellent sharpness that borders on outstanding, low CA, no flare and a very pleasing bokeh. Add to that the low light potential and we have a very attractive proposition indeed.

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HD Pentax-DA 35mm f/2.8 Macro Limited The Best 50mm Prime Lenses You Can Buy Right Now 21

HD Pentax DA 35mm Macro Limited (4)
 

The HD PENTAX-DA 35mm f/2.8 Macro Limited compact macro lens provides an angle of view equivalent to a 52.5mm lens on a 35mm format when mounted on a Pentax Digital SLR. It’s built well, handles well and produces stunningly sharp images from maximum aperture. Given the performance this lens delivers, the price is a small ask. Even those not specifically looking for a macro optic will be pleased with how this lens performs.

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Fujifilm Fujinon XF 35mm f/1.4 R The Best 50mm Prime Lenses You Can Buy Right Now 21

Fujifilm XF 35mm f/1.4 R
 

This standard lens for the Fujifilm X-Pro1 interchangeable lens camera provides a field of view equivalent to a 51mm lens on a 35mm camera and sports a bright f/1.4 maximum aperture.

With this lenses ability to deliver extremely sharp images, it should win many fans amongst users of this camera system. The build and handling are about right for the price. Add in this optic’s ability to take images you could almost cut yourself on, and you have a winner here. 

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Samyang XP 50mm f/1.2 The Best 50mm Prime Lenses You Can Buy Right Now 21

Samyang XP 50mm f/1.2

There is very little difference in brightness between a f/1.4 and f/1.2 lens. The wider aperture also means more difficulty in focusing, but only because the point of focus is so fine. In reality, if used carefully with magnifying aids then it is highly accurate. The Samyang XP 50mm f/1.2 lens is also very bulky and very heavy, certainly quite huge compared to a conventional 50mm f/1.4.

However, the price is reasonable and the standard is very high, so there are clear benefits for those for whom the difference is significant. In any event, the performance is exemplary.

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Nikon AF-S Nikkor 50mm f/1.4G The Best 50mm Prime Lenses You Can Buy Right Now 27 

The Best 50mm Prime Lenses You Can Buy Right Now 37

The Nikon AF-S Nikkor 50mm f/1.4G is an oldie but a goodie and should not disappoint even the most discerning photographers. Performance throughout the aperture range is very good to outstanding and even if focusing speed is a little slow, it’s still well worth considering. The lens is built well and its lightweight design make it a great lens for holidays or a city shoot. 

As for performance, even wide open at f/1.4 this new 50mm lens produces images with very good resolution in the centre of the image and good sharpness towards the edges. Peak performance across the frame can be achieved between f/5.6 and f/8, where the sharpness is outstanding across the frame.

Chromatic aberrations are kept to low enough levels that they shouldn’t pose any issues and the slight amount of barrel distortion is quite common for wide-aperture lenses like this one. Bokeh is pleasing and the lens captures portraits beautifully. 

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Sony FE 50mm f/2.8 1:1 Macro The Best 50mm Prime Lenses You Can Buy Right Now 21 

Sony 50mm FE Macro (3)
 

The Sony FE 50mm f/2.8 1:1 Macro lens is a universally useful optic and the ability to continue to focus right down to life size is very appealing indeed. 

Sharpness at the centre is simply excellent at all apertures and CA (Chromatic Aberration) is highly corrected at the centre, approaching zero. The coatings are effective and even without a provided lens hood, the front element is recessed enough to avoid any signs of flare.  

Despite only having 7 diaphragm blades, the bokeh is still very pleasing. It is not as ultra-smooth perhaps as lenses specifically designed with bokeh in mind, but it is very satisfactory.

Overall, the Sony FE 50mm f/2.8 macro lens is an excellent performer and a pleasure to use.

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Samyang AF 50mm f/1.4 FE The Best 50mm Prime Lenses You Can Buy Right Now 21 

Samyang 50mm F1,4 Top View
 

The Samyang AF 50mm f/1.4 is a high-quality lens, with excellent sharpness, that’s available at a competitive price. 

With excellent sharpness throughout, low CA, low distortion and excellent manufacturing quality, it’s a 50mm lens you can’t really ignore. Sharpness can simply be described as excellent and CA is very well controlled. There is -0.948% barrel distortion, which is typical for a fast 50mm lens, but overall, the lens produces very pleasantly sharp images, with a smooth bokeh that shows well throughout the aperture range.

Size-wise, it’s a little on the bulky side but this is a small price to pay for an optic that can deliver such beautiful results.

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Canon RF 50mm F/1.8 STM The Best 50mm Prime Lenses You Can Buy Right Now 21

Canon RF 50mm F/1.8 STM

The standard 50mm lens, long neglected, has more recently seen a resurgence in popularity. It is easy to see why – relatively low cost, fast, bright maximum apertures, fast focusing, the lens that can be taken anywhere no matter how low the lighting and the one that delivers the goods.

Although, ideally, it would have been good to have weather resistance and the lens hood included as standard, let’s not be churlish as the Canon RF 50mm f/1.8 STM lens remains excellent value for money and performs very well overall. To many zoom orientated photographers the fast 50mm can be something of a revelation.

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4-Star Lenses: Recommended

 

Panasonic Lumix G 25mm f/1.7 ASPH The Best 50mm Prime Lenses You Can Buy Right Now 41 

Lumix 25mm F1,7 Front Three Quarter View
 

The Panasonic Lumix G 25mm f/1.7 for Micro Four Thirds is the equivalent of the 50mm f/1.8 or f/1.7 lenses that for decades were considered the standard lenses for 35mm film cameras.

Much of the performance of this lens is exemplary, especially considering the modest cost. The only real drawback is the susceptibility to flare, which is very evident in shots taken into the light. If this can be accepted then the lens is, without doubt, an excellent proposition.

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Nikon AF-S Nikkor 35mm f/1.4G The Best 50mm Prime Lenses You Can Buy Right Now 41 

Nikon AF-S Nikkor 35mm f/1.4G

 

The Nikon AF-S Nikkor 35mm f/1.4G lens gives an angle of view equivalent to 52.5mm when used on a Nikon APS-C sensor camera and those looking for a wide-angle lens with a fast maximum aperture could do a lot worse than this 35mm f/1.4 from Nikon. Sharpness levels in the centre are extremely high from maximum aperture, it’s well built and focuses fast. 

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SMC Pentax-FA 50mm f/1.4 The Best 50mm Prime Lenses You Can Buy Right Now 41 

Pentax 50mm F1,4 Oblique Front View

The SMC Pentax-FA 50mm f/1.4 is a robust, high-quality standard lens for Pentax DSLRs that’s currently available for a reasonable £339. 

Images captured by the lens are bright, contrasty and have plenty of punch, plus there is an almost total resistance to flare, even with the sun just on the edge of the image area. The colour balance of all Pentax lenses is excellent and this one is no exception with it producing colours that can be described as slightly warm but very much natural. 

Sharpness starts off quite soft at f/1.4 peaks at f/5.6. The edges also start off soft at f/1.4 and f/2 and again, performance peaks at f/5.6. Distortion is respectable and CA is controlled well. 

The conclusion is that this lens can compete with the latest high-quality full-frame lenses as an equal. It’s also robust, well-made and all-in-all, is an unobtrusive addition to any camera kit.

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Sigma 50mm f/1.4 EX DG HSM The Best 50mm Prime Lenses You Can Buy Right Now 41

Sigma50mmf14HSM
 

Sigma’s 50mm f/1.4 EX DG HSM is physically larger and noticeably heavier than equivalent lenses but don’t let this put you off at it’s well built and feels like it can take a bit of use and abuse. As for performance, this optic proved itself capable of producing fantastic sharpness, especially in the centre of the image. Those after a technically perfect lens may be slightly disappointed with the performance towards the edges, but for portraiture at wide apertures, the high levels of centre sharpness should produce great results.

When shooting wide open images are reasonably sharp across the frame and CA levels are low enough to not cause concern. Barrel distortion is often present on wide-aperture prime lenses like this and even though it is slightly present, again, it’s not really much to worry about and can be corrected in image editing software. 

The sharpness in the centre is this lens’ strong point, so if you tend to shoot at wide apertures this could be the lens for you. Pentax users after a bright 50mm should certainly consider this lens when looking at purchasing a 50mm for their kit bag as the price point (£322.80) makes it a worthy contender. 

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Panasonic Leica DG Summilux 25mm f/1.4 ASPH The Best 50mm Prime Lenses You Can Buy Right Now 41 

Leica DG Summilux 1:1.4/25 ASPH
 

This 25mm lens has a bright f/1.4 maximum aperture, internal focusing, Nano Surface lens coatings to reduce ghosting and flare and it offers the same field of view that a standard 50mm lens would do on a 35mm camera.

Micro Four Thirds camera owners after the classic field of view offered by a standard lens will not be disappointed by the optical performance of this lens. It is a very sharp, contrasty optic, worthy of the Leica branding applied.

