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Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish.

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish.

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish. 1

Over the past 4 days, tens of thousands of photographers have come together to access thousands of dollars in amazing resources and have raised $75,000 for charity. You only have 24 hours left to join them and save as much as 96% on photography tools and training created by renowned industry pros.

With over 20 of the most highly acclaimed photographers and creative brands from around the world having contributed products to The 2021 Photography Bundle from 5DayDeal, there is something in there for every level and every type of photographer. Tens of thousands of creatives have already raced to grab one of the 3 bundle options in the past 4 days. Those who choose to join them in the next 24 hours will benefit from a 96% savings and get $2200+ in resources for as low as $89 (upgraded bundles can also be obtained for $128 and $157).

See all 2021 Photography Bundle options here.

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish. 2

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish. 3

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish. 4

Aside from amazing products and incredible value, what else can you expect from a 5DayDeal bundle?

With every 5DayDeal Photography Bundle, users receive:

  • Instant access to all courses and tools for download and streaming for a full year.
  • 3 full months to register for partner products not available for download or streaming.
  • Lifetime access to a year-round password-protected page filled with discounts and freebies for creatives.
  • Membership to a customer Facebook group, where you can learn from and network with other photographers.
  • 5DayDeal Guarantee—no item will EVER be repeated in another 5DayDeal bundle.
  • Unlimited customer support (and their support team is AMAZING).

Purchasers of this year’s bundles can get as many as 285 educational tutorials, demonstrations, and masterclasses; over 11,000 presets, tools, actions, brushes, and overlays; and nearly 550 practice images. Additional perks include creative solutions, digital magazines and ebooks, access to a website with exclusive photography resources, and so much more.

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish. 5

With just 24 hours left for photographers to capture this incredible deal, the 5DayDeal team is expecting trends to follow in the pattern of previous sales, meaning a huge spike in traffic to the site. While they have taken every possible measure to optimize the site for handling such traffic rushes without lags, we recommend you don’t wait until the last minute to obtain your bundle because once the sale ends at noon tomorrow, this exclusive bundle will be gone forever.

Why is this bundle priced so low?

5DayDeal curates bundles for creatives and business owners and offers them at extreme discounts for two main reasons:

1. An organization created by photographers, the 5DayDeal owners truly understand how expensive it can be to obtain high-quality training and tools to stay abreast of this industry’s everchanging trends and technology. They wanted to ensure every photographer could get the resources they need to experience continuous growth without breaking the bank. That’s why they work year-round to find top-of-the-line products to include in these photography bundles and have marked them down anywhere from 95 to 97 percent.

2. Bundles like this one have enabled 5DayDeal to distribute over $2 Million in funds to a plethora of charities since 2014. Bringing together dozens of contributors can reach more people and raise more money with this creative approach to collaborative philanthropy. This bundle, alone, has already raised $75,000 in funds, and with one day remaining, they are hoping to bring in at least another $25,000 to distribute amongst organizations making meals and education possible for underprivileged children and families around the world.

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish. 6

Photographers seeking professional and/or artistic growth mark their calendars for these sales each year to ensure they don’t miss them. The collection of materials is only offered for 5 days, and once they are gone, this unique combination of resources is never offered again. Past purchasers note the extreme value they obtained due to the high quality of resources and bargain pricing. This year’s bundle event ends at noon Pacific time tomorrow, October 19th.

Take a look at this incredible assortment of products included in this year’s Complete Photography Bundle!

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish. 7

Don’t miss your chance to experience creative and professional growth in your craft while joining hundreds of thousands of photographers in this philanthropic effort! Get the unique set of resources found in The 2021 Photography Bundle before it disappears forever on October 19th at noon PST.

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish. 5

5DayDeal is also giving away over $10,000 in photography gear and resources. Sign up for your chance to win. No purchase is necessary to win and no strings attached!

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish. 9

Popular Photography Event Ends Soon! Your Chance to Save 96% on Photo Resources Will Vanish. 5


Full disclosure: This article was brought to you by 5DayDeal.

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Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers

Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers

Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers 11

Over 20 of the most highly acclaimed photographers and creative brands from around the world have joined forces to raise money for charity, and creatives like you are benefiting. Serge Ramelli, Mads Peter Iversen, Alexander Stemplewski, Karlie Place, Peter Hurley, Phlearn, KelbyOne, and Fstoppers are amongst the notable contributors to a digital bundle of tools and resources purposed to save photographers thousands of dollars while raising millions for deserving charities.

Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers 12

Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers 13

Organized by 5DayDeal, the annual initiative has distributed over $2 million in funds to a plethora of charities since 2014, but the charities aren’t alone in benefitting from these efforts. Over 160,000 creatives (and counting) have also profited from this creative approach to collaborative philanthropy. That’s because these photography bundles, which have been marked down anywhere from 95 to 97 percent, are filled with training and tools to assist creatives in the advancement of their own abilities, careers, and artistry.

The sale of these bundles has funded such achievements as life-saving rescues of human trafficking victims, surgeries made possible by medical ships providing care to impoverished coastal regions, spirit-lifting camps for children beset with cancer, and so many more. Since the onset of COVID-19, primary efforts have been centered around providing meals and education to those who would otherwise be unable to obtain such necessities.

Funds raised from the 2020 bundle events enabled the company to pay for a food silo that helped feed more than 500,000 meals to families last year alone and will continue to provide consistent means for families for years to come and that’s just one example of the many ways the company provides charity support each year!

Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers 14

Each year, 5DayDeal selects charities to raise money for and they team up with some of the world’s most renowned photographers and educators to develop exclusive bundles of educational resources and post-processing tools. They then offered them at an extreme discount for just 5 days. This year, photographers can save up to 96% and get thousands of dollars worth of tools for as little as $89.

See all 2021 Photography Bundle options here.

