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Olympus ED 12-200mm F/3.5-6/.3 & Olympus ED 12mm F/2.0 Black Friday Lens Deals

Olympus ED 12-200mm F/3.5-6/.3 & Olympus ED 12mm F/2.0 Black Friday Lens Deals

M.Zuiko Digital ED 12-200mm f/3.5-6.3
 

Those looking to treat themselves during the Black Friday sales might be interested in two Olympus lenses Amazon currently has discounted which are the Olympus M.Zuiko Digital ED 12-200mm f/3.5-6.3 and Olympus M.Zuiko Digital ED 12mm f/2.0.

The Olympus M.Zuiko Digital ED 12-200mm f/3.5-6.3 is an MFT lens, giving a 24-400mm equivalent zoom range while the Olympus M.Zuiko Digital ED 12mm f/2.0 offers a wide field of view equivalent to a 24mm lens on a 35mm camera, internal focusing and a fast f/2 maximum aperture.

ePHOTOzine has reviewed each lens with both scoring well. Plus, they also feature in our top lists alongside other recommended Olympus lenses. 

Both lenses are on offer, over on Amazon, for the next four days priced at the following:

 

Shop Amazon Black Friday Deals

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One Lens for Everything: A Review of the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD Lens

One Lens for Everything: A Review of the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD Lens

When you are going for a hike or on a trip, you do not always want to carry a backpack full of lenses. Sometimes, a single lens that covers every focal length you could conceivably need is the better way to go. For Sony and Fujifilm APS-C shooters, there is the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD, and this great video review takes a look the kind of performance and image quality you can expect from it in practice. 

Coming to you from Dustin Abbott, this excellent video review takes a look at the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD lens. A superzoom with a remarkable zoom range of 16.6x and equivalent focal length range of 27-450mm, this lens can cover just about any focal length most photographers would need, aside from very wide angles. Like any superzoom, however, you should not expect top-level image quality, though it is quite impressive to see what Tamron has managed to do with this option, particularly at its price level. And of course, such a lens is not about top-shelf image quality, but rather the convenience of having such a huge range available. In addition to that, Tamron has included Vibration Compensation and weather-sealed construction in the lens, making it all the more versatile. Check out the video above for Abbott’s full thoughts. 

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Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It?

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It?

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 1

The new Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD for E-mount and X-mount is an all-in-one APS-C lens with the power of 16.6x zoom. These types of do-everything lenses have a tradition of being subpar, but Tamron may actually have what it takes to pull off a winner.

Design and Build Quality

While the 18mm to 300mm zoom range in an APS-C lens (27-450mm full-frame equivalent) is very handy for traveling, it’s hard to ignore its size and conclude it’s indeed a travel-friendly lens in a traditional sense. When Tamron calls it a “compact design” and “ideal for travel” in their marketing, I think it’s plain to see the company must be speaking comparatively against carrying a bag of lenses that match everything this all-in-one zoom does. It’s not compact, but I can see it being more compact overall than dealing with that.

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 2

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 3

The lens measures three inches (7.6 centimeters) in diameter and is 4.9 inches (12.4 centimeters) long when set to the 18mm focal length. Extending out to 300mm, the lens increases in length to eight inches (20.3 centimeters). Overall, the 18-300mm weighs in at one pound, six ounces (620 grams).

The exterior of the lens is plastic and has a large rubberized zoom ring on the end, a zoom lock switch, and a thin plastic focus ring. Although the lens does feature vibration compensation (VC), there is no on-off switch on the outside, nor is there an AF/MF switch or any other control; these are toggled using the camera’s menu system.

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 4

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 5

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 6

Tamron does mention the lens has a weather-sealed construction, including gaskets for the front element, zoom and focus rings, and rear mount. A lens that zooms out an extended three inches is sure to pick up some dust and moisture eventually, so it’s good to see Tamron add in protection here for when it’s collapsed. The front element features a fluorine coating for easy cleaning, which is nice but fairly standard.