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Canon EF 35mm f/1.4L II USM The Best 50mm Prime Lenses You Can Buy Right Now 41 

Canon 35mm F1,4 Oblique Front View
 

The Canon EF 35mm f/1.4 L II USM lens gives a 56mm equivalent angle of view when used on a Canon APS-C sensor camera and there is no doubt that the Canon EF 35mm f/1.4 L II USM is a very pleasant lens to use and has a very attractive “character” to the images, that indefinable look. This is aided by its high contrast that gives a crisp appearance to images.

This is concentrated on the centre without a doubt, the edges lagging behind, but the fine detail is very good indeed at the centre of the field. The edges are a little disappointing, as is the relatively poor flare control. Overall, a very good lens, not a perfect one, but an excellent, reliable choice for Canon users.

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Voigtlander 25mm f/0.95 Nokton Version II The Best 50mm Prime Lenses You Can Buy Right Now 41 

Voigtlander Nokton 25mm F0 95 Mft Type2 Black (5)

The Voigtlander Nokton 25mm f/0.95 Nokton Version II becomes a 50mm lens on Micro Four Thirds cameras. 

Those shooting videos will appreciate the option for a step-less aperture and everyone will enjoy the fast maximum aperture and ability to isolate a subject from their surroundings with shallow depth of field.

This sample also appears to offer improvements in sharpness and contrast over the copy of the first version we tested some time ago. Whether this is down to natural variation between lens samples, or improvements to the optical construction is difficult to say at this point, without having a few of each lens version to test and compare. The sample tested was more than usable at f/0.95, so long as care is taken to ensure accurate focus. Overall, this is an interesting lens, that should win over many fans.

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Carl Zeiss Planar T* 50mm f/1.4 ZA SSM The Best 50mm Prime Lenses You Can Buy Right Now 48 

SAL Planar T* 50mm f/1.4 ZA SSM
 

Lenses bearing the Carl Zeiss name tend to be luxury items and carry a luxury price tag as a result and the Carl Zeiss Planar T* 50mm f/1.4 ZA SSM is no different with a cool £1488.33 sat against its name. 

At maximum aperture, sharpness in the centre of the frame is good, but the clarity recorded towards the edges of the frame is a little disappointing. Stopping down the aperture improves performance across the frame with clarity reaching good levels by f/2.8. Peak sharpness across the frame is achieved at f/5.6. Chromatic aberrations are higher than you might expect but falloff of illumination towards the corners of the frame is fairly typical for a lens with such a fast maximum aperture. 

The lens does have excellent weather resistance and its overall build quality is worthy of the Carl Zeiss name. In fact, the materials it is constructed from mean the overall size and weight are a good match for compact SLR and SLT bodies and overall image quality is impressive. 

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Canon EF 50mm f/1.8 STM The Best 50mm Prime Lenses You Can Buy Right Now 41

Canon EF 50mm F1 8 STM (4)

The Canon EF 50mm f/1.8 STM lens is a bargain at just over £100 and when it was announced, was a welcomed update for the popular and inexpensive standard 50mm f/1.8 EF lens

Sharpness is very good in the centre at maximum aperture and stopping down produces even better results across the frame. Contrast holds up well when shooting into the light and there is no issue with flare. Distortion is detected but easily corrected and visually uniform illumination is achieved with the aperture stopped down to f/5.6 or beyond.

Even though this lens costs more than its predecessor, it still represents great value due to the high levels of sharpness it produces. The improved build quality is welcome too and should win over many fans as a result.

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SLR-Magic 35mm T1.4 Cine Mark II The Best 50mm Prime Lenses You Can Buy Right Now 41 

SLR Magic 35mm T0 95 Hyperprime Cine (8)
 

The SLR Magic 35mm T/1.4 Cine Mark II gets a 52.5mm equivalent angle of view when used on Sony E mount and Fujifilm X-Mount cameras (it’s also available in Micro Four Thirds, but is equivalent to 70mm).

Although this lens is sold as a special effects lens due to the softness towards the edges of the frame seen at fast apertures, it is a competent performer, delivering excellent sharpness in the centre of the frame from maximum aperture. Although this lens is geared toward those shooting video with their camera, it is equally at home for still photography and is priced reasonably when compared to the competition.

Overall, the SLR Magic 35mm T/1.4 Cine Mark II lens offers excellent sharpness for a fair price. 

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Canon EF 35mm f/2 IS USM The Best 50mm Prime Lenses You Can Buy Right Now 41

Canon Ef 35mm F2 Is Usm Lens (1)
 

This full-frame lens can be used on APS-C Canon DSLRs so the 35mm lens becomes 56mm equivalent.

With this lens, Canon has produced something that performs very well indeed, but then you would expect that for the asking price. It may be questionable whether or not having image stabilisation available at this focal length really is a killer feature, as it will really only be of use for photographing static subjects unless motion blur is required for creative effect.

With alternatives that have a faster maximum aperture being available for the same, or slightly more money, it does make it difficult to see the value in this lens. If the price drops as supply of the lens settles down, then it will make more sense in Canon’s lens lineup.

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Canon EF 50mm f/1.2L USM The Best 50mm Prime Lenses You Can Buy Right Now 41

Canon Ef 50mm F1 2 Prime Lens Large
 

We go from £100 up to £1040.14 with this offering from Canon. For just over £1000, you get a lens that features a super-bright f/1.2 maximum aperture and silent ultrasonic focusing all wrapped up in a professional-grade weather-sealed body. 

Sharpness is good from maximum aperture in the centre of the frame, but the performance towards the edges isn’t in the same league, unfortunately. If your intended use requires good centre sharpness, and the ability to reduce the depth of field to the minimum, not much else comes close. However, if you’re after superb edge-to-edge clarity, and low distortion for general purpose use or more critical applications, such as copy stand work, then this lens may not be for you.

Those who are considering the Canon EF 50mm f/1.2L USM as an option will be happy to hear that the bright maximum aperture allows the depth of field to be reduced creatively, isolating your subjects from the background, which this lens renders incredibly smoothly. 

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Sigma 50mm f/2.8 EX DG The Best 50mm Prime Lenses You Can Buy Right Now 41

Sigma Lens 50 f/2.8 Macro Large 1500
 

The Sigma 50mm f/2.8 EX DG Macro lens offers a basic introduction to macro photography, with none of the bells and whistles such as silent focusing or image stabilisation, at a budget price of £185.51 (Nikon fit) and £219.99 (Canon fit). 

When shot wide open, this lens produces images with fairly good sharpness in the centre and the quality towards the edges isn’t far behind. As the lens is stopped down, the quality improves and peak quality across the frame is achieved at f/8, where the resolution in the centre is outstanding, and the performance towards the edges is very good. 

Chromatic aberrations are kept within acceptable levels and the falloff of illumination towards the corners is reasonably well controlled. There are no problems with flare either and the images we captured with it showed no loss of contrast. 

Overall, this 50mm macro from Sigma is a very capable lens for the price and should make a good introduction to macro photography, especially for those on a budget.

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Canon EF 50mm f/2.5 Compact Macro The Best 50mm Prime Lenses You Can Buy Right Now 41 

EF 50mm f/2.5 Compact Macro
 

Canon’s 50mm f/2.5 macro lens offers a compact, lightweight half life-size macro option for EF and EF-S cameras. The build quality is excellent, with much of the barrel being constructed from high-grade plastics and the lens mount from metal and it balances well. 

Optically this lens is excellent, producing sharp images with low levels of chromatic aberrations and distortion. Out of focus areas have a good quality to them, contrast holds up well, even when shooting into the light and sharpness is excellent across the frame when stopped down.

Being priced at around £230 makes this an excellent value choice, so long as you don’t require life-size magnification for which an optional life-size converter will be required.

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Pentax SMC P-D FA 50mm f/2.8 Macro The Best 50mm Prime Lenses You Can Buy Right Now 41 

Pentax 50mm Macro 2 8 (4)

The Pentax 50mm f/2.8 Macro cannot be faulted for its level of image quality but the design is a little antiquated. Having said that, considering the performance delivered by this lens, it appears to be quite a bargain for the asking price of around £320. Stopping down to f/8 results in outstanding sharpness across the frame, CA is well controlled and falloff of illumination is handled well. A virtually indistinguishable amount of barrel distortion is present in images taken with this lens and it is very resistant to flare with contrast levels remaining consistent. 

Optically, it is very difficult to fault this lens, as the performance it delivers is excellent in every respect. Unfortunately, the design of the lens and the way it handles and feels a little dated but if you can overlook this, you’ve got yourself a great lens for capturing images with. 

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Meike 25mm f/0.95 Micro Four Thirds The Best 50mm Prime Lenses You Can Buy Right Now 41 

MEIKE 25mm F0 95 MFT Lens (2)

 

The MEIKE 25mm f/0.95 MFT lens becomes 50mm on Micro Four Thirds but the fact that it’s a manual focus lens won’t be to everyone’s taste. However, if we are prepared to live with that then we end up with a very desirable lens. It is sharp, albeit not at the edges until f/2, in the centre outstandingly sharp, there is no trace of flare, CA is well under control and the price very reasonable for what we are getting. We can add to that the creative possibilities for stills and movies of that f/0.95 aperture and it makes a good case for giving the Meike 25mm f/0.95 serious consideration.