The selected charities benefiting from this year’s bundles include:

Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers 15

Learn more about these charities here.

Photographers seeking professional and/or artistic growth mark their calendars for these sales each year to ensure they don’t miss them. The collection of materials is only offered for 5 days, and once they are gone, this unique combination of resources is never offered again. Past purchasers note the extreme value they obtained due to the high quality of resources and bargain pricing.

Purchasers of this year’s bundles can get as many as 285 educational tutorials, demonstrations, and masterclasses; over 11,000 presets, tools, actions, brushes, and overlays; and nearly 550 practice images. Additional perks include creative solutions, digital magazines and ebooks, access to a website with exclusive photography resources, and so much more.

Take a look at this incredible assortment of products included in this year’s Complete Photography Bundle!

Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers 16

Don’t miss your chance to experience creative and professional growth in your craft while joining hundreds of thousands of photographers in this philanthropic effort! Get the unique set of resources found in The 2021 Photography Bundle before it disappears on October 19th at noon PST.

Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers 13

5DayDeal is also giving away over $10,000 in photography gear and resources. Sign up for your chance to win. No purchase is necessary to win and no strings attached!

Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers 18

Top Photo Pros Unite to Support Charity and Improve Online Education for Photographers 13


Full disclosure: This article was brought to you by 5DayDeal.

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fenfotos’s latest blog : another grey day

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Another Grey Day

17 Oct 2021 6:43PM  
Views : 263
Unique : 255

Today was yet another grey day. Not quite so bad as last week, when the rain set in almost as soon as we set off on the walk, and I got no usable photographs at all. I did do a little better this week.

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I am still without my Olympus. I am told that it may take a month to repair. So, once again, I am using my Panasonic TZ70, which has made today a real getting to know my equipment day.

I am often quite curious as to why designers make the decisions they do, when the logic of the decision is not at all obvious. For instance, the TZ70 has a ‘Dynamic Monochrome’ mode, which I use for this project. If I use this mode, I have no control over when the flash will fire. I fancied trying daylight flash in the gloom, so tried to set the camera so the flash always fired. This would potentially have made some interesting shots with a highly illuminated foreground against a dark background. I would have thought such a shot was dynamic. But I am denied any such control. Why? The same mode also seems to accentuate the contrast. To get a decent monochrome from a lot of the images I took today, I would definitely need to go back to the raw file and do the conversion myself.

On the plus side, the TZ70 has a tiny sensor ( I believe the crop factor is over 5), which gives great depth of field, which is ideal for macro work. My lead image of a teasel head is a fine example of this.

Perhaps, not surprisingly, given the prevailing lighting conditions, all my successful shots today were made keeping the camera very close to the subject.

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This next shot is of some late flowering dandelions. It is the kind of situation that interests me – the different shapes and textures in the undergrowth. Here, the nettles contrast nicely with the grass, while the dandelions themselves provide focus. For someone like me, who is interested in natural history, this is a picture of ecology in action, as the three plants fight it out, each having its own strategy for hogging the light, inhibiting other competing plants, and dealing with marauding herbivores. I have thought of making a false colour image, such as NASA images of a distant planet. I haven’t yet tried though.

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This image is also all about differing textures. This field was just a mass of hawkweed (I think). Now late in the season, there are just a few flowers left among the grey feathery seed heads.

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When I first set out, I intended to photograph fungi. But it wasn’t until nearly the end of the walk that I found any. I liked this one with a strong contrast in both lightness and texture to the surrounding ivy.

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My final image if of an inkcap toadstool. Taking this picture made me really miss the fully articulated screen of my Olympus. Not being able (or willing) to lie down on the boggy ground, this image was made with quite a lot of guess work. This is also a nice illustration of the depth of field with the TZ70, sharpness extends for inches beyond the fungus.

Overall, I feel this has been my most successful foray yet.

Tags:
Monochrome
Inkcap
Dof depth of field
Teasel Head
TZ70

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topsyrm’s latest blog : 52 for 2021 week 41 ugborough and western beacons

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52 for 2021 Week 41 Ugborough and Western Beacons

17 Oct 2021 9:40AM  
Views : 57
Unique : 49

This week joined by Mrs T I went in search of Dartmoor’s southernmost Tor which some say is Ugborough Beacon but Western Beacon is almost as high and is further south. A quick Google finds both “Wikipedia” and “Tors of Dartmoor” listing Western Beacon as the southernmost hill (Wiki) Tor (Tors of Dartmoor). Furthering the confusion is that in the Dartmoor 365 Book by John Hayward he states that Ugborough Beacon is the southernmost Tor and that Western Beacon isn’t formally a Tor (but he does say that it is the southernmost hill) also in the Dartmoor Tors pocket guide by Janet and Ossie Palmer the Gazetteer of Dartmoor Tors only lists Ugborough Beacon. ??

Ugborough Beacon.

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Western Beacon.

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Our walk started below Western Beacon but I had seen a disused Quarry marked on the map so we went to have a look at that before setting off up Western Beacon. It turned out to be a lot less of a Quarry than I had expected.

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On the way to the “Quarry” we passed what appeared to be an old bridge long since disused/derelicted. Had we not got a long hike ahead of us I would have liked to go down to explore it but it will have to wait for another visit.

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We had more pressing matters (the beacons) so we went back to the Moor Gate and headed up Western Beacon.

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On the way up the first slopes we could see the rather quaint looking Mooraven Village.

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Western Beacon itself has been quarried but that isn’t evident from the map.

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It also has a rather odd group of rock piles on the Cairn.

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Once over Western Beacon we headed for Butterdon Hill which is also further south than Ugborough Beacon and is also known as Black Tor by some.

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The Stone Row points the way which takes you past the “Longstone” beside Black Pool (not the seaside town). This view looking back towards Western Beacon.

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On Butterdon Hill there is a Trig Point and from that point we could see across to Ugborough Beacon.

