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Win A Copy Of DxO PhotoLab 5 or FilmPack 6 Software!

Win A Copy Of DxO PhotoLab 5 or FilmPack 6 Software!

We’ve tamed up with DxO to give you the chance to win either a copy of the brand-new PhotoLab 5 or FilmPack 6 photo editing software.

| 
Competitions

 DxO PhotoLab 5 software

We have a brand-new photography competition for you to enter, sponsored by our friends DxO, who are giving you the chance to win either PhotoLab 5 or FilmPack 6 software (we have 3 copies of each to give away). 

Prizes Up For Grabs:

More information on how to enter and what prizes are up for grabs can be found below. 

 

How Do I Enter?

To be in with a chance of winning, we want to see your photos that fit the theme ‘lines and circles’. We’ve chosen ‘lines and circles’ as DxO has introduced a new way for editing photos in PhotoLab 5 and that’s with Control Lines. This new tool complements the technology’s existing Control Points by allowing users to carry out touch-ups on large areas with an easy-to-use selection method.

Think shapes, long roads, lines of trees, roundabouts, road signs… anything goes so long as it fits the theme.

Simply submit your photos over in our competition forum before midnight on 17 November 2021 for the chance to win one of the top prizes DxO are giving away. 

Enter Now

 

Closing Date & Entry Details 

The competition closes at midnight on 17 November 2021. Entries added after this time will not be counted. 2 entries are allowed for free members and up to 4 entries are allowed for Plus members. Anyone who submits more images than they are allowed to will be disqualified. Entries posted on the bottom of this article will not be counted! Please use the competition forum topic.

 

More On The Prizes Up For Grabs…

PhotoLab 5

 

DxO PhotoLab 5 now sets the standard for image quality. The software offers users the most powerful correction and processing solutions on the market, with automated features that can be turned off and adjusted as required. The software offers unparalleled optical corrections through its exclusive lens sharpness technology and many other tools, all of which are designed to inspire artistic expression without compromising on image quality.

 

FilmPack 6

 

The latest version of DxO FilmPack 6 introduces new films, cinematographic renderings, and Fujifilm in addition to support for X-Trans RAW files (Beta). It features a wide array of new effects as well as Time Machine, a unique and interactive introduction to the history of film photography.

 

Good Luck!

 

T&Cs:

By entering the competition, entrants agree to be bound by the rules and by any other requirements set out on ePHOTOzine.

  • The following people are excluded from entering the competition: (1) Direct and indirect employees, staff and their relatives of the supplier of the prize or prizes (2) The publishers of ePHOTOzine (3) Advertisers or sponsors of ePHOTOzine.
  • Only two entries per competition are allowed per free member, 4 entries are allowed per Plus member.
  • We reserve the right to remove images that have not been submitted correctly, ie too small. There isn’t a maximum file size or dimension restriction for entries.
  • All entries must be submitted through the ePHOTOzine competition forum web page and will not be accepted via any other means, eg, post, fax or e-mail.
  • No responsibility is accepted for incomplete entries due to server error or other causes beyond our control.
  • One winning entry will be chosen, by an ePHOTOzine or guest judge. This will be the image which, in the judge’s opinion is the most original and of the highest quality and meets the theme. The judge’s decision is final and no correspondence will be entered into.
  • ePHOTOzine reserves the right to disqualify incomplete or illegal entries.
  • The prize winner will receive the prize as featured in the corresponding month’s competition. There is no cash alternative to the prize as stated.
  • This competition is open to UK entries only. Those based outside the UK can enter if they have a UK address that the prize can be sent to, such as that of a friend or relative. Please update your portfolio with the UK address. 
  • The deadline for entering the competition is midnight (GMT) on the last day of the calendar month in which the competition is being held unless otherwise stated.
  • The winner or winners will be notified by e-mail within 28 days of the end of the competition. The winner’s details will be posted on ePHOTOzine within 28 days of the end of the competition.
  • The winner must acknowledge his or her win within three weeks of being notified via email or the prize may be re-allocated to the next-placed winner.
  • All entrants agree that their name and images can be displayed and used in promotion for future competitions on ePHOTOzine. The winning entry may be used by the sponsor as a promotional image. The terms of this would be agreed with ePHOTOzine and the sponsor before the prize is announced. By entering the competition you have confirmed you have authorised this.
  • The name of the winner may be published on ePHOTOzine after he or she has acknowledged their win.
  • We reserve the right not to hold a competition in any given month.
  • ePHOTOzine only provides the means of entry to the competition and does not normally supply the competition prizes. The sponsors are therefore liable for the prize.
  • We reserve the right to modify these rules without notice. (Last modified: 8 Apr 2020)

MPB Start Shopping

Support this site by making a Donation, purchasing Plus Membership, or shopping with one of our affiliates:
Amazon UK,
Amazon US,
Amazon CA,
ebay UK

It doesn’t cost you anything extra when you use these links, but it does support the site, helping keep ePHOTOzine free to use, thank you.