Image Quality

Inside, the Tamron 18-300mm f/3.5-6.3 uses 19 elements in 15 groups, including three aspherical elements and four low dispersion elements. It even includes BBAR-G2 coating to fight ghosting and flaring, which sure enough I did not notice in my time with the lens.

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 7

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 8

It is certainly not the worst offender I’ve ever seen, but there is a little bit of chromatic aberration visible with this lens. For example, in my photos with the moon, there is slight green and purple fringing at its edge. Overall I don’t find it very concerning and honestly, I would have expected much worse from an all-in-one zoom lens.

That being said, sharpness, or more specifically resolution, is definitely not going to be a strong suit of this lens. What is gained through a wildly incredible zoom range pays the price by being a touch soft in detail almost anywhere throughout. By that I mean it does have decent edge sharpness needed to make photos not completely fall apart, however, the fine textures within objects are not cleanly reproduced.

At 300mm it’s worse, and contrast is also noticeably abandoned here. In my testing of edge sharpness, I found that at the 18mm end, the optimum aperture for sharpness was f/5.6. At the 300mm end, stopping down to f/16 gave me the sharpest results.

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 9
Shot at 18mm.
Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 10
Camera unmoved, now shot at 300mm.

Looking at the barrel distortion when at 18mm, I’d consider it to be moderate. Fixing it in Capture One without a lens profile was as easy as dragging a slider, however, some of the edges of the frame are lost in doing so. At 300mm, this wasn’t a concern.

Examining the vignetting produced by the 18-300mm with in-camera lens corrections turned off, I find that there’s a decent amount of vignetting at either end wide open. At 18mm when stopped down to f/5.6, the vignetting is mostly pushed back to the corners, and at f/8 it’s virtually cleared. At 300mm where the wide-open aperture is f/6.3, it’s two stops down at f/13 where the vignetting clears out.

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 11
Example of barrel distortion at 18mm.
Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 12
Same scene as above shot at 300mm.

Autofocusing with the new Tamron pairs well with the Sony a6600 I reviewed it with. Even at 300mm, spot focusing across the focal plane and tracking subjects was reliable. The 18-300mm uses a VXD linear autofocus motor and is nearly silent in use and sounds like a soft tap rather than a mechanic whirr.

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 13

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 14

It’s All in One, But Isn’t All or Nothing

What can’t be understated with the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD is its power to capture a huge variety of images while you are standing in the same spot. It made me smile every time when I’d be composing a wide shot at 18mm, zoom in a little and reframe for a medium shot, then go all in at 300mm and get something that looks completely different than the previous two images. There’s no lens switching necessary or the neex to jump out of your creative zone, and that is really enjoyable to me.

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 15
Shot at 300mm.
Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 16
Shot at 141mm.
Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 17
Shot at 20mm.

The downside in its ability to free up your mind and camera bag is that the resulting photos are not going to have perfect image quality in terms of resolution, contrast, and distortion. It’s a compromise. You can’t have everything, but what you do have is still quite endearing.

Are There Alternatives?

There really aren’t any true direct competitors to this lens. “All-in-one” has generally meant an APS-C lens in the 18-200mm range, as seen with the nearly 10-year-old Sony E 18-200mm f/3.5-6.3 OSS LE. On the Fujifilm X-mount side, competition is even more non-existent as the closest thing would be the Fujifilm XF 18-135mm f/3.5-5.6 R LM OIS WR lens.

Tamron is offering a unique 16.6x zoom with the same maximum apertures as the Sony 18-200mm, plus big upgrades around the board like a VXD linear autofocusing system and improved optics. For now, it really stands alone.

Tamron 18-300mm f/3.5-6.3 Review: This Can’t Possibly Be Good, Can It? 18

Should You Buy It?

Yes. The Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD is an all-in-one zoom that is a lot of fun to photograph with. The world really opens up once you have a lens in your hands that does it all without the fuss.

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Nikkor Z DX 18-140mm F/3.5-6.3 VR Lens Announced

Nikkor Z DX 18-140mm F/3.5-6.3 VR Lens Announced

Nikon adds a versatile DX zoom lens to its Nikkor Z range of lenses designed to be used with Nikon’s Z cameras.