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Even More, Buying Advice

Do take a look at our ‘Best Gear’ section where you’ll find even more kit guides and top lists so you can spend your money wisely. If you’re looking for lenses specifically, you’ll want to visit our ‘lenses and optical’ section

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The Best Superzoom Lenses You Can Buy Right Now

The Best Superzoom Lenses You Can Buy Right Now

Lulworth Cove

 

Superzooms are versatile, space-saving pieces of kit that give you focal lengths from wide-angle to telephoto in one piece of kit. You’re also less likely to miss a shot as you don’t have to worry about digging in your kit bag to change lenses and as you’ll not be swapping lenses, there’s less chance dust and dirt will reach your sensor. 

ePHOTOzine has reviewed a huge number of superzooms over the years so to help you decide which is the best lens for you, we’ve put a top list together that features the highest-scoring versatile superzoom lenses we’ve taken a look at. If your favourite lens isn’t on the list, please do let us know why you think it should be featured in the comments below. 

 

Sony FE 100-400mm f/4.5-5.6 G Master OSS

Sony FE 100-400mm f/4.5-5.6 G Master OSS

 

The Sony FE 100-400mm f/4.5-5.6 G Master OSS is a superb lens in every way and when coupled with the A9 body, more than capable of doing some amazing things for wildlife and sports photographers. Reviewed with the A7R II it is still quite clear what the potential of the new lens might be. Quality clinches it as an Editor’s Choice.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 57

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Tamron 28-200mm f/2.8-5.6 Di III RXD 

Tamron 28-200mm f/2.8-5.6 Di III RXD

This 28-200mm lens is very impressive indeed. The quality of results is far better than we might expect, and extremely well held even at the longer focal lengths, often a weak spot with zoom lenses. There is also the option of switching in the in-camera corrections if desired.

This is a lens that is hard to fault in terms of handling or results and the snappy, sharp images obtained are a testament to this. The focal length range may be a little more restricted than some would like, but the compact and light form of the lens may make this an advantage for travel in particular.

It seems that Tamron is firing on all cylinders at the moment, and they well deserve here the accolade of an Editor’s Choice.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 57

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Sigma AF 100-400mm f/5-6.3 DG OS HSM

Sigma AF 100-400mm f/5-6.3 DG OS HSM

 

Very long lenses have always been more expensive, with the affordable telephotos ending around 300mm. That extra 400mm is very valuable for wildlife and sports and we have here from Sigma such a lens, but one that is much more reasonably priced.

The features cost is in lens speed, so cameras with good high ISO performance are the order of the day. Other advantages are a more compact and lighter optic, still quite large but nowhere near the bulk of some of the alternatives.

Performance is sound, giving excellent sharpness and lovely bokeh at an excellent price.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 59

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Nikon Nikkor Z 24-200mm f/4-6.3 VR

Nikon Nikkor Z 24-200mm f/4-6.3 VR

 

The Nikon Nikkor Z 24-200mm f/4-6.3 VR is a complex lens in terms of construction and also in terms of performance. However, there’s no doubt that as a general-purpose travel zoom it could be just so useful that any disadvantages become far outweighed. It is compact, light, well made, weather-resistant and an excellent performer. The very restricted maximum apertures available may be compensated for by the excellent VR performance, although that is only fine for the stationary subject matter. Wildlife, for example, will still need higher shutter speeds, so high ISOs might have to be employed.

On the principle that we will succeed by following the maxim of “f/8 and be there” then with this lens, it is almost set up to deliver maximum performance at that point. It does much more than that of course, but the essence is that it is light enough and convenient enough to actually be with us wherever we are.

At the price, if we have the need for a travel zoom of maximum versatility then for Nikon Z users we may well have a “no brainer” here.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 59

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Tamron 150-500mm f/5-6.7 Di III VC VXD (A057)

Tamron 150-500mm f/5-6.7 Di III VC VXD (A057)

We like the Tamron 150-500mm f/5-6.7 Di III VC VXD and are pleased with the images that it has made possible. It handles well, and the results are sharp, with some absolutely gorgeous bokeh, despite only having 7 diaphragm blades. Its sharpness is concentrated towards the centre of the frame, especially at short distances, and this field curvature does mean that flat subjects may need stopping down to f/11. But out in the field, shooting wildlife and no doubt sports as well, the lens starts to shine, producing really great results.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 59

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Tamron AF 18-270mm f/3.5-6.3 Di II VC PZD

AF 18-270mm f/3.5-6.3 Di II VC PZD

The Tamron AF 18-270mm f/3.5-6.3 Di II VC PZD covers a huge range and sports silent autofocus and VC. Considering the massive range this lens covers, it is surprisingly compact, and at only 450grams, it is lightweight too. During testing, it proved itself more than capable of decently sharp, contrasty images, especially when used at optimum apertures. Its lightweight, compact design makes the lens perfect for travel, especially when paired with a more compact SLR body.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 59

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Panasonic Lumix G Vario 14-140mm f/3.5-5.6

Panasonic Lumix G Vario 14-140mm f/3.5-5.6

 

When we tested this lens’ predecessor, we liked it a lot, as it offered good performance for a 10x zoom. As this lens performs even better throughout the zoom range, we like it even more. Very few zoom lenses are able to deliver as consistently as the Panasonic Lumix G 14-140mm f/3.5-5.6 does throughout the zoom range. Although this lens may seem expensive when compared to its predecessor, or the Olympus equivalent, it is probably worth the premium.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 63

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Tamron 18-200mm f/3.5-6.3 Di II VC

Tamron 18 200mm VC Lens (4)
 

The relatively new 18-200mm f/3.5-6.3 Di II VC lens, as the VC suggests, features Vibration Compensation for Canon and Nikon shooters to take advantage of and it has an impressively low price. The lens is light, balances well and focus is acquired efficiently and swiftly with little or no hunting. The 18-200mm from Tamron performs very well and is an inexpensive, versatile lens that’s perfect for holiday or travel lens.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 63

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Tamron 28-300mm f/3.5-6.3 Di VC PZD Lens

Tamron 28 300mm PZD Di Lens (1)
 

The Tamron 28-300mm f/3.5-6.3 Di VC PZD lens was released back in 2014 but it’s still a cracking versatile zoom well-worth considering. It sports optical vibration compensation, a silent piezo-electric focusing motor and splash-proof construction. Plus, it’s lightweight and offers excellent sharpness. The 28-300mm is a great choice for someone looking for a convenient option for travel, or simply for when wandering around towns or even the countryside with their camera.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 63

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Sigma 18-200mm f/3.5-6.3 DC Macro OS HSM

Sigma 18 200mm Compact Zoom Lens (5) (Custom)
 

The Sigma 18-200mm f/3.5-6.3 DC Macro lens is lightweight, reasonably priced and is almost as small as many standard 18-55mm kit lenses. High-quality plastics have been used for much of the lens’ construction, with a smooth matte finish that doesn’t mark easily and the lens mount is made of metal. The lens delivers sharp, contrasty images throughout the zoom range, build quality is great and so are focus speeds. 

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 63

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Sigma 18-300mm f/3.5-6.3 Macro OS HSM C

Sigma 18 300mm F3
 

The Sigma 18-300mm f/3.5-6.3 Macro OS HSM C is reasonably compact, well built and the price is very reasonable too. Those looking for a lens covering a wide range of focal lengths, whilst allowing them to travel light should certainly give this lens serious consideration, especially as the image sharpness is decent and it offers good focusing speeds. 

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 63

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Tamron 16-300mm f/3.5-6.3 Di II VC PZD Macro

Tamron 16 300mm F 3 5 6 3 Di Ii Vc Pzd Macro (5) (Custom)
 

The Tamron 16-300mm f/3.5-6.3 Di II VC PZD Macro lens sports Vibration Compensation, a silent Piezo Drive focusing motor and splash-proof construction. The absolutely huge zoom range offered by this lens hasn’t compromised the size, with it having similar dimensions to many 4x or 5x zooms lenses and it weighs only 540g. Although those who will only really be happy with the absolute sharpest of lenses may not be overly excited by this lens, those who value convenience will find this lens is more than adequate for general photography. The low weight and compact size make this lens an ideal candidate as a walkabout lens for those times you may wish to travel light.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 63

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Olympus M.Zuiko Digital 12-200mm f/3.5-6.3 

 Olympus M.Zuiko Digital 12-200mm f/3.5-6.3

The Olympus M.Zuiko Digital 12-200mm f/3.5-6.3 lens is a dream to use, without a doubt. The concept of the all-in-one travel zoom is great, with a long reach and really close focus all built-in. There will be many travellers who will take to this lens and produce very memorable images. It isn’t perfect technically, but mega-zooms by their nature are pushing the boundaries and we have to accept that there is some trade-off between quality and convenience. It is also true that many lenses from all the marques may not fare strongly at MTF50 standards, but still have plenty of merit in producing bright, punchy images. The concentration with this lens is weighted towards a better performance at wider focal lengths and at the centre of the image field, but the extra reach available will still be appreciated in many situations.

