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A Review of the Quirky and Capable Fujifilm X100V Mirrorless Camera

A Review of the Quirky and Capable Fujifilm X100V Mirrorless Camera

I have never loved a fixed prime lens camera, except for the Fujifilm X100 series. Quirky, fun, and impressively capable, these small cameras have become quite respected across the industry. Now in the fifth generation, the newest version is highly refined and versatile, and this excellent video review takes a look at the sort of image quality and performance you can expect from it. 

Coming to you from Maarten Heilbron, this great video review takes a look at the Fujifilm X100V. I was quite impressed by the X100V when I reviewed it. Though I normally do not care for fixed prime lens cameras, the X100 series has always been a ton of fun to use and has kept me coming back to it. Its unique design keeps you glued to the viewfinder and more importantly, keeps you having fun while shooting. But five generations into the series, the camera is not just a quirky device, it is a serious photographic tool that can tackle difficult scenarios and still produce high-quality images while still providing the features and experience Fuji users are so fond of. Check out the video above for Heilbron’s full thoughts on the X100V. 

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Amazon Black Friday Deal: Fujifilm Instax Mini Camera Savings

Amazon Black Friday Deal: Fujifilm Instax Mini Camera Savings

Fujifilm Instax cameras can make perfect stocking fillers for young photographers who love Instagram as well as all things retro.

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Fujifilm Instax Mini 11 in Offers

 Instax Mini 11

 

The Amazon Black Friday sale has kicked off early and two popular Fujifilm Instax Cameras are amongst the cameras and lenses discounted. 

For the next four days, you can save up to 32% on the Instax Mini 11 in ice white which comes bundled with a case, 10 shot mini-film, photo album, display stickers, batters and a user manual. It’s currently available for £77 (was £113.99). 

The other Fujifilm Instax camera on offer is the Instax Mini 9 which comes with 10 shots and is currently priced at £56.99 (usually £74.99). 

For more camera deals, click the button below which will take you to Amazon’s Black Friday Deals. You can also find more information on instant cameras in our round-up: Best Instant Cameras & Printers

 

Amazon Black Friday Camera Deals

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New gear: Fujifilm Instax Mini Evo Hybrid

The new Fujifilm Instax Mini Evo Hybrid

Fujifilm has unveiled its latest instant camera, the Instax Mini Evo Hybrid. Unlike most Fujfilm Instax models, this one combines a digital sensor with analog printing capabilities. The pairing allows users to store, edit, and select which shots they want to print. The camera uses the brand’s Instax Mini format film, which costs around $0.75 a shot if you buy it in multipacks.

This isn’t Instax’s first foray into the realm of hybrid cameras. The Instax LiPlay also combines a digital sensor with analog printing capabilities. But the Mini Evo Hybrid has a lot more features to offer in terms of creative photography. Let’s take a closer look at how it stacks up against our other favorite instant cameras.

Mini Evo Hybrid features

The Mini Evo Hybrid includes 10 integrated “lenses” and 10 “film effects”, giving photographers a lot of creative options when they shoot. The available lens effects include “Normal,” “Vignette,” “Soft Focus,” “Blur,” “Fisheye,” “Color Shift,” “Light Leak,” “Mirror,” “Double Exposure,” and “Half-Frame”. In terms of film effects, shooters can choose from “Normal,” “Vivid,” “Pale,” “Canvas,” “Monochrome,” “Sepia,” “Yellow,” “Red,” “Blue,” and “Retro”.

Most of these effects are pretty self-explanatory. But if you want a closer look, the video above does a good job showing off examples of quite a few. The Double Exposure, Half-Frame, and Light Leak effects in particular look fun. It’s also cool to see that you can combine film and lens effects, for added creative potential.