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Interchangeable Lenses

Nikon Z DX 18-140mm f/3.5-6.3 VR
Nikon has introduced a new zoom lens to its line-up of Nikkor Z DX lenses that has a zoom range from wide to telephoto and is compatible with Nikon Z cameras such as the Nikon Z50

The Nikkor Z DX 18-140mm f/3.5-6.3 VR is a versatile DX-format zoom lens that’s compact, lightweight and features a 7.8x zoom. It has a minimum focus distance of 0.20m, features vibration reduction as well as an electromagnetic diaphragm mechanism for precise aperture control and stable exposure control. It’s also sealed to protect it against dust and water. 

Price & Availability: The Nikkor Z DX 18-140mm f/3.5-6.3 VR will be available from November 2021 with an RRP of £599. 

 

Nikkor Z DX 18-140mm f/3.5-6.3 VR Features:

  • Compact and lightweight body
  • 7.8x zoom lens
  • A minimum focus distance of 0.20m at wide focal lengths
  • Vibration reduction mode, allowing the user to shoot at shutter speeds of up to 5 stops slower with no camera shake
  • Electromagnetic diaphragm mechanism, using signals from the camera for even more precise aperture control and consistently stable exposure control
  • Great for videos and stills, with easy-to-use controls
  • Sealed to protect from dust and drips

 

From Nikon UK:

Nikon today introduces the Nikkor Z DX 18-140mm f/3.5-6.3 VR, which offers superb image quality and versatility for those shooting at wide, standard, or telephoto focal lengths.

An ideal travel companion, the advanced DX lens has superior optics both when shooting at a distance and for closer shots, meaning it can be used in any photographic scenario – from sweeping landscapes to intricate portraits. 

Ideal for those who are progressing from smartphone photography, the easy-to-use lens removes the need for a sizeable kit bag. It weighs just 315 g and its 18-140 mm focal-length range delivers the optimum balance between the lightweight needed for superior portability and the ability to capture typical scenes while travelling. 

A built-in vibration reduction system, meanwhile, combats hand or camera shake, letting users shoot at shutter speeds of up to five stops slower. This results in crisp and blur-free images even in poor light situations, whether it is an atmospheric interior shot or shooting cityscapes at night.

The NIKKOR Z DX 18-140mm f/3.5-6.3 VR also supports sharp and smooth video recording, adding to its ‘do everything’ lens status. Its autofocus is fast and performs brilliantly with the Z camera’s Eye-Detection AF, to keep focus right where it is needed. This results in beautiful footage from travels and adventures.

Designed to be protected against the elements, the DX lens includes effective sealing against dust and water drops, meaning it can be used in most environments. 

For more information visit the Nikon website.

 

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Nikon releases Nikkor Z DX 18-140mm f/3.5-6.3 VR all-in-one zoom

Nikon releases Nikkor Z DX 18-140mm f/3.5-6.3 VR all-in-one zoom

October 13, 2021

Nikon has announced a general-purpose all-in-one zoom for its DX-format (APS-C) mirrorless cameras, the Nikkor Z DX 18-140mm f/3.5-6.3 VR. Designed for use on cameras such as the Nikon Z 50 and Z fc, it offers a 27-210mm equivalent focal-length range. It should also be handy for close-ups, thanks to a minimum focus distance that ranges from 20cm at wideangle to 40cm at telephoto.

Nikkor Z DX 18-140mm f/3.5-6.3 VR on Nikon Zfc

The Nikkor Z DX 18-140mm f/3.5-6.3 VR on the Nikon Z fc

Billed as ‘the ideal travel companion’, its dust- and splash-proofed barrel is 90mm long and weighs just 315g. It features optical stabilisation that promises up to 5 stops of shake reduction for getting sharper shots without a tripod, and uses 62mm filters. Nikon says it’s equally well suited to stills and video shooting, with fast and silent autofocus.

The Nikkor Z DX 18-140mm f/3.5-6.3 VR is due to go on sale at the start of November for £599, and is the 21st lens to join the range of Z-Mount lenses.