A versatile and easy to use travel lens and, whilst aware of its limitations, it does come recommended.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 63

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Nikon AF-S DX Nikkor 18-300mm f/3.5-6.3G ED VR

AF-S DX Nikkor 18-300mm f/3.5-6.3G ED VR
 

The Nikon AF-S DX Nikkor 18-300mm f/3.5-6.3G ED VR sports internal focusing, Nikon’s VR system and covers a huge 16.7x zoom range, equivalent to 27-450mm on a 35mm camera. This lens is relatively compact and lightweight, only weighing 550g and high-quality plastics have been used for much of the lens’ construction and a rubber gasket surrounds the metal lens mount, to help prevent the ingress of dust and moisture into the camera body. Performance is decent for such an extreme zoom lens, especially in the centre of the frame and when stopped down. As far as sharpness is concerned, this lens delivers sharp enough images for general photography and casual users should be chuffed to bits with it. Those looking for a convenient all-in-one zoom lens for travel, or simply to cut down on lens changes will love the extreme zoom range this 18-300mm lens offers.

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 63

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Sigma 18-250mm f/3.5-6.3 DC Macro OS HSM

18-250mm f/3.5-6.3 DC Macro OS HSM
 

Back in 2012, we took the Sigma 18-250mm superzoom out for a test drive and it certainly impressed. If you’re after a convenient all-in-one lens for travel, then the sharpness delivered by this lens certainly makes it worthy of serious consideration. It performs well, offers effective optical stabilisation and is built really well. Plus, as it was released a few years ago, the price is pretty good as well. 

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 63

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Sony FE 24-240mm f/3.5-6.3 OSS

Sony FE 24 240mm OSS (5)
 

The Sony FE 24-240mm is a 10x superzoom lens sports optical image stabilisation, a dust and moisture resistant design and a useful 10x zoom range. Overall, it is a decent superzoom lens delivering excellent levels of sharpness in the centre of the frame but it’s not as compact or lightweight as other superzooms which you may want to take into consideration when choosing kit to take on holiday.  If you’re able to overlook these aspects of the lens, in the name of convenience, then this lens will still be able to deliver decent quality images and should make a decent addition to your kit bag. 

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 72

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Tamron 18-400mm f/3.5-6.3 Di II VC HLD

Tamron 18-400mm f/3.5-6.3 Di II VC HLD

 

For the bridge camera user moving up to the larger format of a lightweight DSLR, or indeed for anyone wanting to travel light without constantly changing lenses, the appeal of an 18-400mm lens is plain enough. The Tamron 18-400mm f/3.5-6.3 Di II VC HLD has been able to do this in such a small lens is impressive, especially as the cost has been kept within reasonable boundaries.

The lens is reasonably priced and offers a single lens solution for travel. For small prints and the web, there will be users who could be very happy with this but performance at 400mm is not sparkling.

However, full marks to Tamron for pushing back the boundaries and breaking the 300mm barrier in superzooms.

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Pentax SMC DA 18-270mm f/3.5-6.3 SDM

Pentax Smc 18 270mm Lens (6)

 

This 18-270mm f/3.5-6.3 SDM, 15x zoom lens from Pentax is incredibly lightweight for the range it covers, weighing only 453g, and performs really well at the shorter focal lengths but the lack of sharpness at the telephoto end may put some off. Having said that, the lens is still more than capable of producing decent results. 

Overall Score: The Best Superzoom Lenses You Can Buy Right Now 72

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More Superzoom Lens Options 

As well as the above lenses which ePHOTOzine has reviewed there are plenty of other superzoom lenses available in various fits which can be purchased from Amazon which include:

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The Best Portrait Lenses Money Can Buy

The Best Portrait Lenses Money Can Buy

Canon EF 50mm f/1.4 - Canon EOS-1D X Mark II - Photo Joshua Waller

Canon EF 50mm f/1.4 at f/2.0 – Canon EOS-1D X Mark II – Photo Joshua Waller.

 

If you’re looking for a bright prime lens for portrait photography then you’ve come to the right place. These lenses will help you isolate your subject with a shallow depth of field, and a blurred background. With a high-quality lens, you’ll also get sharp subjects, and some specialist lenses give control over the background blur, or what it’s famously now referred to as “Bokeh”. With a bright prime lens, you can get a sharp and detailed portrait shot, with beautifully blurred backgrounds, giving excellent subject separation.

If you want to, you can purchase/find more information about each lens listed by clicking the green Amazon buttons featured below each product. It doesn’t cost you anything extra when you press our Amazon buttons but by using our Amazon Affiliate links when ordering anything online, you are supporting the site – thank you. If you’re not in the UK, clicking on the ‘Buy on Amazon USA’ button will redirect you to the relevant country site. 

If you don’t see one of your favourite lenses on the list, it could be it didn’t score high enough or we’ve simply not put it to the test yet but we’re more than happy to hear your suggestions so please feel free to list them below.

 

An introduction to portrait lens focal lengths

The classic focal length for a portrait lens is the 50mm lens on a full-frame camera, as shown above, as this is similar to what the eye sees, and is often the first additional lens someone buys when looking to upgrade from the kit lens that comes with a DSLR. It also offers a brighter aperture, compared to the kit lens – and a 50mm f/1.8 lens is very affordable and much brighter than most kit lenses that tend to start at f/2.8 or f/3.5 and then become darker as you zoom. On an APS-C camera, you get a lens equivalent to 75mm making it an ideal portrait lens, but there are many options available, and here we’ve listed a variety of high scoring portrait lenses. 

 

Portrait Focal Length Examples - Photos: Joshua Waller

Left: 52.5mm equivalent, f/2, Middle: 85mm f/1.8 on FF, Right: 160mm equivalent, f/16, photos Joshua Waller.

 

The longer the focal length and the brighter the lens, the easier it is to get a blurred background when shooting wide-open. Often the brighter and longer the lens is the higher the price of the lens is, so an f/1.2 lens will often cost more than an f/1.8 lens. If you have a look through this list, you might be surprised at some of the prices lenses are available for, as some are particularly good value for money. 

We’ve separated the lenses into different mounts, so you can find a lens that works with your camera:

 

Portrait lenses for Micro Four Thirds cameras

Micro Four Thirds cameras, from Panasonic, Olympus and others, feature a Micro Four Thirds sensor, which gives a 2x crop factor. This section now also features lenses that can be used on full-frame mirrorless cameras such as the Sony Alpha A7 Mark III.

 

Panasonic / Leica DG Nocticron 42.5mm f/1.2 ASPH. The Best Portrait Lenses Money Can Buy 74

Panasonic Leica 42 5mm F1 2 Nocticron ASPH 1

The Leica DG Nocticron 42.5mm f/1.2 ASPH. lens (by Panasonic) for Micro Four Thirds cameras is one of the brightest lenses available with AF for the system, and gives the equivalent of 85mm in 35mm terms, making it an ideal portrait lens, when combined with the face and eye detection focus of the latest Micro Four Thirds cameras. The lens features optical image stabilisation making it suitable for slower shutter speeds, and there is an aperture ring on the metal lens, giving it a premium quality feel.

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Olympus M.Zuiko Digital 75mm f/1.8 The Best Portrait Lenses Money Can Buy 75

Olympus M Zuiko 75mm F1 8 Lens1

The Olympus M. Zuiko Digital ED 75mm f/1.8 lens for Micro Four Thirds gives a long telephoto reach of 150mm equivalent in 35mm terms and is an incredibly sharp lens. In our review, we found that the lens gave “incredible optical performance for the price” and the relatively compact lens is available in silver or black.

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Olympus M.Zuiko Digital ED 45mm f/1.2 PRO – The Best Portrait Lenses Money Can Buy 75

Olympus 45mm F1,2 Pro Front Oblique View
This 45mm lens offers a 35mm equivalent of 90mm, and with a bright f/1.2 aperture offers lots of potential for excellent portraits. It offers a very high standard of sharpness throughout the aperture range, and we awarded it a 4.5 star highly recommended award for its outstanding sharpness, low CA, no distortion and a fast, silent AF capability. 

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Panasonic Lumix G 42.5mm f/1.7 The Best Portrait Lenses Money Can Buy 75

Panasonic 42 5mm F1 7 H HS043 (4)

The Panasonic Lumix G 42.5mm f/1.7 ASPH. lens for Micro Four Thirds gives the equivalent of 85mm with a bright maximum aperture of f/1.7 and features built-in Optical Image Stabilisation (OIS) which will be of benefit to users of Panasonic Lumix G cameras without built-in image stabilisation. In our review, we found the lens delivered outstanding levels of sharpness even when shooting wide-open. 

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Kowa Prominar 25mm f/1.8  – The Best Portrait Lenses Money Can Buy 75

Kowa Prominar 25mm F1,8 Front Oblique View

The Kowa 25mm is a compact prime lens that offers manual focus for creativity. Kowa is a name traditionally associated with film cameras, and this lens successfully carries the brand over to the digital era. We gave the lens a 4.5 star highly recommended rating for its excellent sharpness, low distortion and a pleasant bokeh.

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Voigtlander NOKTON 42.5mm f/0.95 The Best Portrait Lenses Money Can Buy 75

Voigtlander Nokton 42 5mm F 095 Mft Lens (7)

The Voigtlander Nokton 42.5mm f/0.95 manual focus lens has an incredibly bright aperture of f/0.95, which makes blurred backgrounds and can provide “Outstanding” sharpness when stopped down slightly. For Micro Four Thirds cameras, this lens gives the equivalent of 85mm in 35mm equivalent terms. The lens has an all-metal construction, which gives the lens a solid build quality and feel.

