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We Get Our First Look At The Nikon Z9 In Two Teaser Trailers

We Get Our First Look At The Nikon Z9 In Teaser Trailer

Nikon has released two 30-second teaser trailers for the Nikon Z9 camera where Nikon say we need to ‘get ready to experience image-making like never before.’

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Nikon Z9 in Mirrorless Cameras

 

Nikon fans will be excited to hear that Nikon has given the world a glimpse of the Nikon Z9 in a teaser video they’ve posted on their YouTube channel. 

We still don’t have any update on specs, pricing or when the camera will be available but the video does give us a closer look at the Nikon Z9 that was announced earlier this year when Nikon said it would be the first flagship Z-mount camera. Nikon also confirmed that the Nikon Z9 would use a newly developed full-frame stacked CMOS sensor and a new processing engine. It will also shoot 8K video which means the camera will have a sensor with a resolution of at least 33.1 megapixels (as this is the resolution of an 8K frame).

From looking at the video, we can see that there’s a tilting screen and what appears to be a top smaller secondary display. There’s also a standard hot shoe, various dials/buttons which includes customisable buttons, a round eyepiece around the viewfinder and a deep grip. If you spot anything else that’s of interest or new, please do comment below. 

The Nikon Z9 will update the Z-series which features cameras such as the Nikon Z7-II high-end full-frame mirrorless camera.  

Update: Following on from the release of the teaser trailer, Nikon has added a second teaser of the Z9 to its YouTube Channel. There’s still no news on a full list of specs but we do see the Z9 in action on safari where we get a clearer look at the display, controls and eyepiece that surrounds the viewfinder. 

You can watch the new trailer below. 

 

Nikon Z9

 

 


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We Get Our First Look At The Nikon Z9 In Teaser Trailer

We Get Our First Look At The Nikon Z9 In Teaser Trailer

Nikon has released a new 30-second teaser trailer for the Nikon Z9 camera where Nikon say we need to ‘get ready to experience image-making like never before.’

| 
Nikon Z9 in Mirrorless Cameras

 

Nikon fans will be excited to hear that Nikon has given the world a glimpse of the Nikon Z9 in a teaser video they’ve posted on their YouTube channel. 

We still don’t have any update on specs, pricing or when the camera will be available but the video does give us a closer look at the Nikon Z9 that was announced earlier this year when Nikon said it would be the first flagship Z-mount camera. Nikon also confirmed that the Nikon Z9 would use a newly developed full-frame stacked CMOS sensor and a new processing engine. It will also shoot 8K video which means the camera will have a sensor with a resolution of at least 33.1 megapixels (as this is the resolution of an 8K frame).

From looking at the video, we can see that there’s a tilting screen and what appears to be a top smaller secondary display. There’s also a standard hot shoe, various dials/buttons which includes customisable buttons, a round eyepiece around the viewfinder and a deep grip. If you spot anything else that’s of interest or new, please do comment below. 

The Nikon Z9 will update the Z-series which features cameras such as the Nikon Z7-II high-end full-frame mirrorless camera.  

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Amazon US,
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johnriley1uk’s latest blog : a new look at bridgewater

johnriley1uk's latest blog : the cameras with the wonderful lenses

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A New Look at Bridgewater

23 Jun 2021 5:13PM  
Views : 108
Unique : 87

Sue and I were back at RHS Bridgewater today, taking Mum-in-Law for a look around. I took the Pentax K-3 II with the SMC Pentax-DA 18-135mm f/3.5-5.6 ED AL [IF] DC WR lens, but decided that today I wanted a new look, something a bit more surreal and not so realistic in terms of colour. Shooting, as always, in JPEG, I selected the Vibrant setting rather than my usual Natural and for WB the Cloudy setting rather than my usual Daylight. The results are neither better nor worse, it depends on your tastes, but, as required, they are different.

Here’s a selection:

Blowing in the wind…..what other title could there possibly be?
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Real Onion.
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One day this will grow up to be a Sunflower. One day…..
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Red Valerian
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Wild Phlox
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Woodland Sage
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Golden Yarrow
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Purple Wood Sage
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Alpine Delphinium
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Foxgloves
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Something weaves within Something Else
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Textures in Nature
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This ends today’s adventure at RHS Bridgewater!

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Top Tips On Finding Patterns To Photograph Everywhere You Look

Top Tips On Finding Patterns To Photograph Everywhere You Look

If you’re looking for an excellent compositional technique to incorporate into your photography then hunting down patterns will be the perfect thing to try on your next photography adventure.