Press release:

NIKON ADDS VERSATILE DX ZOOM LENS TO ITS NIKKOR Z RANGE

Nikon releases Nikkor Z DX 18-140mm f/3.5-6.3 VR all-in-one zoom 19

Nikkor Z DX 18-140mm f/3.5-6.3 VR on the Nikon Z 50

London, United Kingdom, 13th October 2021: Nikon today introduces the NIKKOR Z DX 18-140mm f/3.5-6.3 VR, which offers superb image quality and versatility for those shooting at wide, standard, or telephoto focal lengths.

An ideal travel companion, the advanced DX lens has superior optics both when shooting at a distance and for closer shots, meaning it can be used in any photographic scenario – from sweeping landscapes to intricate portraits.

Ideal for those who are progressing from smartphone photography, the easy-to-use lens removes the need for a sizeable kit bag. It weighs just 315 g and its 18-140 mm focal-length range delivers the optimum balance between the light weight needed for superior portability and the ability to capture typical scenes while traveling.

A built-in vibration reduction system, meanwhile, combats hand or camera shake, letting users shoot at shutter speeds of up to five stops slower. This results in crisp and blur free images even in poor light situations, whether it is an atmospheric interior shot or shooting cityscapes at night.

The NIKKOR Z DX 18-140mm f/3.5-6.3 VR also supports sharp and smooth video recording, adding to its ‘do-everything’ lens status. Its autofocus is fast and performs brilliantly with the Z camera’s Eye-Detection AF, to keep focus right where it is needed. This results in beautiful footage from travels and adventures.

Designed to be protected against the elements, the DX lens includes effective sealing against dust and water drops, meaning it can be used in most environments.

NIKKOR Z DX 18-140mm f/3.5-6.3 VR – your perfect travel companion:

Nikkor Z DX 18-140mm f/3.5-6.3 VR

Nikkor Z DX 18-140mm f/3.5-6.3 VR

  • A versatile DX-format zoom lens with superior optics
  • Compact and lightweight body, perfect for when on the move
  • Powerful 7.8x zoom lens, bringing you closer to your subject than ever
  • Incredible minimum focus distance of 0.20 m at wide focal lengths
  • Vibration reduction mode, allowing user to shoot at shutter speeds of up to 5 stops slower with no camera shake
  • Electromagnetic diaphragm mechanism, using signals from the camera for even more precise aperture control and consistently stable exposure control
  • Great for videos and stills, with easy-to-use controls
  • Sealed to protect from dust and drips

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Nikon Launches the DX 18-140mm f/3.5-6.3 VR Zoom Lens for Z-Mount

Nikon Launches the DX 18-140mm f/3.5-6.3 VR Zoom Lens for Z-Mount

Nikon Launches the DX 18-140mm f/3.5-6.3 VR Zoom Lens for Z-Mount 20

Nikon has announced the Nikkor Z-mount DX 18-140mm f/3.5-6.3 VR zoom lens for APS-C mirrorless cameras. Nikon positions it as a high-power zoom lens that is extremely compact and easy to carry, making it an ideal travel or everyday lens.

According to the company, the new 18-140mm compact zoom lens from Nikon measures just 3.6 inches (90mm) long, weighs approximately 11.2 ounces (315 grams), and has a 0.2 meter (7.9 inches) minimum focusing distance at the wide-angle position letting users capture dynamic close-up images in scenarios like product and tabletop photography. The compact size and weight should make it an excellent choice for a walk-about lens that photographers can use for capturing nearly any scenario presented to them.

Nikon Launches the DX 18-140mm f/3.5-6.3 VR Zoom Lens for Z-Mount 21

The company says the new lens will achieve consistently high resolution regardless of focal length and shooting distance, making it a good choice for still photography as well as video recording. The new lens also has a five-stop vibration reduction system (VR) that will let users get sharper and more stable images and video during telephoto shooting or low-light situations. Nikon did not specify if this improves when combined with a camera’s on-sensor stabilization.