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But sadly looking to the West we could also see the scar of the Clayworks at Lee Mill.

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From here we could see Hangershell Rock, this was not on the original route plan but we decided to go over and have a look.

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Once at the Hangershell Rocks we took time out to have lunch in the lee of the rocks.

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From our lunch spot we could see across to Tristis Rock which is on my list of sites to visit but not for this trip, it sits on the opposite bank of the River Erme and needs to be approached from that side. Another day.

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As we moved away towards Ugborough Beacon looking back we could see all the way to Plymouth Sound.

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We made our way towards Ugborough Beacon.

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Passing Main Head which is the start of the spring/stream.

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Ugborough Beacon isn’t the biggest Tor I have visited but it does have some interesting rock formations.

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And some nice views.

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I spotted a Kestrel out looking for lunch, I managed to get a shot but I really don’t have the right kit for these kinds of shots (I’m a landscaper not a wildlifer).

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Anyway, it was now time to head off back to the car.

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On the way back we saw some curious things, this water hole seemed to be a natural drain for the rainwater into the stream below.

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We also passed this derelict building, not sure what it used to be though.

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Finally we got back to the Moor Gate and the car.

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We did see some Ponies on this trip though.

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That’s all for this week folks. As always, comments welcome.

Tags:
Dartmoor
Ponies
Landscape and travel
Photowalk
Ugborough Devon

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This Photo from 1840 is One of the Earliest Portraits Taken in America

This Photo from 1840 is One of the Earliest Portraits Taken in America

This Photo from 1840 is One of the Earliest Portraits Taken in America 20

Some of the earliest photographic portraits taken in America were recently discovered in an unheated shed on Long Island. The historically significant find contains photographs from some of the first experiments with the daguerreotype process.

The daguerreotype process — which is one of the first commercially viable photographic processes — was introduced in 1839 by French inventor Louis-Jacques-Mandé Daguerre. As the complete description of the process became available later that year, many raced to be the first to produce marketable photographs.

Henry Fitz Jr., born in 1808 and died in 1863, along with partners Alexander Wolcott and John Johnson were the ones to win that race. It was Fitz Jr.’s family portraits, consisting of 22 daguerreotype pieces, that were found in the long-forgotten collection that is now considered a historical photographic treasure.

Fitz Jr. was a New York City telescope maker who also helped develop what would become the first patented camera in America. In 1840, he sat for some of the earliest successful photographic portraits taken in America. Only a handful of these portraits from this period have survived.

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Daguerreotype portrait of Henry Fitz Jr. Taken some time during January 1840. One of the earliest surviving photographic portraits taken in America.

“Imagine a world with no ability to capture a photographic portrait,” says Wes Cowan, Vice-Chair of Hindman Auctions. “Once you wrap your head around that, the Fitz portrait is a window into the beginnings of a technology that would forever change the world and how we see ourselves in it.”

This Photo from 1840 is One of the Earliest Portraits Taken in America 22
Page 21 and 22 of “The Henry Fitz Jr. Archive of Photographic History” catalog at Hindman Auctions

The photographic find is significant because, as the auction house claims, “any scholar interested in the history of photography in America has heard of Fitz and knows that he sat for some of the earliest portraits taken.”

The collection — which also contains additional portraits of his family members — survived as it was passed through the family of Fitz Jr.’s son George Wells Fitz. Although it was only revealed to the world now, the collection has been known since the 1930s, when another son, Harry Fitz, donated a group of early daguerreotypes to the Smithsonian Institution.

This Photo from 1840 is One of the Earliest Portraits Taken in America 23
Page 24 and 25 of “The Henry Fitz Jr. Archive of Photographic History” catalogue at Hindman Auctions

Among the donated photos was a portrait of their father, which the Fitz family claimed was the earliest self-portrait of a living human. Harry urged the institute to contact Geroge to acquire additional historically important family property but nothing came of it. This meant that the archive lay forgotten for nearly eight decades until it was discovered in early 2020 in preparation for the sale of the property.

“As one of the earliest surviving photographic portraits in America, the Fitz profile, is of course incredibly important,” says
Grant Romer, a photo historian and Curator Emeritus of the George Eastman Museum.

This Photo from 1840 is One of the Earliest Portraits Taken in America 24
Page 26 and 27 of “The Henry Fitz Jr. Archive of Photographic History” catalogue at Hindman Auctions

Romer also calls for the collection to be preserved because it “represents an extraordinary opportunity for scholars to understand the first few months of the development of a technology and art that would change the world.”

In a similar vein, a self-portrait, taken in 1839 by American photographer Robert Cornelius, has been recognized as one of the world’s first self-portraits, while daguerreotype by French photographer Joseph-Philibert Girault de Prangey has been hailed as one of the first to capture animals.

The Fitz collection, including the portrait, will be auctioned on November 15, 2021, with the full listing information available on the Hindman website.

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‘Broken Line’ is a Photo Series Featuring the Cold Beauty of Greenland

'Broken Line' is a Photo Series Featuring the Cold Beauty of Greenland

'Broken Line' is a Photo Series Featuring the Cold Beauty of Greenland 25

The monotonous propeller noise of Air Greenland’s Dash-8-200 had been roaring in my ears for more than an hour as we began our approach to Ilulissat.

The First Day in Greenland, July 2003

The 40km-long Ilulissat Icefjord spread out below us. We glided over countless icebergs that had run aground at the end of the ice fjord, wedged into each other. A white mush of ice floes, broken ice and icebergs marked the way to the 7 km-wide break-off edge of the huge glacier. Every day, huge thundering masses of ice break into the sea, causing the sea level to rise slowly but incessantly.

Shortly thereafter, colourful wooden houses, parked containers, and sled dogs on chains appeared in between. Large oil tanks marked the entrance to the harbour of Ilulissat, where hundreds of small boats are tied up, some in several rows against the jetties. Shortly after, we landed abruptly, braking and engine roaring, on Ilulissat’s short landing strip.