Storage and battery life

The new Fujifilm Instax Mini Evo Hybrid
The Instax Mini Evo Hybrid looks a lot like one of Fujifilm’s X-mount digital cameras. Fujifilm

Internally, the Mini Evo Hybrid can store up to 45 shots. But users can expand storage via a microSD card slot. In addition to saving photos on the camera itself, you will also be able to send them directly to your smartphone or smart device via Bluetooth using the Mini Evo app. The app also offers remote shooting options.

In terms of power, a built-in Lithium-Ion battery should allow you to print about 100 images per charge, according to Fujifilm.

Camera design

The new Fujifilm Instax Mini Evo Hybrid
The rear of the camera offers a 3-inch LCD. Fujifilm

The unit has a stylish vintage look with its black “leatherette” and silver accents. It even has an adorable “film advance” lever, used for making prints. The 3-inch LCD screen on the back of the camera lets photographers select shots, add creative frames and make small edits to their images before they print. There is one odd omission, though: The camera doesn’t have Instax’s classic selfie mirror on the front of the camera lens.

Price and availability

The Mini Evo Hybrid will launch alongside a new Instax film line called Instax Mini Stone Gray, which features a gray border instead of the traditional white one. The Instax Mini Evo Hybrid will be available in February 2022 for $199.95. The new film stock will also be available in February 2022 for $14.99 per pack. 

We loved working with Instax’s last hybrid Instant camera and look forward to getting the Mini Evo Hybrid in our hands in the new year.

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Fujifilm X-T30 II Versus X-S10: Which One Should You Choose?

Fujifilm X-T30 II Versus X-S10: Which One Should You Choose?

Fujifilm has introduced a ton of new gear in the last couple of months, including a couple of incremental upgrades to the much-loved X-T30. How do you choose between this new X-T30 II and the X-S10?

The Fujifilm X-S10 was released almost exactly a year ago and just shy of a thousand dollars, it offers customers a lot of tech while avoiding the vintage-style dials that are typically the defining characteristic of Fujifilm’s APS-C cameras. Both feature the same 26.1-megapixel APS-C X-Trans BSI CMOS 4 sensor and as this video explores, the X-T30 II is a shade cheaper at $899.

Fujifilm fans are gearing up for more news regarding the forthcoming X-H2, set to succeed the X-H1 which was released in February 2018. Early rumors suggest that there might be two versions of this camera with very different sensors. Potentially, this will mean one camera geared towards high-resolution images, the other designed to be blisteringly fast. Another intriguing question is whether Fujifilm will stick with its distinctive X-Trans sensor for these cameras, or if it might offer one of each, taking advantage of the fine details offered by its own array while exploiting the speed and lower cost of Bayer.

Which of these cameras would be your choice? And what can we expect from the X-H2? Let us know in the comments below.

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Samyang Releases the 12mm f/2 AF Lens for Fujifilm X-Mount

Samyang Releases the 12mm f/2 AF Lens for Fujifilm X-Mount

Samyang Releases the 12mm f/2 AF Lens for Fujifilm X-Mount 1

Samyang has announced the 12mm f/2 autofocus lens for Fujifilm X-mount. This APS-C wide-angle lens is compact lightweight, and features a stepping motor system for what the company promises to be fast and accurate autofocus.

As noted by DPReview, the lens appears to be a re-mounting of the 12mm f/2 AF for Sony E-mount that Samyang announced earlier this year.

The Samyang 12mm f/2 AF Compact Ultra Wide Angle lens weighs 7.51 ounces, is 2.33-inches long, and is billed as a compact, rugged, yet lightweight autofocus lens for what the company says is the best combination of value and performance that it could create. It also provides a rectilinear 99.1-degree angle of view and has added weather sealing protection.

Samyang Releases the 12mm f/2 AF Lens for Fujifilm X-Mount 2

It features a build design of 12 elements in 10 groups, five of which are categorized as “special” optics: one aspherical element, one hybrid aspherical element, and three extra-low dispersion elements. These elements combine to reduce aberrations and distortion to allow for what the company says are sharp and “thoroughly corrected” images. Samyang says that it also has an “advanced” version of the company’s Ultra Multi Coating that allows for maximum light transmission, contrast, and color accuracy while also controlling ghosting and flare.