The 18mm-140mm telephoto zoom lens covers a 27mm-210mm equivalent range on a 35mm full-frame sensor and has a maximum reproduction ratio of 0.33x at the maximum telephoto position. The lens has a 62mm filter thread.

Nikon Launches the DX 18-140mm f/3.5-6.3 VR Zoom Lens for Z-Mount 22

The new lens is constructed of 17 elements in 13 groups, of which two are ED (extra-low dispersion) glass elements and two others are aspherical elements, which usually are applied to reduce chromatic and comatic aberrations while improving overall resolving power. It also utilizes a seven-bladed rounded aperture diaphragm.

Select functions can be assigned to the control ring for enhanced control during still and video shooting, and the company also says the autofocus is fast, precise, and incredibly quiet thanks to the use of an STM (stepping motor) system that also helps reduce shifting of focus when zooming in or out during video shooting. Nikon also says that it maintains the angle of view when adjusting focus manually.

Nikon Launches the DX 18-140mm f/3.5-6.3 VR Zoom Lens for Z-Mount 23

The new Nikkor Z DX 18-140mm f/3.5-6.3 VR telephoto zoom lens will be available to order in November for $600.

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Nikkor Z DX 16-50mm F/3.5-6.3 VR Lens Review

Nikkor Z DX 16-50mm F/3.5-6.3 VR Lens Review

Nikon Nikkor Z DX 16-50mm f/3.5-6.3 VR
 

The existing full-frame Nikkor Z lenses have fully established an enviable reputation and are clearly showing Nikon at the top of their game. We now have a number of APS-C format Nikon Z cameras, and of course, some new lenses specifically designed for them. The Nikkor Z DX 16-50mm f/3.5-6.3 VR is available separately in black, or in silver as part of the Nikon Z fc SL kit, where it is coupled with the retro style Nikon Z fc camera body. It is with this 20MP body that we now look closely at what can only be described as a lens aspiring to be another “plastic fantastic”. Does it make the grade? Let’s find out.

 

Nikkor Z DX 16-50mm f/3.5-6.3 VR Handling and Features

Nikon Nikkor Z DX 16-50mm f/3.5-6.3 VR
 

We are looking separately at the Nikon Z fc body, but for now, the new lens in silver can be seen to be a perfect style match for that retro look. It is very compact, the lens having a retractable construction. It must be extended to the 16mm zoom position for use, and if we do not do so then the camera will remind us. Through the extensive use of plastics, the lens is also very light, weighing in at a minuscule 135g. There is no hood provided, but a clip-on hood HN-40 is available as an optional extra. It is always a pity to see the hood excluded as the protection afforded to the front of the lens is extremely valuable, as well as of course helping the resistance to flare. There is a standard 46mm filter thread, quite a small size and not all filter types will be readily available.

The zoom ring extends the lens and is smooth without being silky smooth. There are clear markings at 16mm, 24mm, 35mm and 50mm. These are the actual focal lengths, and the lens relates to a “35mm-equivalent” field of view of 24-75mm, a versatile range for general purpose shooting. The lens could be used on full-frame Z cameras, the mount is the same, but it would be in DX crop mode and the cameras give no choice on that.

There is also a slim control ring for manual focusing. It can also be programmed to alter aperture or exposure compensation. This is electronic and very smooth in operation, as would be expected.

 

Nikon Nikkor Z DX 16-50mm f/3.5-6.3 VR
 

 

Focusing is down to 0.2m, or 8 inches, for a maximum magnification of 0.25x, or 1:4. This close focusing adds considerably to the general usefulness. AF is driven by a stepping motor and is blisteringly fast. It is also extremely quiet and accurate. AF is switched on and off via the menus, so there is no AF/MF switch on the lens itself.

Optical construction is 9 elements in 7 groups, including 1 ED (Extra-Low Dispersion) and 4 Aspherical. The diaphragm has 7 rounded blades, aimed at producing lovely, smooth bokeh.

VR (Vibration Reduction) is built-in, and this is switched on and off from within the camera menus. There are standard and sport settings available. It is claimed that 4 stops advantage is possible, and that can be confirmed.