A veil of clouds bathed the airport in diffused light. As I stepped off the plane, my lungs filled for the first time with air cooled by glaciers and icebergs. I breathed in deeply.

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A little later I was sitting with my luggage in a cab on the way to the harbour, where my boat and equipment were waiting for me in a warehouse. I have the two large wooden boxes with my equipment brought near a jetty.

A red cargo ship of the Royal Arctic Line was being unloaded next to me. This ship supplies the town of just under 5000 inhabitants with everything that is needed here except fish and meat.

Fishermen were preparing their boats for departure. Hunters dragged a hunted seal across swaying jetties. Boats are repaired, cleaned, refuelled. Everywhere, luggage was waiting to be shipped. The harbour is the heart of Ilulissat.

Amid this colourful hustle and bustle, I started building my 5.3-yard-long Zodiac. I was lucky that several young Inuit helped me with the set-up. We carried my boat over a swaying wooden dock and pushed some boats aside to put it in the water. My outboard motor was quickly hooked up. Nuka started the motor with two pulls on the cable and wanted to try out the boat. We drove slowly out of the harbour. Fog obscured the view, and we carefully pushed our way through a dense carpet of drift ice.

On all sides of the boat, sharp ice floes scraped against the thin skin of my inflatable boat. Nuka showed me how to navigate safely through the dangerous ice mush. Now I understood why you can’t rent a boat in Greenland. It takes a lot of experience to drive a boat safely through the Arctic Ocean and I learned that every year numerous fishermen lose their lives. I suddenly realized that a trip in such a small boat is a life-threatening risk.

'Broken Line' is a Photo Series Featuring the Cold Beauty of Greenland 27

We returned to the harbour. I stowed the rest of my gear, said goodbye to Nuka and the others, and set off alone for the first time through fog and ice towards Rodebay, where I had rented a wooden cabin. Ice floes scraped ceaselessly along the thin outer skin of my boat. I imagined travelling alone in this boat along the coast, and I felt very uneasy.

For the first time I doubted my project. Travelling alone in a dinghy, thousands of kilometres along an almost uninhabited coast to take pictures? What a crazy idea.

After a long tour in fog and drizzle I reached the sheltered bay of Rodebay. At the jetty, I found Inigo was expecting me. I had survived the first tour between numerous icebergs and drift ice. I was already sure that it was unlikely I would carry out my planned tour to the very north of West Greenland.

My cabin was only a few steps away from the jetty, so the boat was quickly unloaded, and Ingo showed me how the kerosene stove worked. I had to fetch water with canisters from the well house 200 meters away. There was a grocery store, a school, a church, and the small restaurant of Ingo and Uta in the village of thirty inhabitants. In front of almost every hut there were sled dogs chained and waiting for the winter, when they could let off steam again. Only the young sled dogs were allowed to run around freely. They dragged away everything that lay around to somewhere they could play with it like a toy.

After the unsettling tour with the boat through the fog, I now felt safe again and finally crawled into my sleeping bag at 2 a.m., while outside the midnight sun still lit up the landscape. Sled dogs barked and howled me to sleep.

'Broken Line' is a Photo Series Featuring the Cold Beauty of Greenland 28

The First Month: Greenland

Under the new suspicion that I would not finish my Greenland project, suddenly all the pressure was gone. I started to make daily trips with my boat. People were a bit surprised, and a bit worried, about the German and his boat. But I got valuable tips from many people on how best to avoid the many dangers of the Arctic Ocean. Soon I found out that the light is most beautiful from 10 p.m. until 5 a.m., and from then on I looked for my pictures at this time.

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Light and landscape inspired me. Slowly I became more confident in handling my boat and the conditions in the Arctic Ocean. My tours became more courageous from day to day. I began to expand the radius of my exploration and now spent sometimes 16 to 18 hours on the water. The fog had something magical about it and soon I was going out when it was densest.

The floating icebergs far out at sea impressed me so much that I took my first pictures, with the 8 x 10-inch camera, from the boat (Ilulissat Icefjord 05. to 08.).

I was trapped by the ice several times and pushed dangerously close to calving icebergs by the ice mush. I photographed glaciers calving directly into the sea. I took incredible pictures during my first month in Greenland.

On the flight back to Germany I was already thinking whether I should dare to travel even further north. I was already “Arctic bitten” which is what they say when you are drawn there again and again after your first visit to the Arctic. Fourteen journeys to Greenland would follow in the coming years.

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The Second Journey: From Ilulissat to Uummannaq

It was to be two years before I was determined and prepared to continue the tour north. My boat and equipment were safely stowed in a container at the port of Ilulissat. At the beginning of July 2005, I set off well-prepared and equipped in good weather towards Uummannaq; 360 km of almost uninhabited coast lay ahead of me. Since there was no safe bay for my boat anywhere along the route, I decided to do the whole tour in one piece. During the 36 hours at the motor tiller, humpback whales accompanied me, and I observed seals hunting together. The coast became increasingly mountainous. Steep cliffs rose to 1900 meters directly out of the sea. Even huge icebergs were lost like small white spots against the dark rocky background.

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In Uummannaq Fjord I lived in various Inuit settlements and from there, explored the area in countless nocturnal trips. Here there were almost daily violent storms. Taking pictures from the boat with the large format camera turned out to be difficult. Due to the steep rock walls of the fjord, there was also the danger of 10- to 30-metre-high tidal waves in narrow places when glaciers calved. But glaciers were not the only threat. In 2017, 50 million cubic metres of debris broke into the fjord from an altitude of 1200 metres in one of the bays near Uummannaq, causing a 95-metre-high tidal wave.