Samyang Releases the 12mm f/2 AF Lens for Fujifilm X-Mount 3

The Samyang 12mm f/2 AF uses a linear stepping motor which combines a more compact design with what the company says is improved autofocus performance. Samyang says that by requiring the movement of only a single focusing group, the optic delivers especially fast, quiet, and precise focusing in both stills and video applications. Samyang also adds that it has a close focusing distance of 7.48-inches with no change in length or front element rotation.

Samyang notes that the lens is specifically designed to work with Fujifilm cameras that use an X-trans sensor, and there are a few models that are not compatible with the lens. A full compatibility list can be found on the company’s product page.

Samyang Releases the 12mm f/2 AF Lens for Fujifilm X-Mount 4

The design of the lens is one that Samyang has been implementing in all its latest optics, and uses a matte black finish with a micro-pattern rubber on the focusing ring and uses an all-metal housing.

Samyang Releases the 12mm f/2 AF Lens for Fujifilm X-Mount 5

The Samyang 12mm f/2 AF Compact Ultra Wide Angle lens comes packed with a removable petal-shaped hood, lens caps, and a custom-fitted case and is available for pre-order on Samyang’s website for $499.

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Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference?

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference?

Let’s compare a basic camera to one of the best cameras out there and more toward the pricey side, let’s be honest. I always heard the best camera is the one you have on you so let’s find out if that is true!

This is more of an artistic comparison than technical. I am not a number guy, I tried to get the best possible Raw file out of each camera by shooting at 100 ISO on a tripod with a two-second timer.

Below are the different shots I got that night where I tried to capture the best photo I could with the camera I was using. Let’s see if you can guess which is which:

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 6

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 7

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 8

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 9

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 10

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 11

Can you tell the difference? Well, the first three photos are taken on a Canon T2i and the last three on a Fujifilm GFX 100s. Let’s compare more closely the Canon versus the Fuji:

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 12

They were both taken with the same 2.5-second shutter, and you can tell that the Fuji has much more information due to the 102 million pixels, even more so when you zoom in at 100%:

Canon T2i Versus Fujifilm GFX 100s: Can You See the Difference? 13

The Fuji would be definitely better in terms of sharpness and definition for printing, but the Canon colors are really not bad and the result is pretty impressive. It still is a great quality photo, especially considering it was captured with a camera that is over a decade old. The main difference that I noticed in this example is that on the Canon the background was a little blurry, while the Fujifilm stays very sharp.

At the end of the day if you want to improve your photography skills I advise you to invest in your competence and knowledge first to learn how to get the best composition, learn when to catch the best light of day, and other techniques that lead to a great photo before you take hardware into consideration. Personally, I love the Fuji because I do big prints for galleries, but it is what you do with the camera that matters most.

I hope this gives you a new viewpoint on gear and that you will explore more creations with the camera you already have!


About the author: Serge Ramelli is a landscape and fine art photographer who has published numerous books on the subject. His fine art photography has been sold in one of the largest gallery networks in the world. Ramelli hosts a YouTube Channel where he teaches photography and editing techniques which you can subscribe to here.

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Reviewing the Fujifilm 23mm f/2 After Four Years of Ownership

Reviewing the Fujifilm 23mm f/2 After Four Years of Ownership

Fujifilm has some undoubtedly impressive lenses in their line-up, across several mounts, but this little prime could well be near the top. Here is a review by one photographer who has been using it for 4 years.

Any person who has read a handful of my article will likely know my love for Fujifilm. While my workhorse is still Sony, the camera I use for the sheer love of photography is the Fujifilm GFX 50R (although it does get used for work too!) I’ve never been particularly effective at unpacking what it is about Fujifilm cameras I enjoy so much, but they seem to just click with me. In fact, a few times I’ve debated migrating completely.