 

Nikon Nikkor Z DX 16-50mm f/3.5-6.3 VR
 

The one regrettable omission is that there is no moisture or dust resistance, but on the other hand, the lens itself is absolutely brilliant to use. It’s admittedly very plastic in its construction, and that even extends to the plastic lens mount, but it is well put together and the handling is just superb. Combined with the retro Z fc or perhaps with the Z50 it makes an ideal compact travelling companion.

 

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Tamron 18-300mm F3.5-6.3 Di III-A VC VXD for Sony Official

Tamron 18-300mm F3.5-6.3 Di III-A VC VXD for Sony Official

Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD

Tamon 18-300mm F/3.5-6.3 Di III-A VC VXD for Sony

Tamron has officially announced the Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD (model B061) for Sony E-Mount cameras. It offers a 16.6x optical zoom range, and gives a 27-450mm equivalent (in 35mm equivalent terms) on APS-C E-mount cameras.

Tamron say that this lens is the world’s first 16.6x optical zoom lens for APS-C mirrorless cameras. The AF drive system uses Tamron’s VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism which is said to give rapid performance as well as quiet operation.

The Minimum Object Distance (MOD) is 15cm, at the 18mm wide-end of the lens giving a maximum magnification ratio of 1:2, which gives impressive close up shooting potential for a zoom lens. The lens also features Vibration Correction (VC), Tamron’s name for optical image stabilisation. There’s a 67mm filter thread on the front of the lens, matching many of Tamron’s other mirrorless lenses.

The lens will be available from 24 September 2021, priced at £679.99 (incl. VAT).

The Fujifilm X-Mount version is due to be available later this year.

We’ve got sample photos from the new Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD lens to share with you, simply click the image if you want to view larger versions:

Tamron 18-300mm Sample Photos, Anti-Reflection Example, 61mm, 1/2000s, f/8, ISO100

Tamron 18-300mm Sample Photos, Anti-Reflection Example, 61mm, 1/2000s, f/8, ISO100

Tamron 18-300mm Sample Photo, Noboru Sonehara, 300mm, 1/200s, f/6.3, ISO100

Tamron 18-300mm Sample Photo, Noboru Sonehara, 300mm, 1/200s, f/6.3, ISO100

Tamron 18-300mm Closest Focus, Philip Ruopp, 18mm, 1/500s, f/3.5, ISO100, A6600

Tamron 18-300mm Closest Focus, Philip Ruopp, 18mm, 1/500s, f/3.5, ISO100, A6600

Tamron 18-300mm Sample Photo, Philip Ruopp, 89mm, 1/250s, f/5.6, ISO100, A6600

Tamron 18-300mm Sample Photo, Philip Ruopp, 89mm, 1/250s, f/5.6, ISO100, A6600

Tamron 18-300mm Sample Photo, Philip Ruopp, 40mm, 1/400s, f/4.5, ISO200, A6600

Tamron 18-300mm Sample Photo, Philip Ruopp, 40mm, 1/400s, f/4.5, ISO200, A6600

From Tamron: 18-300mm F/3.5-6.3 Di III-A VC VXD Main characteristics:

  1. The world’s first 16.6x all-in-one zoom lens for APS-C mirrorless cameras
    This Tamron mega zoom is the world’s first lens for APS-C mirrorless cameras with a 16.6x zoom ratio, the greatest feature of this lens, covering wide angle to an ultra-telephoto range. The full-frame equivalent focal length range is from 27mm to 450mm!
  2. Best-in-class, extremely fast and precise AF provided by Tamron’s VXD linear motor focus mechanism
    The 18-300 mm lens utilizes Tamron’s proprietary VXD linear motor focus mechanism. It achieves AF speed and precision that stand among the best of all all-in-one zoom lenses. Throughout its range, from wide-angle to ultra tele photo, it provides precise AF shooting. Excellent when tracking a moving subject in focus, it is ideal when photographing animals, aircraft, railways, and other moving subjects. It’s extremely quiet, and therefore perfectly suited for both still and video shooting in conditions that demand silent operation.
  3. MOD of 0.15 m (5.9 in) and maximum magnification ratio of 1:2 at wide end
    With an MOD of 0.15 m (5.9 in) at the 18mm wide end and a maximum magnification ratio of 1:2, this zzom lens performs amazingly well when shooting up close compared to other all-in-one zoom lenses3. It enables users to enjoy creative macrophotography with highly blurred backgrounds, a feature unique to macrophotography. As a pioneer in all-in-one zoom lenses, Tamron demonstrates unmatched originality in close-up shots.
  4. The best image quality in its class
    In terms of image quality, this new mega zoom is one of the best-performing all-in-one zoom lenses for APS-C mirrorless cameras. To achieve a zoom ratio of 16.6x while ensuring high image quality, the lens features a well-balanced arrangement of three hybrid aspherical elements and four LD (Low Dispersion) lens elements to effectively suppress optical aberrations. Throughout the zoom range, it maintains high resolving power from the centre to the corners.
  5. Outstanding VC stabilization
    Despite its compact size, the lens uses Tamron’s proprietary VC mechanism. With or without image stabilization in the camera body, the VC included in this lens effectively mitigates camera shake that is likely to occur in low-light conditions indoors and at night. Furthermore, using AI technologies, the lens will choose the compensation characteristic for videography at focal lengths of 70 mm or less.
  6. Durable design
    By using various seals to prevent moisture/dust from entering the lens, plus a dirt and moisture-resistant fluorine coating on the front lens, this lens can be used in all weather conditions.
  7. Compatible with many camera-specific features and functions
    including fast Hybrid AF and Eye AF

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Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD – Update On Price & Availability

Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD - Update On Price & Availability

18-300mm f/3.5-6.3 Di III-A VC VXD (Model B061)

Tamron has announced the development of the first Tamron lens for Fujifilm X-Mount, the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD (Model B061), which will also be available in Sony E-Mount (for APS-C Sony mirrorless cameras). The Sony version is shown above, and the Fujifilm version is shown below. The lens offers a 16.6x zoom range and is equivalent to 27-450mm (in 35mm equivalent terms). Pricing and availability have not been announced yet, but Tamron says they expect the lens to be released sometime towards the end of 2021. We’ll add more details when we have them.

Update 26/08/21: The Tamron 18-300 mm F/3.5-6.3 Di III-A VC VXD (Model B061) for Sony E-Mount APS-C cameras is expected to be available from 24 September 22021. The Recommended retail price will be £679.99.

 

 

TAMRON announces development of its first lens for FUJIFILM X-mount and also available in Sony E-mount

Transcontinenta UK Ltd., Tamron distributor for UK and Ireland, is happy to announce that Tamron starts the development of its first lens for FUJIFILM X-mount and Sony E-mount cameras simultaneously: Tamron 18-300mm F/3.5-6.3 Di III-A  VC VXD (Model B061).

Since the launch of the Tamron 28-75mm F/2.8 Di III RXD (Model A036), a fast-aperture standard zoom lens for Sony E-mount Full-Frame mirrorless cameras in 2018, Tamron has continually expanded its line of lenses for Sony mirrorless cameras. The popularity and wide adoption of these lenses prompted many user requests for the manufacture of the lens for other camera brands. 

As a specialist in the all-in-one zoom lens category, Tamron recognized the potential to develop the first all-in-one zoom lens for the FUJIFILM X-mount. The Tamron 18-300mm F/3.5-6.3 Di III-A  VC VXD (Model B061) is the world’s first all-in-one zoom lens for Sony and FUJIFILM APS-C mirrorless cameras featuring a 16.6x zoom ratio. To provide the pleasure of photography to more people around the world, Tamron will continue to develop unique products and expand the number of lenses compatible with more camera brands.