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Win A Copy Of DxO PhotoLab 5 or FilmPack 6 Software!

Win A Copy Of DxO PhotoLab 5 or FilmPack 6 Software!

We’ve tamed up with DxO to give you the chance to win either a copy of the brand-new PhotoLab 5 or FilmPack 6 photo editing software.

| 
Competitions

 DxO PhotoLab 5 software

We have a brand-new photography competition for you to enter, sponsored by our friends DxO, who are giving you the chance to win either PhotoLab 5 or FilmPack 6 software (we have 3 copies of each to give away). 

Prizes Up For Grabs:

More information on how to enter and what prizes are up for grabs can be found below. 

 

How Do I Enter?

To be in with a chance of winning, we want to see your photos that fit the theme ‘lines and circles’. We’ve chosen ‘lines and circles’ as DxO has introduced a new way for editing photos in PhotoLab 5 and that’s with Control Lines. This new tool complements the technology’s existing Control Points by allowing users to carry out touch-ups on large areas with an easy-to-use selection method.

Think shapes, long roads, lines of trees, roundabouts, road signs… anything goes so long as it fits the theme.

Simply submit your photos over in our competition forum before midnight on 17 November 2021 for the chance to win one of the top prizes DxO are giving away. 

Enter Now

 

Closing Date & Entry Details 

The competition closes at midnight on 17 November 2021. Entries added after this time will not be counted. 2 entries are allowed for free members and up to 4 entries are allowed for Plus members. Anyone who submits more images than they are allowed to will be disqualified. Entries posted on the bottom of this article will not be counted! Please use the competition forum topic.

 

More On The Prizes Up For Grabs…

PhotoLab 5

 

DxO PhotoLab 5 now sets the standard for image quality. The software offers users the most powerful correction and processing solutions on the market, with automated features that can be turned off and adjusted as required. The software offers unparalleled optical corrections through its exclusive lens sharpness technology and many other tools, all of which are designed to inspire artistic expression without compromising on image quality.

 

FilmPack 6

 

The latest version of DxO FilmPack 6 introduces new films, cinematographic renderings, and Fujifilm in addition to support for X-Trans RAW files (Beta). It features a wide array of new effects as well as Time Machine, a unique and interactive introduction to the history of film photography.

 

Good Luck!

 

T&Cs:

By entering the competition, entrants agree to be bound by the rules and by any other requirements set out on ePHOTOzine.

  • The following people are excluded from entering the competition: (1) Direct and indirect employees, staff and their relatives of the supplier of the prize or prizes (2) The publishers of ePHOTOzine (3) Advertisers or sponsors of ePHOTOzine.
  • Only two entries per competition are allowed per free member, 4 entries are allowed per Plus member.
  • We reserve the right to remove images that have not been submitted correctly, ie too small. There isn’t a maximum file size or dimension restriction for entries.
  • All entries must be submitted through the ePHOTOzine competition forum web page and will not be accepted via any other means, eg, post, fax or e-mail.
  • No responsibility is accepted for incomplete entries due to server error or other causes beyond our control.
  • One winning entry will be chosen, by an ePHOTOzine or guest judge. This will be the image which, in the judge’s opinion is the most original and of the highest quality and meets the theme. The judge’s decision is final and no correspondence will be entered into.
  • ePHOTOzine reserves the right to disqualify incomplete or illegal entries.
  • The prize winner will receive the prize as featured in the corresponding month’s competition. There is no cash alternative to the prize as stated.
  • This competition is open to UK entries only. Those based outside the UK can enter if they have a UK address that the prize can be sent to, such as that of a friend or relative. Please update your portfolio with the UK address. 
  • The deadline for entering the competition is midnight (GMT) on the last day of the calendar month in which the competition is being held unless otherwise stated.
  • The winner or winners will be notified by e-mail within 28 days of the end of the competition. The winner’s details will be posted on ePHOTOzine within 28 days of the end of the competition.
  • The winner must acknowledge his or her win within three weeks of being notified via email or the prize may be re-allocated to the next-placed winner.
  • All entrants agree that their name and images can be displayed and used in promotion for future competitions on ePHOTOzine. The winning entry may be used by the sponsor as a promotional image. The terms of this would be agreed with ePHOTOzine and the sponsor before the prize is announced. By entering the competition you have confirmed you have authorised this.
  • The name of the winner may be published on ePHOTOzine after he or she has acknowledged their win.
  • We reserve the right not to hold a competition in any given month.
  • ePHOTOzine only provides the means of entry to the competition and does not normally supply the competition prizes. The sponsors are therefore liable for the prize.
  • We reserve the right to modify these rules without notice. (Last modified: 8 Apr 2020)