In their line-up, there are multiple lenses that are well-revered amongst photographers. One of which is the Fujifilm XF 23mm f/2 R WR lens. You could be forgiven for being a touch confused as to why it seems to dominate its much faster sibling, the XF 23mm f/1.4 R LM WR, but it does. The f/2 is half the price of the f/1.4, though the latter is still only $899.95. I haven’t used both lenses, so I can’t compare, all I do know is that the general consensus about the f/2 is that it is a brilliant lens.

In this review, Eren Sarigul, an excellent street photographer from my little island in the U.K., talks about his experience with the lens over the four years he has owned it. The fact that he has used it for four years is enough to indicate it’s not going to be a negative review, but his shots with it and reasons for enjoying it make the video well worth watching.

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Hands-On With the Brand New Samyang Autofocus 12mm f/2 for Fujifilm Cameras

Hands-On With the Brand New Samyang Autofocus 12mm f/2 for Fujifilm Cameras

Samyang/Rokinon has just announced its first autofocus lens for Fujifilm X-mount cameras: the AF 12mm f/2 X. Compact and very affordable, how well does it perform?

Samyang/Rokinon has already forged a reputation for good quality, highly affordable glass for Sony’s E mount, and this lens could be the first of several that will offer Fujifilm photographers more choice at accessible price points.

The new lens appears to be a direct upgrade to the existing manual focus 12mm lens and is pretty much identical to the version released for Sony APS-C cameras released earlier this year. 12 elements sit in 10 groups, 5 of which are specialized, and there are 7 diaphragm blades. The minimum focusing distance is 7.9“ (20 cm), and the front filter thread is 62mm.

The lens is the full frame equivalent of 18mm and offers an angle of view of 99.1 degrees. In keeping with Samyang’s other lenses, this is very lightweight, at just 7.5 oz (212 g).

One of the most appealing features of this lens will be its price: expected to cost a mere $499, this is going to be an affordable option for X mount. You can expect to see it listed on B&H Photo here very shortly. Will you be placing an order? Let us know in the comments below.

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Samyang AF 12mm F/2 X Lens For Fujifilm X-Mount Pricing & Sample Photos

Samyang AF 12mm F/2 X Lens For Fujifilm X-Mount Pricing & Sample Photos

Samyang AF 12mm F2 X Top |
 

The Samyang AF 12mm f/2 X is a new ultra-wide-angle lens designed for Fujifilm X-Mount mirrorless cameras that will be exclusively distributed in the UK and Ireland by Holdan.

Samyang’s first AF lens for Fuji X-mount mirrorless cameras (with APS-C sensors), the Samyang AF 12mm f/2 X delivers a 35mm-equivalent focal length of 18mm and the f/2 maximum aperture delivers sharp results, even in low-light conditions.

The optical system uses 5 special lens elements (1 H-ASP, 1 ASP, 3 ED) among the total of 12 elements in 10 groups and provides sharp results, even at maximum aperture. Optical aberration is effectively corrected by using three extra-low-dispersion lenses (ED) and two high-refractive lenses (H-ASP and ASP). A special 14-layer Ultra-Multi-Coating (UMC) is used, which effectively suppresses backlight and is assisted by the included lens hood.

The Samyang AF 12mm f/2 X is a compact and lightweight lens that features a matte finish, a new red ring design and a micro-patterned rubber focus ring that makes it easy to handle. The lens is also weather-sealed and features rear protective glass. 

AF performance is fast as well as quiet and you get a minimum focusing distance of 20cm. 

Pricing & Availability: The suggested retail price for the Samyang AF 12mm f/2 X will be £402 including VAT and initial stock is due to arrive in early November 2021.

The Samyang AF 12mm f/2 X joins the Samyang AF 24-70mm F/2.8 FE, Samyang’s first zoom lens, also introduced this past month. 

