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MPB: Photography Kit That Doesn’t Have To Cost The Earth This Christmas

MPB: Photography Kit That Doesn't Have To Cost The Earth This Christmas

With MPB, you can gift the photographer in your life a camera or lens that doesn’t cost a fortune but will bring them hobby joy!

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Yes, we’re talking about the big ‘C’ word and for once, we don’t mean Covid! Christmas is not that far away so now’s the perfect time to start thinking about gifts for friends, family, loved ones and don’t forget yourself!

Did you know that the majority of photographers are inspired to get into photography by receiving a camera as a gift? No, we didn’t either but if you want to nudge someone in the direction of a photography hobby then Christmas might be the ideal time to do it. However, a problem many come across is the price of a camera/lens as they can be rather expensive and as a result, turn into a rather extravagant gift. In fact, research suggests that 66% of people believe the cost of kit is the primary barrier for people who want to get into photography but MPB want to bring down the barriers by encouraging consumers to buy second-hand. 

 “MPB wants to encourage consumers to give a present that is good for the planet as well as the wallet, and gift used this year,” MPB.

Photography as a hobby doesn’t have to cost a fortune or the earth and MPB offers used cameras and lenses in perfect working condition for as little as £34.

Whether you’re buying for a student looking for something more professional or a loved one who loves family photography – MPB has thousands of products for all skill levels.

Here are MPB’s top gifting recommendations for both professionals and beginners this Christmas:



If you have more cash to spend then a kit pairing such as the Nikon D750 with the Nikon AF-S 24-70mm f/2.8G IF-ED could be the ideal present for the photographer in your like. Ideal setup for an advanced photographer who wants to cover most needs in terms of focal length and performance. The Nikon D750 Digital SLR Camera sets a benchmark for DSLR technology. The impressive mix of technology and performance makes it an agile camera ready for any scenario. Paired with Nikon AF-S 24-70mm f/2.8G IF-ED – its versatility makes it a hit with all professionals, and a vital tool for any photographer’s kit.

To shop more products, visit the MPB website where you can also trade in your own kit. 

Shop Used Cameras & Lenses On MPB



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Have Fun Experimenting With Night Photography

Have Fun Experimenting With Night Photography



Whether it’s a line of lampposts on a dark street, light glowing from the windows on the front of your house, a night sky bursting with stars or a panoramic cityscape showing the twinkling lights from the homes, shops and streets that fill the city, there’s something for every photographer, no matter where you live, to photograph at night.


1. Kit Choices

Your most important piece of kit if you’re heading out at night is a tripod as it’s impossible to work hand-held when you’re dealing with very long exposures. If you have one, pack your remote release to help minimise shake or make use of the camera’s self-timer if you don’t. Your standard lens will do just nicely but take a telephoto along to get you close to lights on top of buildings and illuminated signs. Pack a torch, wear suitable clothing and take a watch along for timing when using the B setting. Do have fun experimenting with Bulb as you’ll be able to produce some interesting and creative results. 


2. How Dark?

It doesn’t have to be totally dark for you to have a try at night photography. Late dusk, when there’s still a little light left in the sky, will give you scenes with less contrast as the light that’s still in the sky will illuminate areas not lit by artificial lights. If you do want to head out when most people are tucked up in bed take someone else with you for safety and they can keep you entertained while your long exposure ticks along. If you’re not very patient you could, of course, use a higher ISO, however, sticking to ISO100 or 200 will give you better quality images.


Coast at night


3. Long Exposures & Timing

How long your exposure is will depend on what you’re photographing. If the light, such as street lamps, is your focus you’ll have a much shorter exposure than if you were photographing an illuminated building when you’re photographing light that’s reflected. If you have both types of light in one scene go for the longer exposure as if you don’t, the only detail will be the lights, you won’t see a building. This does mean you’ll get flare from the street lights, but this isn’t necessarily bad.

Overexposed street lamps, particularly if it’s a damp night, can look really good.