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Olympus M.Zuiko Digital 45mm f/1.8 The Best Portrait Lenses Money Can Buy 75

Olympus M. Zuiko Digital 45mm f/1.8

The Olympus M. Zuiko Digital 45mm f/1.8 lens for Micro Four Thirds cameras gives a 90mm equivalent in 35mm terms and is a compact, lightweight, and wallet-friendly prime lens available in silver or black versions. The lens performs well, with excellent sharpness.

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Olympus M.Zuiko Digital 25mm f/1.8 The Best Portrait Lenses Money Can Buy 75

Olympus M Zuiko 25mm F1 8 Lens (1)

The Olympus M. Zuiko 25mm f/1.8 lens for Micro Four Thirds cameras, and gives the equivalent of the classic 50mm lens thanks to Micro Four Thirds 2x crop factor. The lens is compact and lightweight and available in black or silver. The lens offers excellent sharpness in the centre of the frame, even when shooting wide open at f/1.8.

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Portrait Lenses for Sony E Mount cameras

Sony E-Mount cameras come as APS-C or full-frame mirrorless cameras, with lenses working on both formats.

 

Samyang AF 75mm f/1.8 FE The Best Portrait Lenses Money Can Buy 74

Samyang AF 75mm f/1.8 FE

Whether the photographer sees this as an unusually long standard lens or as a slightly shorter portrait lens, the 75mm length proves in use to be very equitable. We can approach our portrait subjects quite closely, but not so close as to cause distortion of the features. On the other hand, as a general-purpose lens there is some merit in having a longer focal length and having more space in which to work. In a similar way, 100mm macro lenses tend to be more popular than 50mm ones.

As for performance, this is just exemplary, the Samyang AF 75mm f/1.8 FE is an outstanding lens indeed. Along with a moderate, realistic price tag, compact size and great handling, the only caveat is the lack of sealing against water and dust. This still leaves us with a superb lens and an obvious Editor’s Choice.

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Sony FE 100mm f/2.8 STF GM OSS The Best Portrait Lenses Money Can Buy 74

Sony 100mm F2,8 Stf Front Oblique View
 

There is no doubt this is an amazing, high-quality optic and that the use of an apodization element adds something very special. It would be easy to think of this in too narrow a way, but the obvious application is of course for portraiture. This could give that something extra to images where already, to be fair, we can get beautiful bokeh with existing lenses. But this does go the extra mile, offering outstanding sharpness as well as that vital, gorgeous bokeh. The Sony FE 100mm is actually a total pleasure to use.

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Samyang AF 85mm f/1.4 FE The Best Portrait Lenses Money Can Buy 74

Samyang AF 85mm f/1.4 FE

The Samyang AF 85mm f/1.4 FE is a lovely lens to use, from the moment we look at the images on the screen or through the viewfinder. Selective depth of field makes manual focusing a breeze, subjects sing out against a beautifully diffused background. The Samyang is also gloriously smooth in operation, totally unobtrusive and a real photographer’s lens, where the camera becomes an extension of the photographer and does not intrude on the subject. The price is also very attractive, so Samyang fully deserves the accolade of Editor’s Choice.

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Sony FE 85mm f/1.4 G Master The Best Portrait Lenses Money Can Buy 74

Sony Fe 85mm F1,4 Top View
 

The Sony FE 85mm f/1.4 G Master lens is a traditionally very high-quality choice. It is ideal for many more types of subject than portraits, although with the beautiful bokeh provided portraiture may well be high on the list for users of this lens. A very fine lens, very well made and a joy to use, this is superb in every respect.  

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Sigma 65mm f/2 DG DN Contemporary The Best Portrait Lenses Money Can Buy 75

Sigma 65mm f/2 DG DN Contemporary

 

The Sigma 65mm f/2 DG DN Contemporary lens for E-mount and L-mount mirrorless cameras is a shining example of the modern lens makers’ art and in terms of performance will satisfy the most critical requirements. Highly recommended.

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Sigma 85mm f/1.4 DG DN Art Lens The Best Portrait Lenses Money Can Buy 75

Sigma 85mm f/1.4 DG DN Art Lens

 

The Sigma 85mm f/1.4 DG DN Art is a lens from Sigma that’s designed to be used with full-frame mirrorless cameras and even though the price is not the lowest, but the overall package is very, very attractive and pitched at a very fair level. Sigma is clearly at the top of their game with their range of Art lenses. Highly Recommended.

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Sigma 56mm f/1.4 DC DN The Best Portrait Lenses Money Can Buy 75

 Search Sigma 56mm f/1.4 DC DN | C

The Sigma 56mm f/1.4 DC DN C offers fantastic performance, superb sharpness in particular, and a reasonable price tag. All round, a very satisfactory and desirable lens. A slight downside is the fiddly nature of some of the mirrorless cameras, with many functions tucked away in menus as opposed to dedicated switches and dials. This is not the fault of the lens though, which handles totally smoothly.

But in terms of a fast, short telephoto that is unobtrusive, works efficiently and delivers superb results the Sigma 56mm f/1.4 DC DN C is absolutely an Editor’s Choice.

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Samyang AF 50mm f/1.4 FE The Best Portrait Lenses Money Can Buy 75

Samyang 50mm F1,4 Front Oblique View
 

The Samyang AF 50mm f/1.4 FE is a beautiful lens that performs to a very high standard. The cost has been a fairly large and relatively heavy lens, but that may be a small price to pay for an optic that can deliver such beautiful results.

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Zeiss Planar T* FE 50mm f/1.4 ZA The Best Portrait Lenses Money Can Buy 75

SEL50F14ZA A
 

The only major drawback of the Zeiss Planar T* FE 50mm f/1.4 ZA has to be the price; the weight and size can perhaps be forgiven. It does offer a very high standard of performance, including very appealing bokeh, and a superb level of sharpness throughout.
 
In terms of quality of results it speaks for itself, and if the price can be afforded then the lens should offer many years of excellent service. Another superb lens from the Sony/Zeiss stable.

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Sony FE 85mm f/1.8 The Best Portrait Lenses Money Can Buy 75

Sony Fe 85mm F1,8 Front Oblique View
 

The Sony FE 85mm f/1.8 lens is superb to use, and also superb in many ways in terms of its performance. The lower cost compared to most 85mm lens does not seem to have reduced the performance at all. So full credit to Sony for achieving this.

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Zeiss BATIS 85mm f/1.8  The Best Portrait Lenses Money Can Buy 75

Zeiss Batis 85mm F1 8 FE Mount

The Zeiss BATIS 85mm f/1.8 Sonnar T* lens for full frame Sony E-mount cameras, this lens features optical image stabilisation built into the lens and features auto-focus, as well as a built-in LCD display on top of the lens. The 85mm f/1.8 lens will also work on APS-C Sony E-mount cameras, giving a 127.5mm equivalent in 35mm terms. 

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Sony 50mm 1.8 OSS – The Best Portrait Lenses Money Can Buy 75

Sony E 50mm F18 Oss (3)

The Sony E 50mm f/1.8 OSS lens is designed for APS-C Sony E-mount cameras, giving the equivalent of 75mm, and the lens features OSS (Optical Steady Shot), which is Sony’s name for optical image stabilisation. The lens can be used on full-frame Sony E mount cameras, but the image will be cropped, giving the equivalent of 75mm. The lens is available in silver or black. 

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Meike 50mm f/1.7 – The Best Portrait Lenses Money Can Buy 94

Meike 50mm F1,7 Front Oblique View
The Meike 50mm f/1.7 is a lens made of metal that features manual focus and a bright aperture. It’s supplied with a petal lens hood and has a standard 52mm filter thread. We were happy to recommend the lens due to even sharpness, solid metal construction and dust and moisture resistance, as well as a great price. 

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Sainsonic Kamlan 50mm f/1.1 – The Best Portrait Lenses Money Can Buy 94

Kamlan 50mm F1,1 Front Oblique View

This Kamlan 50mm lens features a jaw-dropping f/1.1 max aperture, and this combined with the classic focal length of 50mm should give excellent portraits. A relatively simple optical design of 5 elements in 5 groups helps keep the lens compact. We gave it a 4 star recommended rating for good flare resistance, low distortion and a very low price. 
 

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Portrait lenses for Fujifilm X Mount cameras

Fujifilm X series cameras feature an APS-C sized CMOS sensor and a Fujifilm X-Mount.

 

Fujifilm Fujinon XF 50mm f/2 R WR The Best Portrait Lenses Money Can Buy 74

XF50mmF2 R WR Black Horizontal
 

The Fujifilm Fujinon XF 50mm f/2 R WR is another superb Fuji lens. It is sharp, crisp and produces pleasant bokeh. Plus, it is compact, weather-resistant and relatively modest in price. 