MPB Start Shopping

Support this site by making a Donation, purchasing Plus Membership, or shopping with one of our affiliates:
Amazon UK,
Amazon US,
Amazon CA,
ebay UK

It doesn’t cost you anything extra when you use these links, but it does support the site, helping keep ePHOTOzine free to use, thank you.

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Posted on Leave a comment

Win A Vanguard VEO 3T 265HCBP Tripod Or 1 Of 4 OSLO 25BY Shoulder Bags

Win A Vanguard VEO 3T 265HCBP Tripod Or 1 Of 4 OSLO 25BY Shoulder Bags

Enter our ‘Dawn/Dusk’ photography competition to be in with a chance of winning 1 of 5 top prizes from Vanguard which includes a travel tripod worth £269.99.

| 
Competitions

Win A Vanguard VEO 3T 265HCBP Tripod Or 1 Of 4 OSLO 25BY Shoulder Bags

 

 

We’re kicking off September with a brand-new competition, sponsored by our friends Vanguard, who are giving you the chance to win some top photography accessories.

With darker nights and later sunrises just around the corner, we thought ‘Dawn/Dusk’ would be the perfect theme for September’s photography competition.

You can upload your entries to our competition forum and those who do could win a Vanguard VEO 3T 265HCBP Tripod or 1 of 4 OSLO 25BY Shoulder Bags we have to give away. 

The Prizes Up For Grabs From Vanguard Are:

 

How Do I Enter?

To be in with a chance of winning one of these great prizes, we want to see images that fit the theme: ‘Dusk/Dawn’. Think pastel sunrises, foggy mornings, low light evening portraits… anything that fits the theme. 

Simply submit your photos over in our competition forum before midnight on 30 September 2021 for the chance to win one of the top prizes Vanguard are giving away. 

 

Closing Date & Entry Details 

The competition closes at midnight on 30 September 2021. Entries added after this time will not be counted. 2 entries are allowed for free members and up to 4 entries are allowed for Plus members. Anyone who submits more images than they are allowed to will be disqualified. Entries posted on the bottom of this article will not be counted! Please use the competition forum topic.

 

More On The Prizes Up For Grabs…

 

1st Prize – Vanguard VEO 3T 265HCBP Tripod

VEO 3T 265HCBP CARBON FIBRE TRAVEL TRIPOD/MONOPOD WITH BALL/PAN HEAD - 12KG LOAD CAPACITY

 

The VEO 3T 265HCBP is a carbon fibre travel tripod that transforms from a tripod to a monopod, with an Arca compatible ball-head that can include a removable panhandle and a quick-release plate that can fit any smartphone up to 85mm wide.  Perfect for photographers or vloggers who want to shoot photos or videos with either a digital camera or a smartphone.

  • Compact 26mm, 5-section carbon fibre travel tripod
  • Includes VEO BP-120T Arca compatible ball head with separate pan lock
  • Includes a removable telescopic panhandle to allow greater control
  • Includes 70mm long quick release plate that can hold a smartphone up to 85mm wide
  • Includes a Bluetooth remote control for IOS or Android
  • Folds down to just 44cm and weighs just 1.9kg
  • Extends to 166cm with 12kg maximum load capacity
  • Low angle/macro shooting with reversible center column, or using the Low Angle Adaptor included
  • 3-easy set leg angles for maximum stability in any position
  • Hook at base of central column to attach additional weight for added stability
  • A leg that converts to a monopod
  • Bluetooth remote control allows centre column/monopod to be used for vlogging on the go
  • Rapid set and easy to clean twist locks
  • Rubber or Anti-Rust Stainless-Steel Spiked Feet for maximum stability on any terrain
  • Includes a tripod Bag

 

4 Runners-Up Prizes – OSLO 25BY Shoulder Bags

OSLO 25BY SHOULDER BAG

The OSLO 25 is a compact shoulder bag that fits a DSLR or mirrorless camera with a lens attached, 3-4 lenses, a flash, essential accessories, and a 9-inch tablet. Available in three enticing colour combinations: black, burgundy, and silver.