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Creative

 

Patterns are all around us and so, they make a great subject for a photography challenge as when you start to look away from the bigger picture and focus on the details, you’ll soon realise just how many patterns there are to photograph. 

Searching out patterns can help you remove a subject from its distracting surroundings in just the same way that you can place it there; by thoughtful framing. You can also isolate things such as detail, shape, colours and pattern which you just can’t do when photographing something as a whole. 

To help you perfect your pattern photography, The School of Photography have created a cracking video tutorial (above) that shows you how you can create amazing images from even the most uninspiring scenes. 

 

Adam Plaza Bridge

 

“Pattern in Photography is a regularity within a scene. It’s elements of the scene that repeat themselves in a predictable way,” says The School of Photography. “Pattern can be found everywhere and is commonly seen within shapes, colours or textures. Using patterns is a great way to draw a viewer’s eye into your picture and generally, it will be the pattern within the photograph that will become the most prominent part of it.”

The School of Photography explores various locations in London including the Adam Plaza Bridge and Blackfriars Bridge where shape definitely takes centre stage. Architectural design can also include interiors as we all exteriors with corridors and arches in churches/cathedrals offering the chance to capture particularly strong, graphical shapes.

 

Blackfriars Bridge

 

Away from buildings, take a look at the road and pavement below your feet for markings while street art on walls can make a strong statement if you really focus on select parts rather than the picture as a whole. For those who don’t live in or near a city, patterns can be found within nature through flowers, water and trees with spirals, spots, stripes and more becoming the focus of your lens. 

 

Fence

 

If you don’t fancy a walk around your town, you can always stay at home and get creative with household items. For example, lego breaks can be used to make strong colourful patterns where lines turn into art and form replaces the toy as an object. 

For more ideas, hit play on the tutorial above and, as always, we’d love to see your images uploaded to the Gallery

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dudler’s latest blog : look it up

dudler's latest blog : art, snap or reportage

Look it up

15 May 2021 8:52AM  
Views : 87
Unique : 61

OK. It seems to be the week for displaying my ignorance… I really want to find some LUT software that gives me specific looks in pictures, and my internet research has led to a dead end or two, because it comes up with video colour grading, which I don’t understand.

So what do I know? That some films and TV programmes have highly characteristic colour rendering which gives a distinctive atmosphere to them: and I have two specifics in mind. The earlier one, 2013’s Filth (from an Irvine Welsh book about a stunningly corrupt policeman) uses, surprisingly, exaggerated colour along with soft focus and flare. I’ve tried winding up the saturation in images, but that isn’t all there is to it…

The opposite is true in American Gods, Amazon’s version of Neil Gaiman’s book – the palette is dark, browned and muted, but with very high contrast – and the problem for me is that I can’t analyse it further than that. But it makes Ian McShane’s craggy features positively mountainous: Lovejoy never looked so sinister. It’s a sort of colour noir… (And writing that makes me aware that both lighting and makeup are also involved – as I keep saying in the Critique Gallery, camerawork is behind all the other stuff, and needs to be right for the result you want to achieve!)

The name, Look Up Table, gives me a clue: for any given colour and tone, the software substitutes a different, but consistently different, tone and colour. And I know that you can set them up for yourself – but for a change I’m being impatient. Life’s too short to learn complicated techniques that have limited application, and I suspect there’s software out there that does the business – it’s just that I don’t know which it is, and vendors seem quite coy about showing examples of their full range of effects.

It occurs to me that things like Nik Efex have a very similar function, although I’ve never seen that described at LUT software – is that because it only works on still images, not video? Anyway, help! Ideally, you will know the answer, and post a couple of examples, along with the name of the supplier of the software you used. For copyright reasons, and because there don’t seem to be stills displaying the effects, no pictures from the productions. Both may be worth seeing, though…

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johnriley1uk’s latest blog : a new look in an old style

johnriley1uk's latest blog : the cameras with the wonderful lenses

A New Look in an Old Style

11 May 2021 9:30AM  
Views : 89
Unique : 79

The idea of mixing shooting colour with black and white never gelled with me. The thinking process of the two is different. So when I want to shoot black and white I set the camera to Monochrome JPEG capture, adjusting the parameters to suit my style as appropriate, rather than shooting colour and converting later. Thus I emulate the Kodak Tri-X experience that I used when I shot monochrome film. In this instance, I went to Arley Hall with the intent of shooting images that might have been shot 100 years ago, and to complete the effect I have toned them. The toning this time is more like Selenium than Sepia, but that is a matter of taste. The method is in Photoshop and I select Hue/Saturation, click the Colorise box and then use the sliders to adjust the colour of the toning. The Hue was set at 25, the saturation reduced until I had the Selenium tone and the Lightness adjusted to taste.