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Fujifilm XF Fujinon 50mm f/1.0 R WR The Best Portrait Lenses Money Can Buy 75

Fujifilm XF 50mm f/1.0 R WR

 

Much of the decision revolves around cost, weighed against the alternatives and the features that are unique to the XF 50mm f/1.0 R WR. It performs really well, right in the top tier, it is designed specifically to offer something special for the portrait photographer, although not exclusively so by any means. It has weather resistance. It is fast for use in low light situations. Focusing is razor accurate. It is an absolute joy to use on the Fujifilm X-T4. It is an exciting lens to use, and has the aforementioned “pixie dust” magic ingredient. The cost will mean it is not for everyone, but at least it is within the bounds of what might be seen as affordable, depending on our own priorities. Overall, it has to be Highly Recommended.

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Fujifilm XF 90mm f/2 R WR The Best Portrait Lenses Money Can Buy 75

Fujifilm Fujinon XF90mm F2 R LM WR Hands On (1)

The Fujifilm Fujinon Super EBC XF 90mm f/2 R LM WR lens (try saying that in one breath) gives the equivalent of 135mm, with weather resistance, and an aperture ring on the lens, this is one of the longest prime lenses available for Fujifilm X mount cameras, and is capable of giving great bokeh. 

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Fujifilm XF 56mm f/1.2 / 56mm f/1.2 APD The Best Portrait Lenses Money Can Buy 75

Fujifilm XF 56mm APD Lens (6)

The Fujifilm Fujinon XF 56mm f/1.2 R lens provides a field of view equivalent to an 84mm lens on a 35mm camera and sports a very bright f/1.2 maximum aperture. The lens is available with or without APD, for softer background blur with the APD version. 

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The Fujifilm Fujinon XF 56mm f/1.2 R APD version contains an apodisation (APD) filter in the optical path. The inclusion of this filter promises to produce smoother out of focus areas (bokeh), whilst maintaining crisp focus on your subject, although this does bump up the price of the lens.

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Portrait lenses for Digital SLR Cameras

Full-frame and APS-C Digital SLRs can make the most out of bright prime lenses, with larger sensors than some cameras, and a number of the following lenses are available in a number of different mounts, with some of them also available for mirrorless cameras.

 

Samyang MF 85mm f/1.4 MK2 The Best Portrait Lenses Money Can Buy 74

Samyang MF 85mm f/1.4 MK2

There is much to like about any 85mm f/1.4 lens and the new Samyang ticks almost all of the boxes. The only caveat is for those who might prefer an AF lens, and then Samyang have an offering for just a couple of hundred pounds more should it be preferred.

However, the new Samyang MF 85mm f/1.4 MK2 lens also delivers a splendid overall performance and it is basically just a lovely lens. On the basis of its performance, its ease of use and its very modest price tag it has to be an Editor’s Choice.

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Samyang Premium MF 85mm f/1.2 The Best Portrait Lenses Money Can Buy 74

Samyang 85mm F1,2 Top View
 

Samyang has here a great lens. Superb performance, substantially less cost than the one alternative or most of the f/1.4 alternatives and, provided we are happy with manual focusing, a really viable option. The MF 85mm f/1.2 is a very attractive lens at a very attractive price.

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Samyang AF 85mm f/1.4 RF The Best Portrait Lenses Money Can Buy 102

 Samyang AF 85mm f/1.4 RF

 

Samyang has clearly done it again, with the Samyang 85mm f/1.4 RF lens. They have produced a lens with superb performance at a very reasonable price level. It is well made, handles beautifully and combines high levels of sharpness with a beautiful, smooth bokeh effect. This is ideal for portraiture and wide open the lens also offers a lovely, subtle vignetting effect that could be an ideal enhancement for portraits.

Obviously any 85mm can be used for many other subjects that just portraiture, and here we have an almost perfectly rectilinear lens that would be ideal for architectural shots, as well as street photography, landscapes, close-range sports, low light, in fact almost any area.

We might miss IS, we might miss the ability to place the lens/camera on top of a nearby wall or other support for stability as it will wobble about, but a bean bag would sort that. We do have weather resistance, so there is no impediment to venturing out into the rain with that wide, fast aperture to capture the special, vivid colours that bad weather can bring. Definitely Highly Recommended.

 

Tamron SP 85mm f/1.4 Di VC USD The Best Portrait Lenses Money Can Buy 74

Tamron SP 85mm F1 8 VC Lens White BG

The Tamron SP 85mm f/1.8 Di VC USD lens features built-in vibration correction (VC), which is rare on a portrait lens, and should help in low-light situations where you are forced to use a slower shutter speed. Available in Canon, Nikon and later Sony A mount. 

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Sigma 85mm f/1.4 DG HSM The Best Portrait Lenses Money Can Buy 74

Sigma 85mm F1 4 Lens

We called the Sigma 85mm f/1.4 DG HSM lens “a real gem” in our review, and consider it a relatively affordable wide aperture telephoto lens, that is capable of producing superb results. The Sigma 85mm f/1.4 DG HSM is available for Canon, Nikon, Sony and Pentax DSLRs, and gives the equivalent of 127mm on APS-C 1.5x crop cameras (Nikon, Pentax, Sony), and 136mm on Canon APS-C DSLRs.

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Sigma 135mm f/1.8 DG HSM Art– The Best Portrait Lenses Money Can Buy 75

Sigma 135mm F1,8 Art Front Oblique View
The Sigma 135mm lens is on the longer side for a portrait lens however it does still offer excellent opportunities with a wide aperture and really beautiful bokeh. Sigma’s Art range lenses are designed to help your creative side run free, and this lens is no different. We awarded it a 4.5 star highly recommended rating for its excellent sharpness, close focusing ability and good construction.

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Canon EF 85mm f/1.4 – The Best Portrait Lenses Money Can Buy 75

Canon 85mm F1,4l Front Oblique View

Canon’s 85mm f/1.4 is a revered lens for portrait photography and this latest version is no different. For full frame cameras, it offers a middling aperture, between the expensive f/1.2 version and cheaper f/1.8 additions of this focal length for Canon users. It’s well made, has a beautiful finish and we awarded it a 4.5 star highly recommended rating for excellent sharpness, great handling and fast and accurate AF, as well as being water and dust resistant.

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Nikon AF-S Nikkor 105mm f/1.4E ED The Best Portrait Lenses Money Can Buy 75

AF-S NIKKOR 105mm f/1.4E ED
 

There is no doubting the fine qualities of the Nikon AF-S Nikkor 105mm f/1.4E ED lens. It delivers the goods, the images are beautiful and the handling sublime. The only question marks are the cost, plus perhaps the absence of VR. Having said that, if the need is there and the price can be afforded, it is a very special lens that is well worth owning.

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Sigma 85mm f/1.4 DG HSM Art The Best Portrait Lenses Money Can Buy 75

Sigma 85mm F1,4 Art Top View With Hood
 

The Sigma 85mm f/1.4 DG HSM Art lens is a high-class, highly competent design that performs confidently and efficiently. It is of the modern breed of 85mm lenses, sharp from open aperture, as opposed to older designs that were intended to be softer wide open for the purposes of flattering portraits. 

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Samyang XP 50mm f/1.2 – The Best Portrait Lenses Money Can Buy 75

Samyang Xp 50mm F1,2 Front Oblique View

Samyang’s 50mm f/1.2 is a re-invention of a classic Samyang lens, offering a bright f/1.2 aperture. it’s not a light lens, weighing in at 1200g, however it balances well on the Canon EOS 5DSR used for testing. We gave the lens a 4.5 star highly recommended rating for its excellent and consistent sharpness, low distortion and beautiful bokeh. 

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Canon EF 85mm f/1.8 USM The Best Portrait Lenses Money Can Buy 75

Canon Ef 85mm F1 8 Angled

The Canon EF 85mm f/1.8 lens is excellent value for money, and compact for a full-frame lens, giving 85mm view on full-frame cameras, or 136mm equivalent on Canon APS-C crop sensor Digital SLRs. Available in Canon mount only.

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Nikon 85mm f/1.4 and f/1.8 G  The Best Portrait Lenses Money Can Buy 75

Nikon85mmf14

The Nikon AF-S Nikkor 85mm lens is available as an f/1.4 or f/1.8 lens and offers 85mm view on a full-frame DSLR, or a 127mm equivalent on APS-C crop sensor Digital SLRs. These updated lenses are available in Nikon mount only, and both scored well in our reviews. 

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Nikon AF-S Nikkor 85mm f/1.8G Review.

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Nikon 50mm f/1.4 and f/1.8 G – The Best Portrait Lenses Money Can Buy 75

Nikon 50mm F1 4g Lens
The Nikon AF-S Nikkor 50mm lens is available as an f/1.4 or f/1.8 lens and offers the “standard” 50mm view on a full-frame DSLR, or a 75mm equivalent on APS-C crop sensor Digital SLRs. These updated lenses are available in Nikon mount only, and both scored well in our reviews. 

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Nikon AF-S Nikkor 50mm f/1.8G Review.

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Canon EF 135mm f/2.0 L USM The Best Portrait Lenses Money Can Buy 75

Canon Ef 135mm F2 L Usm (5)

The Canon EF 135mm f/2 L USM lens is a bright telephoto lens, and some would say the perfect portrait length for a full-frame camera. The bright telephoto lens is equivalent to 216mm when used on an APS-C crop sensor DSLR. The lens is available in Canon mount only.