Features: 

  • Quick-action – top access in split seconds
  • Agile & Steady – non-slip shoulder strap
  • Always protected – well-padded all round
  • No scratches promise – velvet on the inside
  • No fumbling – light-coloured interior makes finding things easy
  • Well organized – dedicated pockets for all essentials
  • Digitally oriented – holds an 9-inch tablet
  • Clean and dry – feet on the bottom
  • Keep dry – total coverage rain cover

 

Good Luck!

 

T&Cs:

By entering the competition, entrants agree to be bound by the rules and by any other requirements set out on ePHOTOzine.

  • The following people are excluded from entering the competition: (1) Direct and indirect employees, staff and their relatives of the supplier of the prize or prizes (2) The publishers of ePHOTOzine (3) Advertisers or sponsors of ePHOTOzine.
  • Only two entries per competition are allowed per free member, 4 entries are allowed per Plus member.
  • We reserve the right to remove images that have not been submitted correctly, ie too small. There isn’t a maximum file size or dimension restriction for entries.
  • All entries must be submitted through the ePHOTOzine competition forum web page and will not be accepted via any other means, eg, post, fax or e-mail.
  • No responsibility is accepted for incomplete entries due to server error or other causes beyond our control.
  • One winning entry will be chosen, by an ePHOTOzine or guest judge. This will be the image which, in the judge’s opinion is the most original and of the highest quality and meets the theme. The judge’s decision is final and no correspondence will be entered into.
  • ePHOTOzine reserves the right to disqualify incomplete or illegal entries.
  • The prize winner will receive the prize as featured in the corresponding month’s competition. There is no cash alternative to the prize as stated.
  • This competition is open to UK entries only. Those based outside the UK can enter if they have a UK address that the prize can be sent to, such as that of a friend or relative. Please update your portfolio with the UK address. 
  • The deadline for entering the competition is midnight (GMT) on the last day of the calendar month in which the competition is being held unless otherwise stated.
  • The winner or winners will be notified by e-mail within 28 days of the end of the competition. The winner’s details will be posted on ePHOTOzine within 28 days of the end of the competition.
  • The winner must acknowledge his or her win within three weeks of being notified via email or the prize may be re-allocated to the next-placed winner.
  • All entrants agree that their name and images can be displayed and used in promotion for future competitions on ePHOTOzine. The winning entry may be used by the sponsor as a promotional image. The terms of this would be agreed with ePHOTOzine and the sponsor before the prize is announced. By entering the competition you have confirmed you have authorised this.
  • The name of the winner may be published on ePHOTOzine after he or she has acknowledged their win.
  • We reserve the right not to hold a competition in any given month.
  • ePHOTOzine only provides the means of entry to the competition and does not normally supply the competition prizes. The sponsors are therefore liable for the prize.
  • We reserve the right to modify these rules without notice. (Last modified: 8 Apr 2020)

Support this site by making a Donation, purchasing Plus Membership, or shopping with one of our affiliates:
Amazon UK,
Amazon US,
Amazon CA,
ebay UK

It doesn’t cost you anything extra when you use these links, but it does support the site, helping keep ePHOTOzine free to use, thank you.

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johnriley1uk’s latest blog : wind on or wind up?

johnriley1uk's latest blog : the cameras with the wonderful lenses

Profile

Wind On or Wind Up?

3 Jul 2021 4:07PM  
Views : 90
Unique : 75

Back in the day, when we were very young and film cameras had wind on levers, the blank shots that we made when loading 35mm film would produce some interesting abstract shapes. Thus whenever I would enter anything abstract for a club competition, our President would helpfully declare out loud, “It’s a wind on shot!” This tended to discourage judges from making any positive comments.

Of course we don’t get wind on shots with digital cameras, but I have now discovered that with super-sensitive mirrorless cameras we just might be able to after all. I was out and about today with such a mirrorless beast (no names…) and because I don’t use a strap but carry the camera, often switched on, in my right hand ready to shoot, sometimes the shutter button gets nudged and voila! Art is created for all to behold.