 

Tamron 18 300mm F 3 (FUJIFILM Version)
Tamron 18-300mm f/3.5-6.3 (FUJIFILM Version)

The Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD (Model B061) at a glance

The Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD (Model B061) covers a wide zoom range from approximately 27mm to 450mm (Full-Frame equivalent focal length). The first APS-C mirrorless camera zoom lens in the world with a 16.6x zoom ratio, the lens delivers the benefits of a versatile all-in-one zoom lens ideal for a broad array of photographic possibilities. Its AF drive system uses Tamron’s linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive) for superior quietness and agile performance. The lens includes special lens elements arranged precisely to maintain high-resolution performance from edge-to-edge and provide high image quality that is among the best of all all-in-one zoom lenses.

With an MOD (Minimum Object Distance) of 0.15m at the wide end and a maximum magnification ratio of 1:2, this lens performs astonishingly well in its category when shooting up close. It is equipped with Tamron’s proprietary VC (Vibration Compensation) mechanism that supports stable photography even at ultra-telephoto focal lengths. And it features a unified 67mm filter size, the same as other Tamron lenses for mirrorless cameras.

Main features

  • The world’s first 16.6x all-in-one zoom (for Sony/Fujifilm).
  • Extremely fast and precise AF, VXD linear motor focus mechanism, the highest-level in its class.
  • MOD: 0.15m, maximum magnification ratio: 1:2 at 18mm wide end.
  • The best image quality in its class.
  • Outstanding VC (Vibration Compensation).
  • Comfortably compact.
  • User-friendly features (Moisture-Resistant Construction, Fluorine Coating, Zoom Lock switch)

 

Availability and price 

The new Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD (Model B061) will be available in the UK and Ireland sometime at the end of 2021. Further details, product and sample photos will be available in due course.

 

* Specifications, appearance, functionality, etc. are subject to change without prior notice.

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Tamron Launches 18-300mm f/3.5-6.3 for Sony E-Mount APS-C Cameras

Tamron Launches 18-300mm f/3.5-6.3 for Sony E-Mount APS-C Cameras

Tamron Launches 18-300mm f/3.5-6.3 for Sony E-Mount APS-C Cameras 24

Tamron has revealed that the previously-announced 18-300mm f/3.5-6.3 Di III-A VC VXD for Sony E-mount will be available this September  for $699.

While the Sony E-mount version will be available in September, the Fujifilm X-mount version is still under development but is expected to also launch this fall, though no specific date was provided. When it comes to market, it will be Tamron’s first Fujifilm X-mount lens.

As revealed in July when Tamron originally announced its development, the 18-300mm f/3.5-6.3 Di III-A VC VXD will cover a range of approximately 27mm to 450mm in a 35mm full-frame equivalent.

With this broad coverage, it empowers shooting in a wide variety of situations, including everyday life and travel snapshots, both wide-angle and dynamic ultra-telephoto landscape photography and macro photography.

Tamron claims that it is the first lens for APS-C mirrorless cameras with a 16.6x zoom ratio, which covers the wide-angle through what Tamron calls the ultra-telephoto range. At the wide end, it has a minimum aperture of f/22 and at the long end it has a minimum aperture of f/40.

Optically, the lens features 19 elements in 15 groups, with three hybrid aspherical elements and four low-dispersion elements to suppress optical aberrations. Tamron says that throughout the zoom range, the lens maintains high resolving power from the center to the corners. It features seven aperture blades. Additionally, as most other Tamron lenses for mirrorless cameras, the lens features a unified 67mm filter size.

The lens utilizes Tamron’s VXD linear motor focus mechanism that the company says achieves autofocus speed and precision that Tamron says stands among the best of all all-in-one zoom lenses. The company says it will perform well when tracking moving subjects in focus and is also extremely quiet, allowing it to be used in a wide range of situations.

It has a minimum focus distance of 5.9-inches at 18mm with a maximum magnification ratio of 1:2, which means it performs admirably in up-close shooting situations despite its extremely large optical range.

The Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD will be available on September 24 for $699 for Sony E-Mount, and as mentioned a Fujifilm X-Mount will also be available this fall, with a specific date to come at another time. Presumably, the lens will cost the same for the Fujifilm version.

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