Here’s a selction of the images:

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rlf’s latest blog : always look !

rlf's latest blog : always look !

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Always Look !

3 May 2021 8:26AM  
Views : 86
Unique : 68

Yesterday I tried to find some drills I bought a few months ago. I searched in the shed, garage and car port and was covered from head to toe in cobwebs and dust.
My wife brought me a cob and a cup of tea into the garden for my lunch. After lunch I sneaked inside to pinch some (more) Nut Brittle and ventured back to the garden to devour my stolen treat.
It soon went and my wife came outside to see if I’d discovered my ‘safe place’ … she spotted the crumbs on my filthy top and knew exactly what I’d just eaten.
“Don’t forget those crumbs on your top” she said.
I quickly picked off a few and popped them in my mouth.
The last large piece tasted awfully bitter and felt strange in my mouth …it wasn’t nut brittle !

It was a large crunchy woodlouse insectSadBlush

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Take A Look At The Comedy Pet Photography Awards 2020 Finalists That’ll Bring A Smile To Your Face

Take A Look At The Comedy Pet Photography Awards 2020 Finalists That'll Bring A Smile To Your Face

The Mars Petcare Comedy Pet Photo Awards 2020 has chosen their finalists and an ePHOTOzine member has made the cut!

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Competitions

Shocked Mastiff

© Annett Mirsberger / Comedy Pet Photo Awards 2020

 

The finalists of the Mars Petcare Comedy Pet Photography Awards 2020 have been announced with laughing horses, surprised cats and grinning dogs making the final. Plus, ePHOTOzine member Iain McConnell‘s amusing cat series is featured in the line-up of funny photos!

The Mars Petcare Comedy Pet Photo Awards called on all pet and animal lovers to submit hilarious images of their funny furry friends for a chance of winning £3,000 and being named the ‘2020 Mars Petcare Comedy Pet Photographer of the Year’. 

 

Cat

© Iain Mcconnell / Comedy Pet Photo Awards 2020

 

“At a time when most of the nation was spending more time with their pets than ever, the competition saw pet lovers across the world capturing the funniest moments with their much-loved pets. With over 2000 entries from 81 different countries and everything from lovable llamas, cute cats and gorgeous guinea pigs being photographed, it’s clear that pet lovers have enjoyed spending more time with their much-loved pets,” says the competition organisers. 

 

Kitten in action

© Iain Mcconnell / Comedy Pet Photo Awards 2020

 

Not only does the competition showcase the incredibly positive impact that pets have on our lives, but it also aims to raise awareness around homeless pets in the UK, a message that is at the heart of competition sponsor’s Mars Petcare and their mission of “Ending Pet Homelessness.” The partnership will be raising much-needed funds for pet welfare by donating 10% of the sponsorship fee and 10% of all entry fees to Blue Cross, the UK Pet charity to help with its work rehoming pets and providing veterinary treatment and care.

 

Buddy's new teeth

© Lianne Richards / Comedy Pet Photo Awards 2020

 

The Category and Overall Winners will be announced on 24 November and we wish Iain ‘Good Luck’ with his entry! 

For more information and to view the full line-up of finalists, visit the Mars Petcare Comedy Pet Photo Awards website. You can also see what other competitions are open to entries in our ‘top competitions‘ feature. 

 

Gossip Girls

© Magdalena Strakova / Comedy Pet Photo Awards 2020

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johnriley1uk’s latest blog : a new lens, a new look

johnriley1uk's latest blog : cool activities on the streets of manchester

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A New Lens, a New Look

22 Aug 2020 12:15AM  
Views : 81
Unique : 71

Inspiration comes in many ways, and sometimes a new purchase can generate its own impetus and give us a new look at a familiar place. Thus we find ourselves looking at the familiar sights od the Bridgewater Canal at Worsley, but through the eyes of a new old lens. Armed with the Pentax K-1 and the SMC Pentax-FA 24-90mm lens we headed for the familiar but came away with more. Originally I had a copy of this lens and used it on film SLRs, where I found it a cut above the concept of the “kit lens”. When digital arrived, initially the idea of a 12-24mm and 24-90mm pairing up seemed like a good idea, but unfortunately the changeover point of 24mm (36mm equivalent) proved awkward as that sort of focal length is a standard lens for APS-C. So both lenses were often the wrong one in any given situation. Now we use full frame, the problem has gone away and 24-90mm is a very attractive choice for a standard zoom. So I now have a very nice copy of the lens and it should do very good service.

Here’s a selection of shots from a stroll around Worsley on Thursday evening.

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