So here are my two masterpieces from today, available mounted as prints at a huge price yet to be decided and also available for the Tate Gallery should they wish them. I think I might be on to something…..
22471_1625324737.jpg

22471_1625324747.jpg

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Claim A Free Tamron 35mm F/2.8 Di III OSD M 1:2 Lens Or A Pair Of Bushnell H2O 8×42 Binoculars

Claim A Free Tamron 35mm F/2.8 Di III OSD M 1:2 Lens Or A Pair Of Bushnell H2O 8x42 Binoculars

Purchase the Tamron 70-180mm F/2.8 Di III VXD or Tamron 28-200mm F/2.8-5.6 Di III RXD lens this summer and you can receive a free gift.

| 
Tamron 35mm f/2.8 Di III OSD M1:2 in Offers

Tamron 35mm F2,8 Front Oblique View
 

Those who purchase the Tamron 70-180mm F/2.8 Di III VXD or Tamron 28-200mm F/2.8-5.6 Di III RXD lens before the end of August 2021 can claim a free Tamron 35mm F/2.8 Di III OSD M 1:2 lens or a pair of Bushnell H2O 8×42 binoculars.

After purchasing a Tamron 70-180mm F/2.8 Di III VXD lens from a participating retailer, you can claim a free Tamron 35mm F/2.8 Di III OSD M 1:2 lens that’s usually priced at £239 while those purchasing the Tamron 28-200mm F/2.8-5.6 Di III RXD lens can claim a pair of Bushnell H2O 8×42 binoculars, with a retail value of £129, for free.

To claim your free product, make your purchase from a participating Tamron Dealer in the UK or Ireland then fill out the online form available on the Tamron promotion page. This promotion officially starts on 1 July 2021. For more information, visit the Tamron website from this date onwards. 

Support this site by making a Donation, purchasing Plus Membership, or shopping with one of our affiliates:
Amazon UK,
Amazon US,
Amazon CA,
ebay UK

It doesn’t cost you anything extra when you use these links, but it does support the site, helping keep ePHOTOzine free to use, thank you.

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10% Cashback On Select Vanguard Products Or Get A Free Quick Release Plate!

10% Cashback On Select Vanguard Products Or Get A Free Quick Release Plate!

VEO 3GO 235CB Carbon Fibre Travel Tripod
 

If you purchase a Vanguard backpack from the VEO Range T line-up, a Vesta 8320M monocular or a pair of Spirit XF Binoculars before the end of June 2021, you can receive 10% cashback. Plus, buy any VEO 3GO Travel Tripod and you’ll receive an Arca compatible QS-65 quick release plate worth £25. 

Available in a choice of three sizes and three colours, the VEO Range T is a versatile and comfortable camera backpack that received a ‘Highly Recommended’ award from ePHOTOzine and prices start at £99.99. The waterproof and fogproof Spirit XF Binoculars are designed to offer a clear view and comfortable grip and are available in a choice of 8×42 or 10×42 with an RRP of £169.99 while the VESTA 8320M is an 8×32 monocular that comes with a universal smartphone digiscoping kit for phones up to 87mm wide, complete with a Bluetooth remote control for IOS or Android phones. It comes with an RRP of £79.99.

Finally, the VEO 3GO is designed for maximum portability, without compromising on performance and is another Vanguard product awarded with a ‘Highly Recommended’ accolade from ePHOTOzine in our review. Prices start at £109.99. 

To claim your cashback or free product, visit the Vanguard website and fill out a claim form. Terms & Conditions apply. 

Support this site by making a Donation, purchasing Plus Membership, or shopping with one of our affiliates:
Amazon UK,
Amazon US,
Amazon CA,
ebay UK

It doesn’t cost you anything extra when you use these links, but it does support the site, helping keep ePHOTOzine free to use, thank you.

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dudler’s latest blog : using it or losing it and giving things a chance

dudler's latest blog : art, snap or reportage

Using it or losing it and giving things a chance

13 May 2021 8:00AM  
Views : 98
Unique : 87

11864_1620889127.jpg

Somehow, it feels as though a real measure of ordinary life is likely to return to England next week – we’ll be able to go into other people’s houses again, even if it’s only a few of us. I’m starting shooting again, indoors. And I should be able to hug my daughter, for the first time in over a year. We’ve both been pretty good at observing the rules, and we deserve it by now.