 

Samyang AF 12mm F2 X Other sample images

 

 

From Holdan:

Samyang AF 12mm F2 X With Hood |
 

Holdan, a specialist distributor to the professional video, broadcast and photography sector, has today announced Samyang’s first autofocus lens designed for Fujifilm X-Mount. It is exclusively distributed by them in the UK and Ireland.

Fujifilm entered the camera market in 1948 and is a brand that has been consistently loved by camera enthusiasts. Now, Fuji X mirrorless digital camera users are able to capture images with a vast depth of field and wide-angle of view with Samyang Optics’ new autofocus prime lens. Samyang’s first AF lens for Fuji X-mount mirrorless cameras (with APS-C sensors) is a fantastic choice for users who take intricate landscapes as well as daily snapshots, it delivers a 35mm-equivalent focal length of 18mm.

By providing high resolution in all areas of the frame, it delivers outstanding image quality, not only in wide, open landscapes, but also indoors. The bright F2.0 maximum aperture delivers sharp results, even in low-light conditions. The optical system uses 5 special lens elements (1 H-ASP, 1 ASP, 3 ED) among the total of 12 elements in 10 groups and provides sharp results, even at maximum aperture. Optical aberration is effectively corrected by using three extra-low-dispersion lenses (ED) and two high-refractive lenses (H-ASP and ASP). A special 14-layer Ultra-Multi-Coating (UMC) is used, which effectively suppresses backlight and is assisted by the included lens hood.

This is a compact and lightweight lens, ideally suited to the small and light Fujifilm X series cameras, it works extremely well when combined with a gimbal. The matte finish and the new red-ring design give it a modern feel, whilst the Minimum focus is just 20cm. It is equipped with fast and quiet AF performance and the lens is effectively protected with weather sealing and rear protective glass, so you can get great results in any situation.

AF 12mm F2 X
 

Natural colours and a wider angle of view with Fujifilm cameras
The Samyang MF 12mm F2.0 is Samyang’s best-selling manual-focus lens. The new AF 12mm F2 X is a lens built with Samyang’s advanced AF technology, convenient functions and a new design that is optimised for shooting magnificent landscapes that go beyond the normal viewing angle. Used with the Fujifilm X Series mirrorless cameras, the Samyang AF 12mm F2 X provides a 99.1° ultra-wide field of view. Users can now capture the splendour of wider landscapes, harmoniously blending with the surrounding background.

 

Excellent resolution in all areas of the image
The AF 12mm F2 X delivers outstanding image quality, so you can capture that starry night in much clearer detail. Incorporating 5 special elements (1 H-ASP, 1 ASP, and 3 ED) plus Ultra-Multi-Coating, it achieves exceptional resolution image quality from the centre to the edges of the frame, even wide-open at its F2.0 maximum aperture. With the advanced optical design, minimum focusing distance is only 20cm, so you can easily capture close-ups and indoor images, with reduced backlight haze.

 

Compact size & lightweight with new design for Fujifilm X-Series cameras
The AF 12mm F2 X lens is 59.2mm in length and a weighs just 212g. The matte finish and subtle red ring (dependent on viewing angle) give it a modern feel. Usability has been enhanced by not only considering the design, but also the users’ shooting environment. There is a micro-patterned rubber focus ring, so it feels good to operate and there is also weather sealing and rear protective glass to protect the lens from light rain, snow, and dust.

 

Samyang AF 12mm F2 X Rear Angle |

 

Bright F2.0 aperture creates impressive background blur and bokeh
The AF 12mm F2 X lens uses a large-diameter aperture to provide smooth background blur. It effectively separates the subject and the background using a shallow depth of field to capture a unique image of an ultra-wide-angle in which the background is compressed. The 7-blades produce smooth and natural bokeh with light splitting.