Numerous houses in the village of Nuugaatsiaq were washed out to sea. Scientists found the debris avalanche was triggered by the growing warming of the rocks. The brittle rock is no longer held together by the permafrost, so the danger of rock falls has been increasing for years. Scientists have calculated that, in addition, the coasts of Greenland and the island itself will rise significantly because of the melting of the tons of ice, while the rising sea level will literally drown some coasts. Everything will change. On the advice of experienced hunters and fishermen I decided not to go by boat the last 150 km to Upernavik – my boat might break up in the frequent high waves on the rocky coast. So I drove back to Uummannaq and prepared my boat for shipping to Upernavik.

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The Third Journey: From Upernavik to Melvillebay

In early July 2006, I was on my way to the Innuit settlement of Tassiussaq. The midnight sun was just above the horizon in the north, so I could only avoid its blinding rays to some extent by permanently changing course. Some icebergs were reflected in the smooth sea, and I could travel at high speed. I was just checking my course on the GPS, when everything suddenly became dark and silent. I felt something ice cold on my chin and at the same time something warm ran down my forehead. I opened my eyes and saw ice. I closed my eyes again when I felt pain in my chest and head.

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Blood ran down my cheeks. Everything was spinning. I realized that I must have hit an iceberg at full speed and been thrown out of the boat. Everything must have happened in a split second. I had sustained a laceration with concussion and broken my left rib. My boat had drifted away in the meantime. Some of my equipment was floating in the sea.
The small iceberg I was on was drifting out to sea. I had not seen another boat for more than 20 hours. I was alone, far away from the nearest settlement. No one would help me here. I decided to leave the iceberg as quickly as possible to swim to my boat.

For my own safety, I always wore a dry suit and a life jacket when on the boat. On my wrist I had a safety line so that the engine would stop immediately if I fell out of the boat. Knowing that there was no turning back, I let myself slide off the iceberg into the water, which was about 2º Celsius, and started swimming after my boat.

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A light breeze drove the boat away from me and it took me at least 15 minutes to reach it. As I tried to climb into the boat, I realized that my muscles were too cold to work by now. I had almost no strength left and at first, I was hanging, perplexed, onto the boat with my painful broken rib. Finally, I swam to the back and was able to push myself up into the boat with one foot on the propeller. Fortunately, the boat had not been damaged in the accident and the engine started immediately. I was saved.

As I continued my journey north, my broken rib plagued me with every movement of the waves. But giving up was not an option. Despite everything, I managed to take many wonderful pictures with my large format camera.

I continued north until dense ice and bad weather in Melville Bay forced me to turn back. For more than 30 hours I fought my way back through snowstorms and meter-high waves to Upernavik. This was probably the worst tour of the entire trip, and I swore to myself that if I survived this, I would never do such a tour again. While packing my equipment in Upernavik I decided to ship my boat back to Ilulissat instead of Germany. The very next year I set off on a new expedition to Greenland’s Icecap.


The article is courtesy of ELEMENTS Magazine. ELEMENTS is a monthly magazine dedicated to elegant landscape photography, insightful editorials and fluid, clean design. Inside you will find an exclusive and in-depth articles and imagery by the best landscape photographers in the world such as Bruce Barnbaum, Christopher Burkett, Chuck Kimmerle, Christian Fletcher, Charlie Waite, Rachael Talibart, Erin Babnik and Freeman Patterson, to name a few. Use the PETAPIXEL10 code for a 10% discount off the annual subscription.


About the author: Olaf Otto Becker was born in Lübeck-Travemünde, Germany in 1959. Becker is a regular contributor to the New York Times Magazine. His first publication Under the Nordic Light (2005) was nominated for the Rencontres D’Arles Book award. He has been nominated twice for the Prix Pictet award in both 2008 and 2012. His work has been exhibited internationally in Austria, Germany, the Netherlands, the United Kingdom and the United States.

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CRDBAG is a New Photo Gear Storage and Organization System

CRDBAG is a New Photo Gear Storage and Organization System

New Swedish company CRDBAG has set out to create better storage solutions for photographers and videographers. Its system is based on a set of durable bags that can eventually be laid out on a studio wall for easy access.

The company has started with two products available in multiple sizes: the CRDPOUCH and CRDWALL.

The CRDBAG lineup seems to combine tactical features with the world of high-end outdoor equipment and the company says it set out to create the ultimate tool for sub-packing and storing camera equipment for filmmakers and photographers. Taking a page from the cable management bags from Think Tank and ramping it up a notch, the CRDPOUCH system is designed to be tagged and labeled for easy identification of all the items and grip in a photographer’s kit.

The system is quite the departure from either open-shelf storage when at home or velcro dividers inside of bags when taking equipment on the road.

CRDBAG is a New Photo Gear Storage and Organization System 35

The CRDPOUCH bags are closed by a weather-resistant YKK zipper and are made with Cordura — which is a very durable material — and integrate a semi-transparent panel in the front to make visual identification of what is inside in the bags easy (if the label isn’t enough).

The system is currently available in four sizes ranging from the 10x23x0.5 centimeter small pouches capable of storing a portable hard drive or some batteries, to the 25x43x0.5 centimeter extra-large pouches that are capable of storing a gaff kit and or smaller drones and accessories. The entire lineup of pouches is only 0.5 centimeters (0.2 inches) thick making them ideal for storing in a pelican case, rolling bags, or even backpacks.

CRDBAG is a New Photo Gear Storage and Organization System 36

The inside of the bags features small zipped organizer pockets that the company sees as useful for smaller loose items like batteries and memory cards, while the exterior features small pockets made especially for Apple AirTags or similar tracking products such as a Tile, and a “tactical hook” designed for hanging the pouches in a variety of ways, including connecting them to the upcoming CRDWALL which the company plans to launch towards the end of 2021.