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Zeiss OTUS 55mm f/1.4  The Best Portrait Lenses Money Can Buy 75

Zeiss Otus 55mm F1,4 Oblique Front

The Zeiss OTUS 55mm f/1.4 manual focus lens sits at the top of the Zeiss range, with the Zeiss OTUS lenses designed to be the best lenses in the world, and the Zeiss OTUS 55m f/1.4 certainly delivers, with excellent sharpness across the frame. The lens is available in Canon and Nikon lens mounts.

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Zeiss MILVUS 85mm f/1.4 – The Best Portrait Lenses Money Can Buy 75

Zeiss Milvus 85mm F1,4 Front Oblique View

The Zeiss Milvus 85mm f/1.4 lens is a manual focus lens, and offers excellent sharpness, at a more affordable price when compared to the Zeiss OTUS 85mm f/1.4 lens. The Zeiss Milvus 85mm f/1.4 is available in Canon and Nikon lens mounts.

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TAMRON SP 45mm f/1.8 Di VC USD – The Best Portrait Lenses Money Can Buy 75

Tamron 45mm Sp Vs Usd White Bg

The Tamron SP 45mm f/1.8 VC USD lens gives a slightly wider view than the classic 50mm lens on full-frame cameras, or 67.5mm on APS-C DSLRs, and 72mm on Canon APS-C DSLRs. The lens features built-in vibration correction (VC) image stabilisation, when bought in Canon or Nikon mount, with the Sony (A) mount not featuring built-in image stabilisation, due to Sony Alpha (A) mount cameras featuring built-in sensor-shift image stabilisation.

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Samyang 135mm f/2 – The Best Portrait Lenses Money Can Buy 75

Samyang 135mm F2 Lens (1)

The Samyang 135mm f/2 is a bright manual focus lens, offering a long telephoto length of 135mm on full-frame cameras, 202mm on APS-C (1.5x crop) cameras, and 216mm on Canon APS-C (1.6x crop) cameras. The lens is available in a number of different mounts for both DSLRs and Mirrorless cameras. 

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Sigma 50mm f/1.4 DG HSM Art The Best Portrait Lenses Money Can Buy 75

Sigma 50mm F1 4 DG Art (1)

The Sigma 50mm f/1.4 DG HSM Art lens is the “Standard” 50mm lens, suitable for full-frame cameras, and available to fit Canon, Nikon, Sony and Sigma SLR cameras, this lens delivers outstanding sharpness in the centre from wide-open at f/1.4, and scored highly in our review for delivering excellent performance.

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Pentax 77mm 1.8 Limited – The Best Portrait Lenses Money Can Buy 75

Pentax 77mm Limited Side

The SMC Pentax FA 77mm f/1.8 Limited, is a limited edition Pentax lens with a manual aperture ring, manual focus ring, metal body, along with excellent image quality. Which goes some way towards justifying the relatively high price of this lens. The lens covers the full-frame, so will work with the Pentax K-1, but on crop sensor cameras gives the equivalent of 115.5mm in 35mm terms. Available in Pentax K mount form only. 

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Laowa 105mm f/2 STF Smooth Trans Focus – The Best Portrait Lenses Money Can Buy 75

Laowa 105mm Stf Front Oblique View

The Laowa 105mm f/2 (T3.2) STF is a lens with an additional background blur control, called “Smooth Trans Focus” that lets you adjust the blur for the background giving sublime, creamy bokeh, whilst the main subject remains sharp. Available in Canon, Nikon, Pentax, Sony A, and Sony E mounts.

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SMC Pentax-FA 50mm f/1.4 The Best Portrait Lenses Money Can Buy 94

SMC Pentax-FA 50mm f/1.4

 

The 50mm lens was at one time the lens of choice with a new camera, and it is still a very versatile option today. Many photographers will carry such a lens as well as a bag of zooms, and the SMC Pentax-FA 50mm f/1.4 is an excellent choice. The quality is high, the lens handles well and it is an unobtrusive addition to any camera kit.

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Samyang AF 85mm f/1.4 EF – The Best Portrait Lenses Money Can Buy 94

Samyang 85mm F1,4 Front Oblique View
 

This 85mm full frame lens for Canon mount offers a natural looking perspective from a comfortable working distance for portraits. It can focus as close as 90cm and we gave it 4 stars for its high levels of even sharpness and low flare as well as lovely bokeh.

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Canon EF 100mm f/2 USM – The Best Portrait Lenses Money Can Buy 94

Canon EF 100mm F2 USM (3)

The Canon EF 100mm f/2 USM lens is a compact, bright 100mm prime lens with an f/2.0 aperture, for Canon cameras, both full-frame and APS-C, and it’s quite compact, and also good value for money. Available in Canon lens mount only, when used with APS-C sensor cameras, the lens gives the equivalent of 160mm in 35mm terms. 

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Portrait lenses for Fujifilm GFX Cameras

 

Fujifilm Fujinon GF 80mm f/1.7 R WR The Best Portrait Lenses Money Can Buy 75

Fujifilm Fujinon GF 80mm f/1.7 R WR

 

Superb for portraits, fashion, landscapes, architecture and social photography, this will be a workhorse for many photographers. The f/1.7 aperture opens new possibilities for reduced depth of field, surely one of the major advantages of larger formats. Couple this with the incredible buttery smoothness of the images and there is just so much to like. Those who use a GF digital mirrorless camera won’t be disappointed when using the GF 80mm f/1.7 R WR

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If you’re looking for more lens options, have a look at some of our latest lens reviews, or why not have a look at our Top 10 Best Macro lenses, as these can also be used for portrait work, although they often don’t have as bright an aperture. 

Once you’ve found the perfect lens for you and your camera, you may want to have a look at some of our top tips on how to get the best out of portrait shoots, including:

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8 Clever Ways Blur Can Enhance Your Photographs

8 Clever Ways Blur Can Enhance Your Photographs

Blur gets a bad rep but for making subjects ‘pop’ and when you want to create a sense of speed, it can actually be a really useful thing to feature in your photos.

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Creative

Having a blurry image isn’t always a bad thing. In fact, when it’s used in the right place, it can actually make your photos better. Here are a few examples of when blur can be used and a few tips on how to produce the shots.
 

1. Water / Waterfalls

Waterfall

 

  1. Use shutter-priority so you can control how long the shutter is open.
  2. The slower the speed you choose the more blur there will be.
  3. The speed you need will change depending on how much blur you want, how much water there is and the distance between the camera and your subject.
  4. Start between 1/8sec to 1/15sec and just adjust until you get the blur you’re looking for.
  5. If you struggle to get the shutter speed low enough try fitting an ND filter to your lens. 
  6. Always use a tripod to prevent shake spoiling your shot and if possible use a remote / cable release. 
  7. Meter carefully as large areas of light tones can fool the camera into underexposing your shot.
  8. Slow shutter speeds will blur anything that moves so if you don’t want what’s surrounding your subject to be blurred, try taking two shots: one with the slower shutter speed then the other with a speed that will freeze movement. You can then combine these in editing software such as Photoshop.
  9. Try blurring the movement of waterfalls, rapids, waves breaking along the coastline, a fast-flowing river and water flowing from a tap

 

2. Action Photography

Car

 

  1. For people, animals or vehicles which are moving, adding a touch of blur to the image can give the impression of speed, emphasising motion and creating a sense of drama in the shot.
  2. If you use too higher shutter speed you’ll just freeze the motion, too slow and there can be too much blur and the background and your subject will seem like they’re merging together. So it’s worth experimenting with a variety of shutter speeds to get it right.
  3. Try panning with the subject as they move. Start panning, release the shutter button and then continue the pan even after the camera’s captured the image. If you get it right the subject will appear sharp as it hasn’t moved position in the viewfinder, but the background will be blurred making the subject look as though it’s hurtling along.
  4. Try to get enough blur so the background isn’t distracting and the movement of the wheels on the vehicle you’re photographing are blurred to create the sense of motion in the shot. This will also help the eye focus on what it’s meant to.
  5. Try using slow sync flash which is where you use a slow shutter speed and flash together to freeze your subject but blur the background. The low shutter speed continues to record the ambient conditions and further subject movement. It’s used mostly by sports photographers recording cycling events or motorsports but can also be creative in any environment that has a moving subject in the foreground. Try using it next time you’re photographing your child playing on a swing.

 

3. Light Trails 

Light trails

 

  1. Do not try and drive the car and work the camera at the same time. Get yourself a driver or you drive and get a friend to operate the camera.
  2. Make sure the windscreen is very, very clean otherwise smears will spoil the final shot.
  3. Make sure the tripod is secure before you set off so the camera doesn’t get broken from it falling over during the drive.
  4. Try positioning the camera so you can only see the view through the windscreen but don’t worry if you have the roof or dashboard in shot as you can always crop it out. The lights and shape of the dashboard can also add an extra element of interest to the image, giving the trails something to contrast against.
  5. Focus on the distance – you want the lights sharp ideally.
  6. Use a small aperture to give you front to back sharpness. It’ll also mean you can use longer shutter speeds.
  7. 10-30 second exposure will capture the light trails. If you want longer shutter speeds, use the B setting.
  8. Use a remote trigger, cable release or self-timer to fire the shutter.
  9. Twilight is a good time and you need a location with a variety of light sources.
  10. Towns are good locations for this as they’ll be streaks of light on various levels and of several shades on offer. Motorways are also good but here you’ll get more continuous long light streaks.