4. Metering & White Balance

You may get a few metering problems as areas of darkness which are occasionally illuminated by bright lights can confuse your camera. If you find your scenes too dark or the lights have washed the scene out, use the compensation setting to adjust the exposure and try again. Don’t meter from a dark area either as this will just cause lights to be overexposed.

Keep an eye on your white balance as different lights can have different colour casts. Shop windows will be fluorescent while street lamps and buildings lit by floodlights are often tungsten which gives a yellowish cast to images. But you may find the colour cast adds to your image anyway.


Other techniques to try at night include:

  • Light trails of moving traffic
  • Light painting
  • Star trails 
  • Fairgrounds at night – use a slow shutter speed to create pictures a wash of vivid colours.
  • Cityscapes taken from an elevated point to give you a sweeping shot of twinkling lights.


You’ve read the technique now share your related photos for the chance to win prizes: Daily Forum Competition

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johnriley1uk’s latest blog : cameras that i have known

johnriley1uk's latest blog : the cameras with the wonderful lenses

Cameras That I Have Known

15 Jun 2021 2:25PM  
Views : 128
Unique : 102

Ah yes, I have known and loved them all. I was wondering though if the camera influences our images? It probably does in the simplistic sense that, say, it’s difficult to go shooting motor sports with a twin lens Rolleiflex. On the other hand, I can sense Indignant from Wigan putting fingers to keyboard already to explain that’s the only way to shoot motor sport, it gets you really close to the action. I do think though that the camera does become part of the process, no matter how much we believe that it’s the photographer that does all the creative input. Just as it affects our style if we shoot monochrome as opoosed to colour. That can change the sort of subject matter we look for.

Here’s some pictures and I’ll identify what the camera was. The we can decide whether the camera type made any difference.

Mamiya 6, 6x6cm rangefinder.

Pentax 645/75mm lens. 645 format film SLR.

Pentax MX/SMC Pentax 24mm f/2.8 lens. 35mm film SLR.

Pentax *istDS/SMC Pentax-DA 18-55mm lens. Digital SLR.

Fujifilm S7000. Digital bridge camera.

Are you my mummy? Pentax MX film SLR. Kodachrome film.

Pentax Optio 750Z Digital compact.

I’m not sure it does make any difference, apart from some cameras being more suited to some subjects. So we naturally use the camera to suit the situation, avoiding subjects that are clearly outside the scope. I am thinking this conclusion is some support for the notion that it is the photographer after all.

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johnriley1uk’s latest blog : what have we here?

johnriley1uk's latest blog : cool activities on the streets of manchester

What Have We Here?

23 Oct 2020 8:45PM  
Views : 86
Unique : 73

I have a couple of images here that seem connected, but I have no idea what they are showing. This shows how important it is that images should have a note on the back, but even without this information there are lots of old photographs out there that can be collected just as images. These are clearly old, they are of good quality so perhaps shot by a hired photographer, and some of the interest lies in trying to establish what they are. We might start with the uniforms and any clues that might date them.

Anybody able to start of this process with any clues?



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Have You Tried Out A Lensball Before?

Have You Tried Out A Lensball Before?

The Refractique team want you to be inspired by the magic and beauty of lensball photography and so, over the next week, they’ll be sharing a series of informative blogs on how you can use a lensball creatively.


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A Lensball acts as a cool 180-degree external wide-angle lens which is brilliant for all forms of photography – it adds creativity to all forms of photography. 

It is especially popular among landscape photographers due to the wide-angle however it’s been used in all forms of photography including street photography as with the example shown here. 


Street Art Through A Lensball


Refractique will be sharing a series of Lensball Photography tips over the coming days which will hopefully inspire your creative photography. 

If you want to grab one quickly they are UK based so just check out their website or click on the relevant link based on your location from the below. Plus, you can save 12% on your Lensball purchase by using the code: ephotozine at the checkout. 

Your Local Refractique – Lensball Photography Retailers:

The Lensball photography tips will be added to our Features & Techniques section of the site so do come back tomorrow to find out what creative advice the Refractique team has to share. 

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It doesn’t cost you anything extra when you use these links, but it does support the site, helping keep ePHOTOzine free to use, thank you.

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