CRDBAG is a New Photo Gear Storage and Organization System 37

The CRDWALL is a wall-mounted modular system meant to hang the CRDPOUCH bags for easy access. The setup is made up of two bars and eight hooks on each that have a crisscrossed cord that runs between them to attach the pouches and other gear too. The design of the system is certainly unique, and while aesthetically it won’t be everyone’s cup of tea, there is definitely something intriguing about a studio setup that allows easy access to the various items a photographer might need, all at arms length.

The CRDPOUCH from CRDBAG is available in four different kits ranging from $108 for a four-pack of Small bags to $149 for a four-pack of Extra Large bags. The CRDWALL will be available near the end of the year and is expected to cost around $200. Full details on the CRDBAG system cam be found on the company’s website.

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sueleonard’s latest blog : i think i’ve found my calling!

sueleonard's latest blog : i think i've found my calling!

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I think I’ve found my calling!

14 Oct 2021 2:14PM  
Views : 35
Unique : 34

I think I’ve found my calling! Well, at least for this particular time in my life. In the last few months I’ve been engaged in flower photography and loving it. Who would have thought. Here’s just one of my images for you to enjoy.

Beautiful Lily

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Flowers
Flower
Lily

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johnriley1uk’s latest blog : cragside without

johnriley1uk's latest blog : the cameras with the wonderful lenses

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Cragside Without

13 Oct 2021 4:33PM  
Views : 85
Unique : 75

There is a strange phenomenon when Sue and I go on holiday. All roads lead upwards. How it is that we can choose routes that we have to walk up and then find we’re still walking upwards on the way back is one of those mysteries of the universe….well the ideal place to suffer from this is Cragside. Take two thoroughly unfit photographers (I blame Covid19 restrictions) and place them in an environment chosen for its suitability for hydro-electric power then it’s a perfect result, I won’t say exactly wheezing and gasping up the hills, but it was hard work. Now we’re back and hills don’t seem to exist around here, so I assume we are now toned and fit.

So, a few pictures from the outside areas of Cragside, a huge estate, and actually it’s a pretty good day out.

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Good detail in Photo and Video

Good detail in Photo and Video

The Oppo Reno6 Pro+ is the China-only top-end model in Oppo’s Reno range, featuring a 6.55-inch display with 2400 x 1080 pixels resolution and 90Hz refresh rate. It’s powered by Qualcomm’s Snapdragon 870 chipset and comes with up to 12GB RAM and 256GB of built-in storage.  

The rear camera uses a 50 MP sensor in the primary module, and those users who want to zoom in or out have a 16 MP ultra-wide and 13 MP 2x tele lens at their disposal. There is also a dedicated macro lens, which is not covered by our test protocol. In video mode, the Oppo can record 4K footage at up to 60 frames per second.

Let’s find out how the Oppo Reno6 Pro+ performed in our DXOMARK Camera test.

Key camera specifications:

  • Primary: 50 MP 1/1.56″ Sony IMX766 sensor, 1.0µm pixels, f/1.8-aperture lens, PDAF
  • Ultra-wide: 16 MP 1/3.09″ sensor, 1.0μm pixels, 123° field-of-view, f/2.2-aperture lens
  • Tele: 13 MP 1/3.4″ sensor, 1μm pixels, f/2.4-aperture lens, 2x optical tele, PDAF
  • Macro: 2 MP 1/5.0″ sensor, 1.75μm pixels, f/2.4-aperture lens
  • Video: 4K at 60/30fps, 1080P at 60/30fps

About DXOMARK Camera tests: For scoring and analysis in our smartphone camera reviews, DXOMARK engineers capture and evaluate over 3000 test images and more than 2.5 hours of video both in controlled lab environments and in natural indoor and outdoor scenes, using the camera’s default settings. This article is designed to highlight the most important results of our testing. For more information about the DXOMARK Camera test protocol, click here. More details on how we score smartphone cameras are available here.

Test summary

Good detail in Photo and Video 40
Oppo Reno6 Pro+

Good detail in Photo and Video 41

121

camera

Pros

  • High detail in most conditions for Photo and Video
  • Accurate and repeatable autofocus
  • Good target exposure on the ultra-wide camera, and in outdoor and indoor videos
  • Stable white balance in video
  • Autofocus is fast to react and adjust in video

Cons

  • Exposure variation in outdoor shots
  • Noise in stills and video
  • Frequent color casts in indoor and outdoor shots, often pinkish skies
  • Preview image shows lower dynamic range than capture
  • Loss of detail when using the tele camera
  • Limited dynamic range in video
  • Ineffective video stabilization when walking while recording

With a DXOMARK Camera overall score of 121 the Oppo Reno6 Pro+ makes it into the top ten of the Premium segment ($600-799). The device builds on a Photo performance that is excellent for its class (126) and still images benefit from very good texture across the ultra-wide, primary and tele modules.

Its also achieves a decent Zoom score for its class and the Video score of 108 puts the Oppo Reno6 Pro+ among the top ten for Video in the Premium segment, making it an excellent option for users who are looking for consistently decent image results across all use cases without spending Ultra Premium segment amounts of money.

Photo

Oppo Reno6 Pro+ achieves a Photo score of 126. In this section we take a closer look at each sub-attribute and compare image quality against competitors.

Good detail in Photo and Video 43

Exposure and Contrast

Huawei P50 Pro

Best: Huawei P50 Pro (111)

In these tests we analyze target exposure, contrast, and dynamic range, along with repeatability across a series of images. Tests are undertaken in a wide range of light conditions, including backlit scenes and low light down to 1 lux. The score is derived from a number of objective measurements in the lab and perceptual analysis of real-life images.

In outdoor shots, our testers observed very noticeable exposure variation between consecutive shots, like in these images of a backlit scene.