So I’m doing things I haven’t done for a while. I have dusted off my printer, and that took a bit of an effort. If you leave an inkjet printer unused for several months, things clog up. Repeated thirsty head-cleaning runs were necessary before the magenta ink deigned to flow at all – as you can see from the test pattern below. I’m ever so glad that I use continuous flow ink which comes in 125ml bottles – though a set of them costs a fair bit.

11864_1620889147.jpg

Last year, I wrote about needing a new battery in my 2005 Dynax D7-D, and I’ve used it intermittently since. And I’ve discovered the benefits of regular exercise anew: if I leave it for two or three weeks, it’s not very happy with me, and the first frame or three will be dysfunctional, and for some reason it takes thirty seconds to save the failed frames. Persistence pays, though, and five minutes of switching on and off, and taking a few shots restores normality. And that makes me happy, because 6mp isn’t much, but there’s sometimes a gentleness and colour quality in the images that later cameras don’t match.

So – what have you been neglecting during lockdown? As well as many of my cameras not getting exercise often enough, I’ve neglected housework, and my office is untidier than ever. And while the inner need to run the Dyson round the house may still be weak, I really want cameras to work next week, so I’m checking batteries and cards, and making sure that I know where the flash triggers are. What do you need to sort out before the next level of lockdown lift?

11864_1620889226.jpg

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Win A Vanguard VEO 3T+ 264CB Tripod Or 1 Of 5 Vanguard ALTA BCL Battery Cases In Our ‘Outdoor Photography’ Competition

Win A Vanguard VEO 3T+ 264CB Tripod Or 1 Of 5 Vanguard ALTA BCL Battery Cases In Our 'Outdoor Photography' Competition

Enter our photography competition to be in with a chance of winning 1 of 6 top prizes from Vanguard with an award-winning tripod up for grabs for the 1st place winner.

| 
Competitions

Win A Vanguard VEO 3T+ 264CB Tripod Or 1 Of 5 Vanguard ALTA BCL Battery Cases In Our 'Outdoor Photography' Competition

As lockdown restrictions are lifted and temperatures begin to rise, now’s the perfect time to head outdoors with your camera and if you do, you could win a top prize from Vanguard.

Throughout the month of May, we want to see your ‘Outdoor’ themed photos uploaded to our competition forum and those who do could win a Vanguard VEO 3T+ 264CB tripod or 1 of 5 Vanguard ALTA BCL Battery Cases we have to give away.

The Prizes Up For Grabs From Vanguard Are:

 

How Do I Enter?

To be in with a chance of winning one of these great prizes, we want to see images that fit the theme: ‘Outdoors’. From outdoor portraits to landscape panoramas and everything in between, we want to be impressed with your own take on the theme.

Simply submit your photos over in our competition forum before midnight on 31 May 2021 for the chance to win one of the top prizes Vanguard are giving away. 

Enter Competition

 

Closing Date & Entry Details 

The competition closes at midnight on 31 May 2021. Entries added after this time will not be counted. 2 entries are allowed for free members and up to 4 entries are allowed for Plus members. Anyone who submits more images than they are allowed to will be disqualified. Entries posted on the bottom of this article will not be counted! Please use the competition forum topic.

 

More On The Prizes Up For Grabs…

 

1st Prize – Vanguard VEO 3T+ 264CB Tripod

VEO 3T+ 264CB CARBON FIBRE TRAVEL SIZED TRIPOD

 

The Vanguard VEO 3T+ 264CB is an ultra-versatile carbon fibre travel tripod that raises the bar for both portability and versatility. In fact, we were that impressed, we awarded it a ‘Highly Recommended’ award in our review saying: “The VEO 3T+ 264CB has all of the premium features we’ve come to expect from a Vanguard tripod but Vanguard also seems to have gone one better by creating a hybrid that combines the best of two tripod styles into a compact tripod that still feels reassuringly robust and well-made.”

Features:

  • 15kg maximum load capacity
  • Arca-compatible VEO 2 BH-160S Dual-Axis Ball Head
  • Multi-Angle Central Column moves 360° in any direction
  • Central column converts to a Multi-Mount using the VEO+ MA1 (included)
  • 3 easy-set leg angles
  • Rapid Set, Easy Clean Twist Locks
  • Converts to a monopod up to 1.6m tall
  • 3/8” thread hole on side of canopy
  • Folds to 48cm for maximum portability
  • Weighs 2275g with head (1765g tripod only)
  • Extends to 156cm

 

5 Runners-Up Prizes – ALTA BCL BATTERY CASE (LARGE)

ALTA BCL BATTERY CASE (LARGE)

The ALTA BCL Battery Case (Large) is a perfect accessory that can fit 4 standard sized camera batteries, multiple memory cards with a section for used and unused cards, a cleaning pen and a couple of filters, and will help organize your gear in your bag and streamline your workflow in the field. 