 

 

4. Abstract Shots 

Abstract lights

 

  1. Sometimes you don’t need anything to be sharp and in focus to make an interesting image.
  2. If you’re using lines try to find a location that gives you a shot that has lines that vary in size and colour. Bolder lines will have more impact than small, faint ones and do remember they will still guide the eye through the shot and tell the viewer where they should be looking.
  3. Shapes are obviously softened so make sure you’re photographing something that’s interesting and bold, otherwise your image won’t have any impact.
  4. Strong, bold colours work well because you’re losing texture and detail you see in sharp shots. Make sure your tones don’t clash and check to see if any shades are overpowering certain areas of the frame.

 

5. Drag Landscapes Drag landscape

 

  1. Overcast days are perfect for this technique.
  2. Find a scene that has strong lines – fences with flowers in front of them and trees work well.
  3. Basically, you need to press the shutter button and as the exposure processes, dragging your camera up, down left or right as it does.
  4. Don’t stop panning until you’re past your subject as you won’t get the blurry lines you’re looking for.

 

6. Zoom Blur

Zoom blur

 

  1. You have to get the zoom right – too much and you won’t be able to make out your subject, too little and it will just look like a normal shot.
  2. Use a small aperture to get the slower shutter speed that’s needed. Use a low ISO too. This is particularly important when your subject is backlit.
  3. Fit a neutral density filter or a polarising filter if you can’t get a slow enough shutter speed.
  4. Make sure you meter from your main focus point.
  5. You need to set the zoom to either the short or long end of the focal length range, open the shutter, wait for a while then in one, smooth, quite quick movement, zoom out. By pausing at the start your subject will have a little definition before the blur kicks in.
  6. Stained glass windows are good subjects for this technique but try it in a forest with the light that flows through the trees too.

 

7. Remove Distracting Backgrounds Flowers

 

  1. If you’re working somewhere that has a busy background use a larger aperture to throw it out of focus. This blur will hide whatever was distracting the eye, allowing all focus to fall on your subject.
  2. If you’re using a compact camera try switching to the appropriate mode (portrait for people, macro for close up work) so the camera knows you want to throw the background out of focus.

 

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You can Save £120 On An Adobe Creative Cloud All App Subscription

You can Save £120 On An Adobe Creative Cloud All App Subscription

For a limited time, Adobe is giving you the opportunity to save £10 per month, £120 a year, on a Creative Cloud subscription which features Photoshop and other photo editing apps.

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Adobe Photoshop CC in Offers

You can Save £120 On An Adobe Creative Cloud All App Subscription 125
 

Adobe is running a sale on its popular Creative Cloud (CC) plan where you can get access to the full line-up of creative apps for £39.95 per month – a saving of £120 a year (usually priced at £49.94 per month). 

The subscription includes Adobe Photoshop and Lightroom along with other apps for design, video and web. In fact, there are over 20 apps included for desktop, mobile and iPad but Adobe Elements doesn’t feature – you’ll have to purchase this as a standalone product from online stores such as Amazon where it’s available for just under £40. 

The CC offer ends on 13 July so there are only a few days left to save yourself quite a substantial amount of cash. 

 

 

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With Photo Retoucher You Can Restore Old Photos With Ease

With Photo Retoucher You Can Restore Old Photos With Ease

Photo Retoucher makes it easy to bring old, damaged photos back to life and currently, you can save 42% when purchasing the Pro version.

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Offers

Photo Retoucher 6

 

Photo Retoucher 6 is an easy to use piece of software that can help you remove imperfections from photos and currently, there’s 42% off the Pro version. 

With Photo Retoucher, you can remove dust, scratches, cracks or small imperfections from scanned old photos and restore missing parts of the picture. Photo Retoucher’s smart fill algorithms rely on artificial intelligence to override blemishes with data interpolated from adjacent areas. This effectively restores missing portions of the image without leaving a trace. As well as restoring old photos, you can retouch portraits and fix damaged photos quickly and easily.

Photo Retoucher 6 Features:

  • Restore old photos
  • Remove unwanted objects from photos
  • Retouche portraits and remove skin imperfections
  • Resize, rotate and crop your image
  • Library for Raw image processing

 

Pricing & Availability 

Photo Retoucher 6 is available now in Standard and Pro versions and is usually priced at £39.99 and £59.99, respectively, However, there’s currently a 42% discount available which makes the Pro version £34.99. 

For more information and to save 42%, click the button below.

Save 42% On Photo Retoucher 6*

 

* By using our links when ordering online, you are supporting the site – thank you. Prices also correct at the time of writing. 

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Save 50% On Phone Manager Software You Can Use To Backup Photos

Save 50% On Phone Manager Software You Can Use To Backup Photos

Manage/transfer data and photos between a smartphone and PC with the help of Phone Manager which is currently available with 50% off.

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Offers

Phone Manager

Phone Manager is a really useful piece of software you can use to transfer data/images between one or more smartphones and your PC and currently, it’s available as a download with 50% off the RRP*. 

Phone Manager allows you to transfer all types of data (photos, videos, music, documents, contacts, messages, call logs, applications, etc.) between your mobile device and your computer. Plus, performing regular backups of your smartphone will allow you to keep photos and other data safe. 

Phone Manager Features: 

  • Transfer your data between one or more phones and your PC
  • Back up and store your mobile data on your PC
  • Transfer your e-mails, contacts, music, photos, applications etc
  • Simple interface organized by data types
  • Transfer via USB or Wi-Fi
  • Compatible with Android and iOS phones
  • Back up multiple phones
  • Lifetime license 

 

Pricing & Availability

Phone Manager is available now priced at £39.99 (usually £69.99) and there are also options to extend the download service (Avanquest back-up your files for 2 years) and to receive a physical version of the software for additional fees. 

For more information, click the green button below. 

Save 50% On Phone Manager*

 

*It doesn’t cost you anything extra when you use these affiliate links, but it does support the site, helping keep ePHOTOzine free to use, thank you.

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What Can I Photograph Close To My Home?

What Can I Photograph Close To My Home?

Pick a location or just walk outside your house and see what interesting things there are to photograph a few minutes from your front door.

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Landscape and Travel

Flowers

This is something everyone can have a go it. It doesn’t matter if you live in a mansion or a flat or usually shoot landscapes or portraits as this will give you the chance to think out of the box a little and really help you improve your photography.

Of course, if you live on the coast or in the Highlands or Lakes, you have got it slightly easier than some. But there are pictures to be captured everywhere, you just have to get out there and find them!

If you really don’t fancy shooting near your home pick a location you love or know well and see how only having a few meters to work in will make you think differently.

 

Gear Suggestions

Jet

 

If you’re not travelling far you can set out your full array of lenses on your side and return to pick up what you need although your standard zoom will do a perfectly good job.

If you do have a variety of lenses to pick from your macro lens will be good for giving the ordinary a unique twist while a longer telephoto will get you close to birds in the garden without having to be sat on the branch next to them. If you’re out in the garden you may need a tripod when using a longer lens but otherwise working hand-held will be fine.

 

What To Shoot?

Garden Bird

 

Look at everyday objects differently. See how a fork, TV remote or even a shoelace look close up through a macro lens. Or try setting yourself a little challenge: shoot household objects, certain packets or how about items beginning with a particular letter or number? Try shooting candids of neighbours or how about limiting the number of pictures you take?

You can go on a mini safari in your garden, photograph birds from your window or shoot the flowers that are now decorating our beds. Have a go at photographing micro landscapes on dull days or how about capturing raindrops as they fall down your windows or land on plants? If you don’t mind early starts, you can shoot some photos of morning dew or spend some time with your pets, photographing their antics.

 

Garden

As the months warm-up you’ll be able to spot Ladybirds to photograph but while the weather’s still chilly, why not stay indoors and shoot some still life work: kitchen utensils, cutlery and food.
 

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10 Simple DIY Photography Christmas Gifts You Can Make At Home

10 Simple DIY Photography Christmas Gifts You Can Make At Home

Here are 10 fun and easy DIY photography gifts that are perfect for Christmas so you can give loved-ones unique presents.

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DIY Tips

 

It’s the season of giving and if you’re a photographer, why not use your skills and a little bit of DIY creativity to make your own Christmas gifts for friends and family?

To help you out, COOPH has come up with 10 fun and easy DIY photography gifts you can make at home.

On their gift list are:

  1. Photo Cubes
  2. Hanging Photos In Frames
  3. Candle Holders
  4. Rustic Photo Holder 
  5. Infinity Photos
  6. Bookmarks
  7. Photo Frames
  8. Picture Ladders
  9. Fridge Magnets
  10. A Photo Wheel

All you need to do is watch the tutorial, grab your favourite photos and get creative!

We also have a tutorial on how you can make Christmas cards from your own photos and a technique for getting beautiful bokeh from Christmas lights. 

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