Good detail in Photo and Video 44

Oppo Reno6 Pro+, decent subject exposure, wide dynamic range

Good detail in Photo and Video 45
Oppo Reno6 Pro+, slightly brighter subject exposure and background
Good detail in Photo and Video 46
Oppo Reno6 Pro+, lack of dynamic range, slightly darker subjects and highlight clipping on the background
Good detail in Photo and Video 47

Color

Apple iPhone 13 Pro Max

Best: Apple iPhone 13 Pro Max (107)

In these tests we analyze color rendering, skin tones, white balance, and color shading, along with repeatability across a series of images. The score is derived from a number of objective measurements in the lab and perceptual analysis of real-life images.

These samples show Oppo Reno6 Pro+’s color performance in an outdoor scene.

Good detail in Photo and Video 48

Oppo Reno6 Pro+, slight pink cast in outdoor conditions

Good detail in Photo and Video 49

Xiaomi Mi 10 Pro, slightly undersaturated color

Good detail in Photo and Video 50

Oppo Reno5 Pro+ 5G, slightly inaccurate color

Good detail in Photo and Video 51

Autofocus

Apple iPhone 12 Pro Max

Best: Apple iPhone 12 Pro Max (109)

In these tests we analyze autofocus accuracy and shooting time as well as repeatability, in the lab. We test focus failures, depth of field, and tracking of moving subjects using perceptual analysis of real-life images.

This graph shows the Oppo Reno6 Pro+’s autofocus performance in our benchmark lab analysis under indoor light (300 lux) handheld.

Good detail in Photo and Video 52

Autofocus comparison: Both Oppo devices are generally slow focusing in all conditions. The Xiaomi is measurably faster and also accurate.

Good detail in Photo and Video 53

Texture

Xiaomi Mi 11

Best: Xiaomi Mi 11 (111)

In these tests we analyze texture on faces and objects, including objects in motion, in a range of light conditions, using several lab test setups and perceptual analysis of real-life images.

These samples show Oppo Reno6 Pro+’s texture performance in a low light scene.

Oppo Reno6 Pro+, low light texture

Good detail in Photo and Video 55

Oppo Reno6 Pro+, crop: fine detail is well preserved

Xiaomi Mi 10 Pro, low light texture

Good detail in Photo and Video 57

Xiaomi Mi 10 Pro, crop: fine detail is well preserved

Oppo Reno5 Pro+ 5G, low light texture

Good detail in Photo and Video 59

Oppo Reno5 Pro+ 5G, crop: fine detail is well preserved

Good detail in Photo and Video 60

Noise

Huawei P50 Pro

Best: Huawei P50 Pro (99)

In these tests we analyze noise on faces and objects, including objects in motion, in a range of light conditions, using several lab test setups and perceptual analysis of real-life images.

These samples show the Oppo Reno6 Pro+’s noise performance in a low-light setting.

Good detail in Photo and Video 61

Noise comparison: The Oppo Reno6 Pro+’s noise levels are fairly high in all conditions

Good detail in Photo and Video 62

Bokeh

Huawei P50 Pro

Best: Huawei P50 Pro (80)

For these tests we switch to the camera’s bokeh or portrait mode and analyze depth estimation, bokeh shape, blur gradient, and repeatability, as well as all other general image quality attributes mentioned above. The score is derived from perceptual analysis of real-life images.

These samples show Oppo Reno6 Pro+’s bokeh simulation indoors.

Good detail in Photo and Video 63

Oppo Reno6 Pro+, noise more visible in blurred areas

Good detail in Photo and Video 64

Xiaomi Mi 10 Pro, noise more visible in blurred areas

Good detail in Photo and Video 65

Oppo Reno5 Pro+ 5G, similar noise levels on in-focus and blurred areas

Good detail in Photo and Video 66

Night

Huawei Mate 40 Pro+

Best: Huawei Mate 40 Pro+ (82)

In these tests we shoot a selection of images in pitch-black darkness as well as with city lights in the background providing some illumination. We shoot sample images with the camera at default settings in both flash-auto and flash-off modes. We analyze all image quality attributes but we pay particular attention to exposure, autofocus, and color. We do not test night modes that have to be activated manually.

These samples show Oppo Reno6 Pro+’s night performance in flash-auto mode.

Good detail in Photo and Video 67

Oppo Reno6 Pro+, flash-auto: accurate subject exposure, nice skin tones

Good detail in Photo and Video 68

Xiaomi Mi 10 Pro, flash-auto: slight underexposure on subject

Good detail in Photo and Video 69

Oppo Reno5 Pro+ 5G, flash-auto: accurate subject exposure but unnatural skin tones

Good detail in Photo and Video 70

Artifacts

Google Pixel 4

Best: Google Pixel 4 (75)

In these tests we check images for optical artifacts such as vignetting, flare, lens softness in the corners, distortion, and chromatic aberrations, as well as for processing artifacts such as ghosting and fusion errors, hue shift, and ringing.

This sample shows fusion artifacts in a backlit scene.

Oppo Reno6 Pro+, high-contrast scene

Good detail in Photo and Video 72

Oppo Reno6 Pro+, crop: fusion artifacts

Good detail in Photo and Video 73

Preview

Apple iPhone 13 Pro Max

Best: Apple iPhone 13 Pro Max (80)

In these tests we analyze the image quality of the preview image and the differences between preview images and captured images, particularly in terms of exposure, dynamic range, and bokeh effect. We also check the smoothness of the field-of-view changes in the preview image when zooming with both buttons or when using the pinch-zoom gesture.

These samples compare accuracy between the Oppo Reno6 Pro+’s preview and final capture in a high contrast indoor scene.

Good detail in Photo and Video 74

Oppo Reno6 Pro+, preview: highlight clipping

Good detail in Photo and Video 75

Oppo Reno6 Pro+, capture: noticeably better than preview image

Zoom

Oppo Reno6 Pro+ achieves a Zoom score of 64. The Zoom score includes the tele and wide sub-scores. In this section, we take a closer look at how these sub-scores were achieved and compare zoom image quality against the competitors.