Features: 

  • Dedicated pockets for all gear and essentials
  • Well-padded for maximum protection
  • Tether loop to connect to your bag
  • Why stand alone? Match and use with another Vanguard product

 

Good Luck!

 

T&Cs:

By entering the competition, entrants agree to be bound by the rules and by any other requirements set out on ePHOTOzine.

  • The following people are excluded from entering the competition: (1) Direct and indirect employees, staff and their relatives of the supplier of the prize or prizes (2) The publishers of ePHOTOzine (3) Advertisers or sponsors of ePHOTOzine.
  • Only two entries per competition are allowed per free member, 4 entries are allowed per Plus member.
  • We reserve the right to remove images that have not been submitted correctly, ie too small. There isn’t a maximum file size or dimension restriction for entries.
  • All entries must be submitted through the ePHOTOzine competition forum web page and will not be accepted via any other means, eg, post, fax or e-mail.
  • No responsibility is accepted for incomplete entries due to server error or other causes beyond our control.
  • One winning entry will be chosen, by an ePHOTOzine or guest judge. This will be the image which, in the judge’s opinion is the most original and of the highest quality and meets the theme. The judge’s decision is final and no correspondence will be entered into.
  • ePHOTOzine reserves the right to disqualify incomplete or illegal entries.
  • The prize winner will receive the prize as featured in the corresponding month’s competition. There is no cash alternative to the prize as stated.
  • This competition is open to UK entries only. Those based outside the UK can enter if they have a UK address that the prize can be sent to, such as that of a friend or relative. Please update your portfolio with the UK address. 
  • The deadline for entering the competition is midnight (GMT) on the last day of the calendar month in which the competition is being held unless otherwise stated.
  • The winner or winners will be notified by e-mail within 28 days of the end of the competition. The winner’s details will be posted on ePHOTOzine within 28 days of the end of the competition.
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johnriley1uk’s latest blog : black or silver?

johnriley1uk's latest blog : the cameras with the wonderful lenses

Black or Silver?

28 Apr 2021 12:37PM  
Views : 39
Unique : 32

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There was at one time, when I started out in photography, chrome and chrome and chrome and those were the camera colour choices. Some SLRs also had a black option, but it was always more expensive and I could never afford it. I always aspired to a black Pentax MX but have never owned one to this day. Before I start this mini-debate, it is true that cameras have always been available in variety of colours and sometimes in a whole range. Great for collectors! In recent years, Pentax offered 100 colours of DSLR and I even have a custom colour Pentax Q-S1. And why not.

However, in the main, chrome it was, and some of the chrome finishes are absolutely superb. Voigtlander and Zeiss perhaps have the classiest, but also the highest price. The Japanese SLRs such as Nikon, Minolta, Pentax, Canon, etc., also had superb quality chrome finishes. Later, when plastic became the norm finishes were painted, so black became the new normal and I notice that Limited Edition cameras are now being offered in Silver paint versions. Odd how things turn around.

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But for the past 8 years I have been using my black Pentax MX-1, now a digital compact rather than an SLR, but mimicing the angles and aesthetic of the original MX film camera. Also, the top and bottom plates are brass, which the MX SLR was not but older SLRs were, and Pentax promised that as the finish wore we would see the subtle brassing that used to be seen as a badge of honour (almost) of a trusty, well used camera. Well, 8 years later it’s found to be quite true. The brassing is there on corners and the camera still looks good and takes great pictures.

So what is your choice of finish? Silver like Sue has or black like I have?

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dudler’s latest blog : art, snap or reportage

dudler's latest blog : art, snap or reportage

Art, snap or reportage

6 Mar 2021 5:28AM  
Views : 62
Unique : 51

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Yet again, I’m indebted to Phil Taylor for today’s text and pictures – he’s picked up the art/reportage/or what debate with some genre-blurring shots from a decade and a half ago.

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A journalist friend from my local paper has recently taken up covering the Oldham area for the Manchester Evening News. Like everyone new to a ‘patch’ she was keen to pick up any story leads. I pitched a looking back feature on some of my photographs s from the 2000s.