 

Short M.O.D (0.20m)
The minimum object distance is a short 20cm, so it can be used to capture a wider range of subjects, in a variety of ways. It makes it easier to take portraits with exaggerated perspective, appetising food on tables and dramatic indoor shots in narrow spaces.

 

Fast and quiet AF performance
The AF 12mm F2 X tracks the subject accurately and quickly, whilst the AF operates quietly and smoothly in video recording mode. Samyang’s Linear STM (Stepping Motor) satisfies both photographers and videographers with quieter and more accurate control of the focusing lens groups. It is especially useful for video shooting, as this lens is suitable for use on a gimbal, in combination with the small and light Fujifilm X series cameras.

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Fujifilm Fujinon XF 27mm f/2.8 R WR Lens Review

Fujifilm Fujinon XF 27mm f/2.8 R WR Lens Review

Fujifilm Fujinon XF 27mm f/2.8 R WR
 

Fujifilm’s most compact and unobtrusive lens is here, the Fujinon XF 27mm f/2.8 R WR, intended for APS-C format. This equates to a “35mm equivalent” field of view around 40mm, a popular focal length that is considered a “wide standard” lens. Add an aperture ring and weather resistance and we have a lens usable in the outdoors, able to withstand all its fickle weather, even down to a freezing -10C. It looks great, so let’s couple it up with the compact 26.1MP Fujifilm X-E4 body to put the lens through its paces and see what it can do.  

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Fujifilm Fujinon XF 27mm f/2.8 R WR Handling and Features

Fujifilm Fujinon XF 27mm f/2.8 R WR
 

This is a compact “pancake” design and as such adds very little bulk to the X-E4 body. It weighs in at just 84g, definitely a featherweight. There is a standard 39mm filter thread and a supplied screw-in lens hood. Although this is a very small hood, it offers excellent shading. There are also two lens caps, one for the lens itself and one for the hood. 39mm is a fairly uncommon filter size, although it is used on some Leica lenses. The Fujinon protector filter for this lens costs £74.99.

The thin manual focus ring can be used to modify AF after that has locked on and is always active. Via the camera menus, the direction of travel of the ring can be reversed if desired. This could benefit those who are used to a particular traditional direction of manual focusing – one way for Nikon/Pentax and the reverse for Canon, for example. Focusing is down to 0.34m, or 13.4 inches. This is what would be expected for a standard lens of this focal length. AF is achieved using a DC motor and this acquires the point of focus very quickly and very accurately.

Fujifilm seems to make a statement with their fine aperture rings and this is no exception. It is generously prominent, affords a good grip and has slick click stops that operate very smoothly indeed. There is a click-stop for the “A” setting, used if the camera is to adjust the stop. A small button has to be depressed to release the “A” and return to using the aperture ring and it is a pity that this catch does not also prevent accidentally moving into the setting. That would mean using the aperture ring with the camera to the eye would be less prone to locking the ring in error.

Fujifilm Fujinon XF 27mm f/2.8 R WR
The well-engineered metal lens mount clicks firmly into place and has no excess play. The rubber seal around the mount indicates that the lens is designated WR, having weather resistance. This is a major benefit, enabling us to keep on shooting even in wet or dusty environments.

Optical construction is 7 elements in 5 groups, including 1 aspherical. The diaphragm comprises 7 blades. The lens uses Fujifilm’s well established Super EBC (Electron Beam Coating) technology.

In terms of handling, the lens is elegantly simple. There is very little to adjust and what there is functions superbly well. The focal length is actually a very useful one and covers most subject matter, including street, architecture, landscape, travel and even portraiture. It makes for an ideal pocket notebook, or indeed as a street camera/lens combination, being non-threatening and discreet. The aperture ring is interesting in that some lenses work better ergonomically using the camera, some work better using the camera controls. In this case, the aperture ring was the main method of choice, although this may or may not be the case with any given camera body. It is good to have the choice.            

 

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