Good detail in Photo and Video 76

Wide

Huawei P50 Pro

Best: Huawei P50 Pro (57)

In these tests, we analyze the performance of the ultra-wide camera at several focal lengths from 12 mm to 20 mm. We look at all image quality attributes, but we pay particular attention to such artifacts as chromatic aberrations, lens softness, and distortion.

These samples show the performance of the Oppo Reno6 Pro+’s ultra-wide camera in an indoor setting.

Oppo Reno6 Pro+, ultra-wide

Good detail in Photo and Video 78

Oppo Reno6 Pro+, crop: good dynamic range but strong noise

Xiaomi Mi 10 Pro, ultra-wide

Good detail in Photo and Video 80

Xiaomi Mi 10 Pro, crop: more limited dynamic range but lower noise

Oppo Reno5 Pro+ 5G, ultra-wide

Good detail in Photo and Video 82

Oppo Reno5 Pro+ 5G, crop: limited dynamic range and strong noise

Good detail in Photo and Video 83

Tele

Huawei P50 Pro

Best: Huawei P50 Pro (140)

In these tests we analyze all image quality attributes at focal lengths from approximately 40 to 300 mm, paying particular attention to texture and detail. The score is derived from a number of objective measurements in the lab and perceptual analysis of real-life images.

This shows the Oppo Reno6 Pro+’s average resolution scores in our benchmark lab analysis using a medium-range zoom setting under different lighting conditions.

Oppo Reno6 Pro+, long range tele

Good detail in Photo and Video 85

Oppo Reno6 Pro+, crop: low level of detail

Xiaomi Mi 10 Pro, long range tele

Good detail in Photo and Video 87

Xiaomi Mi 10 Pro, better detail

Oppo Reno5 Pro+ 5G, long range tele

Good detail in Photo and Video 89

Oppo Reno5 Pro+ 5G, low level of detail

Video

In our Video tests we analyze the same image quality attributes as for still images, such as exposure, color, texture, and noise, but we also include such temporal aspects as speed, smoothness and stability of exposure, white balance, and autofocus transitions.

NOTE: The sample video clips in this section are best viewed at the highest resolution available. 

Oppo Reno6 Pro+ achieves a Video score of 108. A device’s overall Video score is derived from its performance and results across a range of attributes in the same way as the Photo score. In this section, we take a closer look at these sub-scores and compare video image quality against competitors.

Good detail in Photo and Video 43

Exposure and Contrast

Apple iPhone 13 Pro Max

Best: Apple iPhone 13 Pro Max (118)

These video stills show the Oppo Reno6 Pro+’s video exposure performance in daylight.

Good detail in Photo and Video 91

Oppo Reno6 Pro+, video still:  limited dynamic range

Good detail in Photo and Video 92

Xiaomi Mi 10 Pro, video still: limited dynamic range

Good detail in Photo and Video 93

Oppo Reno5 Pro+ 5G, video still: slightly limited dynamic range

Good detail in Photo and Video 47

Color

Xiaomi Mi 11 Ultra

Best: Xiaomi Mi 11 Ultra (105)

These video stills show the Oppo Reno6 Pro+’s video color in an outdoor scene.

Good detail in Photo and Video 95

Oppo Reno6 Pro+, video still: accurate skin tones

Good detail in Photo and Video 96

Xiaomi Mi 10 Pro, video still: slightly unnatural skin tones

Good detail in Photo and Video 97

Oppo Reno5 Pro+ 5G, video still: slightly unnatural skin tones

Good detail in Photo and Video 51

Autofocus

Apple iPhone 13 Pro Max

Best: Apple iPhone 13 Pro Max (109)

This sample clip shows the Oppo Reno6 Pro+’s video autofocus performance in an indoor scene.

Slight refocuses and focusing errors are visible on the Oppo Reno6 Pro+ in low or challenging lighting conditions.

Good detail in Photo and Video 53

Texture

These video stills show the Oppo Reno6 Pro+’s video texture performance under indoor lighting conditions.

Oppo Reno6 Pro+, video still, texture

Good detail in Photo and Video 101

Oppo Reno6 Pro+, crop: good texture

Xiaomi Mi 10 Pro, video still, texture

Good detail in Photo and Video 103

Xiaomi Mi 10 Pro, crop: slightly low level of detail

Oppo Reno5 Pro+ 5G, video still, texture (1080p)

Good detail in Photo and Video 105

Oppo Reno5 Pro+ 5G, low level of detail

Good detail in Photo and Video 60

Noise

Apple iPhone 13 Pro Max

Best: Apple iPhone 13 Pro Max (105)

This graph shows the Oppo Reno6 Pro+’s video noise performance in the lab.

Good detail in Photo and Video 107

Video noise comparison: the Reno6 Pro+ 5G’s noise levels are higher than the comparison devices

Good detail in Photo and Video 70

Artifacts

Oppo Find X2 Pro

Best: Oppo Find X2 Pro (94)

For video artifacts, we check for the same kinds of artifacts mentioned in the Photo section, along with such video-specific artifacts as frame rate variation in different light conditions, judder effect, and moving artifacts (artifacts such as aliasing, color quantization, and flare can often be more intrusive when moving than in a still image).

This video still shows a hue shift around clipped areas.

Good detail in Photo and Video 111

Stabilization

Huawei P50 Pro

Best: Huawei P50 Pro (102)

In these tests we analyze residual motion when handholding the camera during recording, as well as when walking and running with the camera. We also look for stabilization artifacts such as jello effect, sharpness differences between frames, and frame shift (abrupt changes of framing).

These sample clips show the Oppo Reno6 Pro+’s video stabilization performance in daylight.

Oppo Reno6 Pro+, residual motion

Xiaomi Mi 10 Pro, less residual motion

Oppo Reno5 Pro+ 5G, strong residual motion

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