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2003 doesn’t seem that long ago to me, but you could still smoke in the pub, the smartphone wasn’t a thing, and a digital SLR still fascinated non photographers the first time they saw one. In some places, people asked how the film was developed in camera, probably because to many older folks it was a new concept. People still read the local paper, but proprietors were keen to find ways of slowing the decline in readership. Some papers turned to what was termed ‘the happy page’, no bad news, just local people in a picture led spread doing something joyous usually in a hostelry of some description.

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The Oldham Advertiser were looking for a photographer to start up their ‘On The Town’ page, and approached me for the trial run, and I stayed for 7 years until the feature ended. The concept was to visit a nightclub or town centre bar, quickly grab a few snaps of revellers that would fill a spread, they were not intended to look professional in any way. In some titles, one person would be circled, and became the ‘Ringed Reveller’, and would win a prize donated by the venue, usually booze. The strangest was a one night stay above a pub in Rawtenstall, Lancashire for one, near where the League of Gentlemen was filmed. Eventually the concept grew, and I spent Friday and Saturday evenings driving up and down the M60 to different East Lancashire towns for 5 papers. One minute it was a rural pub full of farmers, and the next a high tech club with lasers.

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For the clubs I developed a technique using flash on a camera with a wide to standard zoom, long exposures and either camera or subject movement, which meant that the shadowed subject would be sharp if no ambient light fell on them. Basically though, it was get in, fire off as many shots as possible, and get onto the next job. It wasn’t a particularly selective exercise, just catching anyone willing to be photographed. There was never any intention at art beyond the above technique, they were supposed to be ephemeral, a passing thing for a publication that would be next week’s cat lit liner.

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So, where’s all this leading? Well, in revisiting the photos 15 years or more on, I’m wondering where they stand, they may well be social documentary (but isn’t that curly perms and moustaches in black and white), simply throwaway snaps as intended, or when compared with the high colour, in your face, raw flash work of Dougie Wallace and Martin Parr, have they become ‘art’ whatever that is? When does a picture turn into art, is it when somebody declares themselves an artist, and collates them into a coherent body of ‘work’, thinking of the likes of Richard Billingham’s ‘Rays a Laugh’, where gritty life is recorded without a filter?

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Does the passage of time make it art? There’s a magic something for me of 70s interiors with PVC leatherette sofas, swirly print curtains, shag pile carpets and space helmet TVs that makes me think back to how as a kid in the Seventies we envisioned the future, so in my mind, anything recording that has become art.

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Maybe the recording of a current event can become art, something that evokes a particular time without necessarily being hard news? A train crash would never be seen as ‘art’ but can street photography of the mundane and banal become art if linked to a news event. Of course, 2020 was the year of the blue face mask and Coronavirus, and who knows how long it will continue in this way. Images of blue face mask wearers will become iconic of the period. When my home town of Bolton hit the 500 per 100,000 infection rate topping charts every news agency descended on the town.

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As a local, I had predicted it, and my agency already had stuff on the wire, so I spent a morning watching folk hunting down the essence of the place. Rather than, “has anyone here been raped, and speaks English” it was more can you find me someone eating a pie that I can have stand in front of the iconic town hall or a row of terraced houses. I’ll fess up to finding the pie eaters, and using the town hall, and submitting a miserable rainy day shot with mills, mosques and terraced houses. Could any of this be classed as ‘art’?

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Maybe it’s the style of the image that looks like something else classed as art, aping the style of another photographer? Is it the subject matter or technique? I recently queried why monochrome prints are seen as more ‘proper’ photography? Or, can the use of high colour do it?

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I’m not a big fan of ‘street photography’ – to me, apart from those who excel at it with a fine sense of observation and an awareness of light it’s just ordinary life. Capturing city centres for Coronavirus coverage has been tricky, as in many cases it’s been normality. A few things like the unpublished photo of the mobility scooter rider in Manchester wrapped up as if preparing for a spacewalk sums up the fear for me, however two of the most published pictures were of an illuminated sign (half a page in the Guardian) and a man walking over a bridge that has a Martin Parr Last Resort feel to it, they are very different, I reckon one could be art; but why?

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So, when does a picture become art rather than simple reportage or a snap? Is it the author declaring themselves an ‘artist’, is it what those in the know to declare to be art, is it when it’s framed on a matte paper, wins an award, or can the passage of time confer it?

Over to the readers to fight this one out!

Phil Taylor ARPS

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